GB 2000 CGD - Charles Graham-Dixon Collection

Zone d'identification

Cote

GB 2000 CGD

Titre

Charles Graham-Dixon Collection

Date(s)

  • c1500-1820 (Création/Production)

Niveau de description

Étendue matérielle et support

33 paintings and catalogue

Zone du contexte

Nom du producteur

Notice biographique

In October 1985 Charles Graham-Dixon, then Vice-President of the Corporation of the Royal Albert Hall of Arts and Sciences, offered to lend his personal collection of paintings to be exhibited at the Hall. On his death in 1986, Charles Graham-Dixon bequeathed a total of 33 paintings from his collection to the Royal Albert Hall, half of which are on permanent display in the Prince of Wales Room. In 2006 five of the paintings were cleaned and restored by Maria Greenley, and hung in the then newly created Clive Room; from September 2008 to May 2009 she restored the rest of the collection, two of which now hang in the lobby of the Clive Room. The rest have been glazed and hung in the Hall's Prince of Wales Room, this project having been achieved through the generosity of former President of the Corporation Charles Fairweather. The pictures are drawn mainly from the 17th century schools of the Netherlands, Italy and one English work. The finest pictures are the Dutch pieces which were acquired with the help and guidance of one of Londons leading dealers, the late Alfred Brod.

Histoire archivistique

GB 2000 CGD c1500-1820 Item level 33 paintings and catalogue Pieter Neefs the Elder,
Hendrick Van Steenwyck the Younger,
The Antwerp Mannerist,
The Becerril Master,
Jacques de Rousseau,
Giacomo Guardi,
Frans Francken the Younger,
Johannes Lingelbach,
Vittore Carpaccio,
Jospeh Stannard,
Gerrit Van Vucht,
Jan Van Goyen,
Frans de Momper,
Abraham Van Beyeren,
Jacob Salomon Van Ruisdael,
Gaspar Pieter Verbruggen,
Circle of Cornelis de Heem,
Adrian Brouwer,
Gerrit Heda,
Bartholomeus Assteyn,
Jacobus Marell,
Sebastian Vrancx,
Philips Wouvermans,
Pieter Franchoys,
Willem Duyster,
Nicholaes Maes,
Pieter de Hooch,
Daniel Gardener.

In October 1985 Charles Graham-Dixon, then Vice-President of the Corporation of the Royal Albert Hall of Arts and Sciences, offered to lend his personal collection of paintings to be exhibited at the Hall. On his death in 1986, Charles Graham-Dixon bequeathed a total of 33 paintings from his collection to the Royal Albert Hall, half of which are on permanent display in the Prince of Wales Room. In 2006 five of the paintings were cleaned and restored by Maria Greenley, and hung in the then newly created Clive Room; from September 2008 to May 2009 she restored the rest of the collection, two of which now hang in the lobby of the Clive Room. The rest have been glazed and hung in the Hall's Prince of Wales Room, this project having been achieved through the generosity of former President of the Corporation Charles Fairweather. The pictures are drawn mainly from the 17th century schools of the Netherlands, Italy and one English work. The finest pictures are the Dutch pieces which were acquired with the help and guidance of one of Londons leading dealers, the late Alfred Brod.

Charles Graham-Dixon

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

None expected

The collection is catalogued

Access is available by appointmnet only once a valid reference is provided

Reproduction is prohibited

English

No finding aids

February 2012 Painting Paintings Religion Venice Fine arts Illustrations Italy Visual materials Western Europe Europe

Source immédiate d'acquisition ou de transfert

Charles Graham-Dixon

Zone du contenu et de la structure

Portée et contenu

Thirty three paintings dating from c1500-1820 with accompanying contextual records. The subject of the paintings ranges from cathedral and church interiors, Rembrandt's father, Venice, biblical scenes including building the Tower of Babel, the Adoration of the Magi and the Madonna and Child, landscapes, ships, portraits, still lifes, flowers, battle scenes and domestic interiors. The mediums used include oil on canvas, oil on copper and oil on panel. The collection includes one triptych, one alter panel and all other paintings are framed wall paintings.

Évaluation, élimination et calendrier de conservation

Accroissements

None expected

Mode de classement

The collection is catalogued

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Access is available by appointmnet only once a valid reference is provided

Conditions de reproduction

Reproduction is prohibited

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

English

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

No finding aids

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Royal Albert Hall Archive

Règles et/ou conventions utilisées

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées