Identificatie
referentie code
Titel
Datum(s)
- c1500-1820 (Vervaardig)
Beschrijvingsniveau
Omvang en medium
33 paintings and catalogue
Context
Naam van de archiefvormer
Biografie
In October 1985 Charles Graham-Dixon, then Vice-President of the Corporation of the Royal Albert Hall of Arts and Sciences, offered to lend his personal collection of paintings to be exhibited at the Hall. On his death in 1986, Charles Graham-Dixon bequeathed a total of 33 paintings from his collection to the Royal Albert Hall, half of which are on permanent display in the Prince of Wales Room. In 2006 five of the paintings were cleaned and restored by Maria Greenley, and hung in the then newly created Clive Room; from September 2008 to May 2009 she restored the rest of the collection, two of which now hang in the lobby of the Clive Room. The rest have been glazed and hung in the Hall's Prince of Wales Room, this project having been achieved through the generosity of former President of the Corporation Charles Fairweather. The pictures are drawn mainly from the 17th century schools of the Netherlands, Italy and one English work. The finest pictures are the Dutch pieces which were acquired with the help and guidance of one of Londons leading dealers, the late Alfred Brod.
archiefbewaarplaats
Geschiedenis van het archief
GB 2000 CGD c1500-1820 Item level 33 paintings and catalogue Pieter Neefs the Elder,
Hendrick Van Steenwyck the Younger,
The Antwerp Mannerist,
The Becerril Master,
Jacques de Rousseau,
Giacomo Guardi,
Frans Francken the Younger,
Johannes Lingelbach,
Vittore Carpaccio,
Jospeh Stannard,
Gerrit Van Vucht,
Jan Van Goyen,
Frans de Momper,
Abraham Van Beyeren,
Jacob Salomon Van Ruisdael,
Gaspar Pieter Verbruggen,
Circle of Cornelis de Heem,
Adrian Brouwer,
Gerrit Heda,
Bartholomeus Assteyn,
Jacobus Marell,
Sebastian Vrancx,
Philips Wouvermans,
Pieter Franchoys,
Willem Duyster,
Nicholaes Maes,
Pieter de Hooch,
Daniel Gardener.
In October 1985 Charles Graham-Dixon, then Vice-President of the Corporation of the Royal Albert Hall of Arts and Sciences, offered to lend his personal collection of paintings to be exhibited at the Hall. On his death in 1986, Charles Graham-Dixon bequeathed a total of 33 paintings from his collection to the Royal Albert Hall, half of which are on permanent display in the Prince of Wales Room. In 2006 five of the paintings were cleaned and restored by Maria Greenley, and hung in the then newly created Clive Room; from September 2008 to May 2009 she restored the rest of the collection, two of which now hang in the lobby of the Clive Room. The rest have been glazed and hung in the Hall's Prince of Wales Room, this project having been achieved through the generosity of former President of the Corporation Charles Fairweather. The pictures are drawn mainly from the 17th century schools of the Netherlands, Italy and one English work. The finest pictures are the Dutch pieces which were acquired with the help and guidance of one of Londons leading dealers, the late Alfred Brod.
Charles Graham-Dixon
Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.
None expected
The collection is catalogued
Access is available by appointmnet only once a valid reference is provided
Reproduction is prohibited
English
No finding aids
February 2012 Painting Paintings Religion Venice Fine arts Illustrations Italy Visual materials Western Europe Europe
Directe bron van verwerving of overbrenging
Charles Graham-Dixon
Inhoud en structuur
Bereik en inhoud
Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.
Waardering, vernietiging en slectie
Aanvullingen
None expected
Ordeningstelsel
The collection is catalogued
Voorwaarden voor toegang en gebruik
Voorwaarden voor raadpleging
Access is available by appointmnet only once a valid reference is provided
Voorwaarden voor reproductie
Reproduction is prohibited
Taal van het materiaal
- Engels
Schrift van het materiaal
- Latijn
Taal en schrift aantekeningen
English
Fysieke eigenschappen en technische eisen
Toegangen
No finding aids
Verwante materialen
Bestaan en verblifplaats van originelen
Bestaan en verblijfplaats van kopieën
Related units of description
Aantekeningen
Alternative identifier(s)
Trefwoorden
Onderwerp trefwoord
Geografische trefwoorden
Naam ontsluitingsterm
Genre access points
Beschrijvingsbeheer
Identificatie van de beschrijving
Identificatiecode van de instelling
Toegepaste regels en/of conventies
Status
Niveau van detaillering
Verwijdering van datering archiefvorming
Taal (talen)
- Engels