Records of the Royal Society of Portrait Painters, including minute books, agreements, rules, acceptances of membership, papers relating to annual dinners, press cuttings, and annual exhibiton catalogues. Please note that access to the collection is by written permission from the depositors only.

Records of the Exploring Living Memory project, organised by the London History Workshop Centre. This collection contains files relating to the administration and organisation of the Exploring Living Memory workshops, conferences and exhibitions together with copies of images and sample sections of text used in the displays of participating groups and individuals. There are a variety of images depicting individuals, family groups and war time experiences together with images of London both past and present.

Records of Earls Court Grounds Limited, comprising minutes of Board and General Meetings.

Papers concerning the career of performance artist Ian Hinchliffe (1942-2010), primarily comprising of promotional material and photographs capturing performances by Hinchliffe and his collaborators. Includes promotional material relating to Hinchliffe's performance group, the Matchbox Purveyors, founded in 1971.

T
he material covers both Hinchliffe's early to mid career in the 1970s and 1980s, with the focus predominantly on work undertaken under the Matchbox Purveyors, to his later work, concentrating on durational performances with regular collaborators such as Tony Green, Hugh Metcalfe and David Crawforth.

Also contains a smaller volume of material relating to the planning and execution of Hinchliffe's work, including pages from a notebook of illustrated performance plans, annotated scripts, correspondence, and contracts. There is also a small amount of personal material, such as photographs of Hinchliffe as a baby, and illustrated diaries of his fishing trips.

Archive, 1754 to date, of the Royal Society of Arts (RSA; formerly the Society for the Encouragement of Arts, Manufactures and Commerce, or Society of Arts), created by the Society in the course of its activities, and comprising records of its administration (Ref: AD), and records of its activities and events (Ref: PR), also including some printed material dating back to 1634.

Administrative records of the Society include:

Records of Miscellaneous Committees to discuss the programme and administration of the Society, including the Committee of Correspondence and Papers and the Committee of Miscellaneous Matters, 1754-1848 (Ref: AD.MA/104).
Records of the Society from 1754, later the Council (established 1845) (Ref: AD.MA/100).

Records concerning Chairmen of Council (from 1846) and Council membership (Ref: AD.MA/102).

Records of Secretaries (administrative head of the Society), after 1994 known as the Director (Ref: AD.MA/101).

Records of Presidents (Ref: AD.MA/103).

Records of Membership/Fellowship, relating to subscribers to the Society, originally termed 'members', referred to as 'Fellows' from 1908 (Ref: AD.MA/900). (The archive does not include extensive biographical information on RSA Fellows, although dates of membership of Fellows are usually recorded.)
Records concerning the Society's House in John Adam Street from its design and construction by the Adam Brothers, including correspondence, papers, notes, leases and other legal documents, relating to administration, management, alteration and repair of the building (Ref: AD.MA/300).

Records of various House Committees set up at different times to look at the building, its use, function, administration and management (Ref: AD.MA/305).

Accounting and financial records produced by various committees including the Accounts Committee and Finance and General Purposes Committee (Ref: AD.MA/400).

Annual Reports recording the Society's activities over the year, initially within the Journal (from 1852), but later as a separate publication (Ref: AD.MA/701).

Records relating to general lectures (developed from the 1850s when the Society ceased the award of premiums for inventions), with correspondence mainly concerning administrative arrangements for speakers and publication of their texts (in the RSA Journal) and suggestions for topics for discussion (Ref: AD.MA/800).

Records relating to the RSA Silver Medal awarded annually for the most interesting lecture over the preceding year (Ref: AD.MA/803).

Records relating to production of the Journal and other publicity, promotion and communication (Ref: AD.MA/203).

Donations and collections, comprising objects and artefacts donated to or bought by the Society (Ref: AD.MA/204).

Records of the Society's activities (such as award schemes, exhibitions, conferences, seminars and lectures), including joint initiatives with a range of other organisations, include:

Guard Books (30 volumes), 1754-1770, containing correspondence and papers about all Society activities and committees, on a range of subjects (Ref: PR.GE/110).

Manuscript versions of the Society's Transactions, comprising draft versions of the printed Transactions, including drawings, plans and diagrams in support of claims for premiums and awards. Also general correspondence to the Society on various 19th century campaigns, conferences and committees, covering subjects including lectures (arrangements for dates, speakers, chairmen, participants; suggestions for subjects, submission of lecture texts, corrections to texts, requests for tickets/programmes, acceptances, apologies for non-attendance etc), examinations (requests for syllabus, copies of certificates, programmes, rules; complaints, arrangements, agreements with colleges, details of examiners etc), membership (requests for information, applications, replies to circulars, notes accompanying subscriptions, resignations, complaints), Council/committee chairmen (intention to attend meetings, acceptances, general arrangements for meetings, requests for information, dates, times etc), Journal (receipt/non-receipt of copies, reciprocal arrangements with other libraries, requests for extra copies, corrections to proofs, advertising, arrangements for making blocks, photogravures etc), House (letters from freeholders, solicitors, contractors; booking of rooms), staff (applications for employment, testimonials, sick notes etc - a very small number of items), general (invitations, letters from bankers, auditors, business circulars, requests for funding, suggestions for campaigns, policies, events etc), and including artistic copyright, uniform musical pitch, domestic economy, art workmanship, musical training, food committees, patent law reform, prevention of fires in theatres and education exhibitions (Ref: PR.GE/118-19, 121).

Records relating to Premium and Programme committees (Ref: PR.GE/112); Albert Medal (founded 1863) (Ref: PR.GE/101); Memorial Tablet (blue plaque) scheme (founded 1866) (PR.GE/122); War Memorials Advisory Council (established 1944, disbanded 1948), concerning memorials of the Second World War (Ref: PR.GE/117); Exhibition of Exhibitions (1951), concurrent with the Festival of Britain, to commemorate earlier ground-breaking Society exhibitions on contemporary art (1760), industrial design (1847-1850), photography (1852), industry (1761), and the first international exhibition (1851) (Ref: PR.GE/102); R B Bennett Commonwealth Prize (endowed 1944) for outstanding contribution to the promotion of the arts, agriculture, industries and commerce of the Overseas Empire (Ref: PR.GE/116); Commonwealth Committee (Ref: PR.GE/113); proposals and planning for the Festival of Britain (1951) (Ref: PR.GE/103); events for the RSA Bicentenary (1954) (Ref: PR.GE/107); Benjamin Franklin Medal (instituted 1956) (Ref: PR.GE/100); Trusts, bequests, fundraising and development (Ref: PR.GE/111).

Records relating to manufacture and commerce, including the Paris Exhibitions (1844-1900) (Ref: PR.MC/109); Great Exhibition (1851) (Ref: PR.MC/107); International Exhibition (1862) (Ref: PR.MC/108); Chicago Exhibition (World's Columbian Exposition, 1893), British Section (Ref: PR.MC/112); Industry Year/Industry Matters (1986) (Ref: PR.MC/100); Tomorrow's Company (begun 1994), concerning the role of business in a changing world (Ref: PR.MC/115); Redefining Work (launched 1995) (Ref: PR.MC/116); Forum for Ethics in the Workplace (1997) (Ref: PR.MC/117); Manufacturing, Wealth Creation and the Economy (1998) (Ref: PR.MC/118).

Records of subject-based standing committees set up by the Society from 1754 to judge awards and premiums in particular areas, including minutes and correspondence about awards and attendance at and structure of committees: Agriculture (Ref: PR.MC/103), Chemistry (Ref: PR.MC/105), Colonies and Trade (Ref: PR.MC/104), Manufactures (Ref: PR.MC/102), Mechanics (Ref: PR.MC/101), and Polite Arts - including prints, drawings and other artwork submitted for award (Ref: PR.AR/103).

Records relating to fine and applied arts, including exhibition of works of Ancient and Medieval Art (1847-1850) (Ref: PR.AR/105); exhibition of the works of William Etty and William Mulready (1848-1849), including general correspondence, printed matter, catalogues, press cuttings, tickets and notices about mounting of exhibitions, and attendance (Ref: PR.AR/112); British Art in Industry Exhibition (1935) to publicise good design in articles of everyday use (Ref: PR.AR/101); Humorous Art Exhibition (1949-1950) (Ref: PR.AR/100); Art for Architecture scheme (from 1990), aiming to enhance the urban environment by encouraging cross disciplinary approaches to building and landscape projects, and associated with the Jerwood Art for Architecture Award (introduced 1994) (Ref: PR.AR/110); Shakespeare in Schools (begun 1992), a pilot project to introduce Shakespeare to children (Ref: PR.AR/108).

Records relating to promotion of design, including the Design Bursaries Board, Design Committee, the Design Board, Design Advisory Group and Design Section (Ref: PR.DE/106-7); Industrial Art Bursaries Competition (started 1924), succeeded by the Design Bursaries Competition, Competition of Industrial Designs and Student Design Awards (Ref: PR.DE/100); Royal Designers for Industry (RDI) scheme (created 1936) to encourage a high standard of industrial design (Ref: PR.DE/101); Bicentenary Medal (instituted 1954) for exceptional influence in promoting art and design in British industry (Ref: PR.DE/102); Presidential Awards for Design Management (instituted 1964) to recognise outstanding design policy (Ref: PR.DE/105).
Records relating to education, including the RSA Examinations Board (PR.ED/100); the Education for Capability programme (initiated 1979) to counteract academic bias in British education and promote practical, organising and co-operative skills (Ref: PR.ED/107); the future of Technological Higher Education in Britain (1982), a study group to consider the problems facing Britain in the development of technological higher education (Ref: PR.ED/118); Home-School links (from 1988) (Ref: PR.ED/108); Parents in a Learning Society, a development project to involve parents in education and assess home-school work (Ref: PR.ED/104); the National Advisory Council for Careers and Educational Guidance (established 1994), to promote and advise on provision of guidance for learning and work (Ref: PR.ED/103); Education Futures (2000) (Ref: PR.ED/116).

Records relating to the environment, including the Campaign for the Preservation of Ancient Cottages (begun 1926) to protect cottage architecture, establishing a fund which purchased or restored cottages near Worthing, at Bibury, Gloucestershire, West Wycombe, Buckinghamshire, Chiddingstone, Kent, and elsewhere (Ref: PR.EN/100); three 'Countryside in 1970' Conferences (1963-1970) (Ref: PR.EN/104); Environment Committee (formed 1971) to identify and anticipate major environmental problems and provide a forum for discussion (Ref: PR.EN/107), which began the Pollution Abatement Technology Award Scheme (PATAS) (1983-1986) (Ref: PR.EN/103), succeeded by the Better Environment for Industry/European Better Environment Awards for Industry (BEAFI/EBEAFI) (1987-1991) (Ref: PR.EN/101); the Environment Committee's sub-committee the RSA-Cubitt Trust Panel (to 1991), devoted to the built environment and working with the Cubitt Trust to convene conferences, seminars and an annual Cubitt Lecture (Ref: PR.EN/106); After the Earth Summit - What Next? (1992) (Ref: PR.EN/128); RSA Environmental Management Awards (begun 1993) (Ref: PR.EN/102).

The Early Library (Ref: SC/EL/1-5), comprising c500 printed works collected by the Society before 1830, including journals and periodicals, and c300 pamphlets and tracts covering broad-ranging topics relating to premiums and awards of the various sectional committees (Agriculture, Polite Arts, Chemistry, Manufactures, Mechanics, and Colonies and Trade), and including extracts from proceedings of other societies and learned institutions.

Records of the Royal Commission for the Exhibition of 1851, 1849-2002, comprising minutes of the Commission, 1850-1993; minutes of the Board of Management, 1872-2002; minutes of Science Scholarships Committee, 1890-2002; reports of the Commissioners to Parliament, 1850s-1960; annual reports of the Board of Management and committees, 1880s-2002;

correspondence, 1850-1855, relating to the Exhibition, including transport and reception of exhibits, site for the building, organisation of activities and visits for overseas visitors, medal design, music for the opening ceremony, appointment of jurors, negotiations with the contractors Fox & Henderson, award of gratuities, removal of the Crystal Palace to Sydenham, use and disposal of the surplus funds, purchase of the South Kensington Estate;

correspondence concerning the South Kensington estate, 1851-2002, including the establishment, building and subsequent development of institutions such as the Royal Albert Hall, Royal College of Music, Royal College of Art, Science Museum, Natural History Museum, Victoria and Albert Museum, Royal College of Organists, Imperial Institute (later Commonwealth Institute), Queen Alexandra's House, Royal Horticultural Society and Imperial College; correspondence concerning private properties on the estate, such as Queen's Gate; correspondence with the Royal Geographical Society, 1913-2001;

files relating to science research scholars, research fellows, overseas scholars, industrial fellows, industrial bursars, industrial design students and naval architecture scholars, including some research papers, 1891-2002;

maps, plans, drawings, photographs, including ground plans of the Exhibition, 1851; architectural drawings of the proposed estate, 1850s;

Windsor Archive concerning the 1851 exhibition, 1849-1886.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Papers of Jean Spencer, 1970-2002, comprising the Kleinsassen archive, 1986, consisting of schema, texts, plans, photographs and complete slide archive; Elephant Trust proposal and studies, 1987, including a folder of original drawings; studies for Kemi, comprising black and white photographs and line drawings; 2 sketchbooks of studies for reliefs; exhibition catalogues including Jean Spencer's work, 1972-1990; Study for Double Square Painting, 1992, (oil on linen); group exhibition catalogues, 1972-1990; "Countervail" exhibition publicity cards, Mappin Art Gallery, Sheffield, 1992.

Papers of Stephen Willats, 1960s-1998, comprising documentation relating mainly to his West London Social Resource Project in the Greenford, Hanwell and Osterley area, [1972], including questionnaires, re-modeling books and manuals for Greenford, Hanwell and Osterley, black and white photographs of the areas, audio tape of statement and interviews with project operators, examples of returns from re-modeling books and manuals, participants' sheets, public decision sheets, map of project area, exhibition display mounts; papers relating to his Edinburgh Social Model Construction Project, 1973, including project operators' manuals, problem sheets for project areas, participant project file; advertising posters, photographs; exhibition catalogues, 1968-1998, for exhibitions of Willats' work in the UK, Europe and Toronto.

Diaries recording William Halle's daily life, working as an artist and at the Telephone Exchange. He writes about trying to sell paintings to galleries, organising exhibitions and records his worries over money, his health and his sister, who lived in South Africa. The diaries also record his thoughts on various friendships and sexual relationships.

Photographs of Russian silver, porcelain, glass, ikons, paintings and other objets d'art; also offprint of Russian silver by R G Hare (in Ramsay, L G G "The Connoisseur Complete Encyclopedia of antiques" (New York, 1962, pp 60-65).

The archive consists of copies of information pieces that appeared in art magazines during their media campaign to draw attention to discrimination and inequality in the art world. It also includes an article about Fanny Adams, a bibliography of 'Fanny's moments in the press' and video footage of events, including 'Fanny's Big Ball', 28 Oct 1992.

Records of the Bankside Gallery comprising: committee minutes, financial records, administrative records, files on exhibitions held at the Gallery, 1980-present; and press cutting collection 1980-2002.

Ephemera, correspondence and other material relating to Kingston School of Art (later Kingston College of Art). Subjects covered include exhibition invitations, the Reginald Brill Exhibition (1998-9); and minutes of Kingston School of Art Governor's Meetings [1950]-1966.

Letters written from Iris Murdoch to Harry Weinberger from 1977 to 1996. The letters are in files grouped by the drawer in which Harry Weinberger kept them in his desk. The letters discuss subjects such as their shared interest in the arts and religious iconography, and both of their work. Their are over 300 letters in total.

The collection also contains a number of additional items relating to Iris Murdoch's friendship with Harry Weinberger, collected by Weinberger. This includes exhibition catalogues for Weinbergers work, and copies of drawings of Murdoch by Weinberger.

Photographic material accumulated by the Association of Anaesthetists of Great Britain and Ireland (AAGBI), relating both to the history of the AAGBI and to the wider history of anaesthesia and associated subjects from 1774 to 1997, largely comprising prints and slides, both colour and black and white, some undated, including some copies. The photographs include a series of portraits of the AAGBI Council, members of staff, and the AAGBI Group of Anaesthetists in Training (GAT) Council, and a large series of photographs used in the AAGBI publication Anaesthesia News. The collection also covers a wide range of subjects in the history of anaesthetics, and includes numerous portraits (including some photographic copies of oil paintings) of individual anaesthetists, including many eminent figures such as John Snow, Joseph Clover and Sir Ivan Magill, and various Presidents of the Association; photographs of anaesthetists at work; photographs of places associated with eminent anaesthetists and the history of anaesthetics, including various hospitals; photographs of anaesthetic apparatus of the 19th and 20th centuries, sometimes in use, and of various related medical procedures, including dentistry, obstetrics, and intensive care; photographs relating to A Charles King and his instrument-making business A Charles King Ltd, including its premises at Devonshire Street, London; photographs of the practice of anaesthesia in wartime, including World War One, World War Two and the Gulf War; photographs of documents relating to the history of anaesthesia, including some relating to Queen Victoria; photographs of events including conferences, award ceremonies and social events; photographs of the Association premises at no 9 Bedford Square, London, including its museum; photographs of exhibitions on the history of anaesthetics at no 9 Bedford Square held annually from 1987.

Papers of Ethel E Cox, 1915-1965, comprising papers compiled as Headmistress of Barrett Street Trade School, namely photographs, programmes and invitations relating to the opening of Barrett Street Trade School extension, 1928; photographs of the 'Roamers' student outings, 1930-1939, including to Hampton Court, Kew Gardens, Windsor and Eton, Greenwich, Royal Holloway College, St Albans, Cambridge; photographs of sports days and exhibitions, 1930-1949;

programmes for evening classes and special lectures, 1915-1940; programmes, flyers, correspondence, press cuttings and photographs relating to London County Council 'Lectures for Distributors', on Gloves, Underwear, China, Glass And Earthenware, Salesmanship, Hosiery, Fashion, Colour, Textiles, given at Barrett Street and organised by the School, [1933-1951]; programmes for Christmas services, 1935-1950; photographs and students' essays of their memories of Coronation Day (coronation of George VI), 1937; correspondence and cards commemorating the 'Silver Jubilee' of Barrett Street, 1940; photographs of Barrett Street Dramatic Society plays, [1917]-1936;

diary of Elsie Thompson on the evacuation of the school to Maidenhead during World War Two, [1941-1945]; evacuation projects by students, containing photographs, correspondence, programmes and press cuttings relating to the evacuation of the School to Maidenhead, [1940-1945];

photographs of retirement luncheon given for Miss Cox, 1950; speech to Miss Cox on her retirement, 1950;

photographs and press cuttings of a Royal Visit, 1965; scrapbook of press cuttings relating to the school, 1950-1959; prospectuses, 1915-1963;

photographs, press cuttings and exhibition programmes of students' work, 1936, 1937; photographs of the annual exhibition and dress parade, 1938; photographs of the fashion show, 'Fashion For Beaux & Belles', 1958; black and white photographs of womenswear and some menswear made by students, interior scenes of the school and classes including dressmaking, embroidery, tailoring, hairdressing, beauty culture and keep-fit, 1915-1960s;

register and subject marks book, containing students' names, 1953-1954;

name and address book, 1946-1953; visitors' book for Open Days, 1953-1965.

Research papers of John Hayes, [1960]-2005, containing material relating to many of Hayes’ publications or proposed publications principally on Thomas Gainsborough, Joshua Reynolds, Thomas Rowlandson, Graham Sutherland and his unpublished catalogue for the Cincinnati Art Museum. The archive consists of notes, images (photographs, colour transparencies, slides, photocopies), copies and transcripts of original source material, correspondence, press cuttings and publications. There are off-prints of many of his journal articles. The collection includes an earlier gift of a large set of photographic files of Gainsborough’s landscapes, portraits and prints and a smaller set on Gainsborough Dupont.

The National Gallery Archive holds the administrative records of the National Gallery, including: Board minutes, 19th century correspondence, annual reports, 20th century registry files, late 20th century departmental records, accounts, art historical dossiers, photographs and press cuttings.

The collection consists of 242 boxes of files relating to the work of the British Council Fine Arts, later Visual Arts, Department. The majority of the files concern the exhibitions created by the department and the touring of exhibitions outside Britain and provide illustrations of the art works included(notably for the Venice and Sao Paulo bienials), press cuttings, correspondence and related papers.

Kenneth Clark was Keeper of the Ashmolean and Director of the National Gallery, a writer, lecturer and broadcaster, and a collector and patron. This collection consists mainly of the professional papers relating to his work as an art historian and writer, but includes material relating to his work as a public servant, an administrator and in other roles during the Second World War. It contains correspondence, subject files, writings, source material, photographs, press cuttings and printed ephemera.

Papers of Lyon Playfair, 1st Baron Playfair of St Andrews, 1795-1910, comprising general correspondence, 1795, 1840-1910, covering a range of subjects relating to Playfair's scientific and political interests, notably with Prince Albert, 1851-[1853], and via Charles Grey, 1850-1861, concerning the Great Exhibition, Alfred, Duke of Edinburgh, 1865-1886, Matthew Arnold, 1883, Sir Charles Barry, 1795-1860, Thomas Francis Bayard, concerning 'Venezuela dispute', 1896, Queen Victoria, 1883, and via Sir Arthur John Bigge, 1895-1898, Charles Booth, 1895, Sir David Brewster, concerning lighthouses,1851-1868, Robert Wilhelm Bunsen, concerning their research, 1841-1849, Edwin Chadwick, concerning agriculture and politics, 1855-1899, concerning pensions, Joseph Chamberlain, concerning the Aged Poor Commission, Venezuela, 1894-1899, Prince Christian of Schleswig-Holstein, concerning the 1851 Commission,1882-1896, Sir Robert Christison, concerning vivisection bill, 1867-1876, Anthony Ashley Cooper, 1852-1874, Charles Darwin, concerning vivisection bill, 1875, Sir Thomas Henry De La Beche, concerning the Geological Survey, 1842-1852, Sir James Dewar, 1885-1898, Albert Edward, Prince of Wales (later Edward VII), 1879-1898, Michael Faraday, 1842-1857, William Ewart Gladstone, 1859-1892, Thomas Graham, 1839-1867, Thomas Henry Huxley, 1854-1891, Henry James, 1898, George Granville Leveson-Gower, [1850]-1889, Justus von Liebig, 1841-1873, Joseph Lister, 1876-1898, David Livingstone, including an account of his exploration in Africa, 1861, John Stuart Mill, 1868, Viscount Horatio Nelson to 'Pollard', 1795, Sir Robert Peel, [1842]-1850, letters of condolence to Lady Playfair on the death of Lord Playfair, 1898.

Family correspondence, comprising letters to various correspondents from Playfair, 1854-1898, notably his son George and daughter-in-law; letters from Edith Playfair (third wife), to her step-son, 1898.

Papers relating to diplomas and appointments, 1840-1892, notably appointment as Professor of Chemistry, Edinburgh University, 1858, Charity Commissioner, 1886, Lord-in-Waiting to Queen Victoria, 1892, Privy Councillor, 1873.

Papers relating to orders and decorations, 1851-1898, notably Order of the Bath, Order of the Legion of Honour and Jubilee Medal.

Papers of Adolf Frankl, 1975-1990, relate to an art exhibition of Adolf Frankl's works and consist of correspondence, opening addresses, newspaper reviews and catalogues.

Papers of Anthony Blunt, 1700-1983, comprising papers relating to Nicolas Poussin, notably files relating to his paintings, drawings and engravings, arranged by subject categories and containing notes, correspondence, articles, sales catalogues and illustrations (photographs, colour transparencies, slides, photocopies, prints, lithographs, engravings) of the named picture, details of the picture, variant versions (usually copies after), and in many cases, plates printed for the Poussin catalogue raisonné, 1824-[1983]; notes and illustrations relating to comparative material relevant to Poussin, including sculpture, 1700-1972; works by the circle of Poussin, [1938-1983]; drawings by the Poussin 'school', [1966-1977]; copies of letters by Poussin, and related notes, including photographs of letters from the Bibliothèque Nationale, Paris, [1964-1967]; notes, transcripts and letters relating to sales of works; correspondence with colleagues relating to Poussin's paintings and drawings, [1940-1982], notably Denis Mahon, 1960-1962, Walter Friedlander, 1944-1966, Erwin Panofsky, 1960-1961; notebooks, [1962-1965] and loose notes relating to Poussin; correspondence with Elizabeth Mackenzie (Lady Margaret Hall, Oxford), 1962-1982; offprints of various authors relating to Poussin; miscellaneous material relating to Poussin, [1940-1982], including a photocopy of his will;
papers relating to French art, notably notes, photographs and articles relating to French paintings, sculpture and architecture of the 16th-19th centuries, [1938-1977]; typescripts, note and correspondence relating to Chantelou's diary, [1980-1983]; papers, articles and illustrations relating to a publication by Ronald Cohen concerning the Le Nain Brothers, [1982]; articles relating to the Louvre, [1978];
papers relating to Italian art, notably notes, illustrations and articles relating to Italian Baroque architecture and sculpture, [1953-1982]; Borromini, [1956-1980]; Pietro da Cortona, [1966-1982]; notes, plans, photographs and papers relating to buildings and sculpture in Naples [1954-1981]; notes relating to Palermo, [1967]; typescripts, photographs, notes, correspondence and reviews relating to Blunt's A Guide to Baroque Rome;
articles by Blunt concerning the Royal Collection, 1972, and colonial architecture; plans, photographs, notes and review relating to a catalogue of Waddesdon Manor, [1974-1982]; correspondence, 1970-1983, largely concerning paintings and publications; articles by various authors, 1975-1982; offprints by Blunt, [1932-1982]; newspaper cuttings, 1929-1983; correspondence with publishers, 1972-1983; photographs, correspondence and articles relating to Blunt's personal collection, [1960-1982]; personal papers, [1932-1978], including appointment diaries, 1972-1978; papers from Blunt's school and university days, 1919-1930, including notes, articles, school and university magazines; papers relating to a trip to Russia, comprising notes on paintings, drawings and architecture,1935, two guidebooks, 1931, 1934.

Papers of Sir Augustus Wall Callcott, 1786-1837, comprising travel journals and papers largely from Callcott's honeymoon in Europe in 1827-1828, notably including lists, descriptions and sketches of pictures from various art collections visited in Italy, Germany, Austria and Czechoslovakia.

Papers of Hans Andreas Hammelmann, comprising working files, compiled [1950]-1969, arranged by artist, containing photographs of pictures, correspondence and articles, for the artists: David Allan, Peter Angelles, P Angier, William Austin, Antonio Baratti, Francis Barlow, Bernard Baron, Francesco Bartolozzi, Basire, Baumgarten, Anthony Benoist, Benoit, Thomas Bewick, George Bickham, Nicholas Blakey, François Boitard, Louis Philippe Boitard, Jacob Bonneau, F Boucher, Bowyer, Edward Francesco Burney, Charles Catton Jnr, Louis Cheron, J B Cipriani, B Cole, William Cole, John Collins, Collyer, Bartholomew Dandridge, Delacroix, John Devoto, Claude Dubosc, John Ellis, Paul Fourdrinier, Alexandre-Evariste Fragonard, Jean Honoré Fragonard, Fuseli (son), Henry Fuseli, John Gilpin, Sawrey Gilpin, Joseph Goupy, Hubert Gravelot, Simon Gribelin, Moses Griffith, Simon Grignion, Joseph Grisoni, Louis Du Guernier, Sir William Hamilton, Jonas Hanway, Francis Hayman, Joseph Highmore, William Hogarth, James Hulett, Walter Jackson, William Kent, Elisha Kirkall, Knapton, Marcellus Laroon, Philippe Jacques de Loutherbourg, Thomas Major, J Marchant, Mercier, Conrad Metz, John Hamilton Mortimer, George Michael Moser, Johann Sebastian Muller, John Nixon, Pietro Antonio Novelli, Piazetta, John Pine, Arthur Pond, Ravenet, William Wynne Ryland, Paul Sandby, T Sandby, G Scotin, Robert Smirke, Stendhal, Thomas Stothard, John Sturt, Tardieu, Isaac Taylor, Sir James Thornhill, John Tinney, John Vanderbank, Van der Gucht family, Vivares, Samuel Wale, Anthony Walker, Antoine Watteau, John Webber, Richard Westall, George M Woodward, John Wootton, Thomas Worlidge;
photographs, photocopies and notes relating to eighteenth century book illustrations, compiled [1950]-1969; correspondence relating to specific artists and general matters, some with photographs and articles, 1950-1969, notably from the National Gallery of Scotland, 1950, Professor Lawrence Gowing, 1953, National Gallery of Ireland, 1969, Ashmolean Museum, 1959, 1966, British Museum, 1966, Bibliotheca Nacional, Madrid, 1968, Nottingham Museum and Art Gallery, 1951, Courtauld Institute, Witt Library, 1952, Bodleian Library, 1952, Royal Library, Windsor, 1967, Ruskin Galleries, Isle of Wight, 1967, Lewis Walpole Library, Connecticut, 1969;
papers of T S R Boase, 1953-[1974], comprising printed articles, exhibition catalogues, correspondence and two card indices, one of eighteenth century artists and illustrators, and one of authors; original prints and autographs, 1740, 1780 and undated, notably six prints of paintings in Vauxhall Gardens by Francis Hayman; three letters with autographs, 1795-1931; miscellaneous items, [1950s-1960s], including card indices on eighteenth century illustrated books and literature, cuttings from catalogues, photographs of Hammelmann 's friends/family, Victorian book illustrations; general articles and publications, 1864-1969, some by Hammelmann.

Papers of Percy Moore Turner, 1905-1952, comprising folders relating to various artists and works of art including John Sell Cotman, John Berney Crome, Honoré Daumier Edgar Degas, Eugène Delacroix, Peter De Wint, Thomas Gainsborough, Francisco de Goya, Rembrandt Harmenszoon van Rijn, Varin and Diego Velazquez, and museums including the Louvre, Paris; catalogues of pictures at Staunton Harold, 1922; an exhibition by Richard Parkes Bonington, 1937; Percy Moore Turner's collection of engravings, etchings, lithographs and other prints, 1951; correspondence relating to gift of pictures to the Louvre, 1947-1948, and P M Turner's estate, 1951-1952; photographs of paintings, undated, from the British Museum, Castle Museum, Norwich, National Gallery, Royal Albert Memorial Museum, Exeter, and the Tate Gallery; newpaper cuttings, 1925-1950, including some relating to the Courtauld.

Records of the Library and Museum Committee, Court of Common Council, including minutes, 1869-1874 and committee papers, 1869-1875.

Collection of ephemera, 1857-1869 and undated {1850s-1860s}, largely printed, including playbills, programmes, song sheets, catalogues and guides, relating to events, including sport, music, fireworks, fountains and illuminations, at the Crystal Palace (Sydenham, Kent); to operas at the Royal English Opera and the Royal Italian Opera, Covent Garden (Westminster); and to theatrical, musical and other recreational events, including comedies, ballets, tableaux, dioramas, exhibitions, and popular scientific events, at various premises including in Westminster, St Marylebone, Paddington, St Pancras, St Giles in the Fields, South Kensington, Kew, and Greenwich.

The collection contains the administrative papers of the Barbican Arts Group Trust including policy documents; minutes of meetings; financial records; property records; and artists' details. In addition, the collection includes a range of visual material showing artists and their work as well as printed publicity material for exhibitions. The Trust's outreach work is represented through a number of school packs and booklets.

Papers of Guildhall Art Gallery, comprising account of several pictures presented to the Corporation by John Boydell, alderman, 1793 and register of works of art, listing paintings, drawings and sculptures, presented donated or deposited at Guildhall, begun 1906, retrospective to 1660, and continued to 1953.

Records documenting the work of contemporary artists practising in Britain of African-Caribbean, Asian and African descent, 1970-2002, largely comprising exhibition posters, exhibition cards, press releases, press cuttings, videos, audio tapes and slides; records of The Peoples' Gallery, Camden, 1984-1987, comprising publicity flyers, press cuttings.

The Photograph Collection contains images of the galleries, exhibits, staff and visitors from the time of the opening of the Museum onwards.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Documents relating to Exhibitions and Displays at Kingston Polytechnic from 1975-1986. Includes display programmes, leaflets, photographs and press cuttings. Also with a photograph of the staff of the Business School in 1982, and a Kingston Polytechnic Diary newsletter dated 05 May 1986.

Records collected from within Kingston School of Art at Kingston University and from external donors relating to the history of Kingston School of Art / Kingston College of Art (later part of Kingston Polytechnic and Kingston University). Records collected include photographs, events and exhibition programmes and invitations, prospectuses, leaflets, and correspondence. Originally collected as part of the Archive KSA Project.

Records relating to the London College of Fashion, 1967-2002, comprising papers relating to course submissions to the Technical Education Council, 1977-1980; course handbooks, papers relating to courses and course validations, 1985; course leaflets for Cosmetic science, Fashion design & technology, Fashion promotion, Fashion futures, Costume & make-up for the performing arts, Media, BA Hons fashion management and Access to fashion business, [1986]; bulletins and newsletters, 1967-1979; prospectuses, 1980-2002; London Institute annual review, 1997;

photographs of students, students' work, interior scenes of the college, 1967-2002; photographs of the HND FDT students' show, 1995;

videocassettes of students' shows, 1980-[2002]; scrapbooks of press cuttings concerning the London College of Fashion and former students, 1975-1993;

audio tapes and transcripts of interviews, [1996], with Mary Wildman on her time as a student at Barrett Street Trade School, 1936-1938, and Eddie Thornton, student, 1963-1965; paper entitled 'Needle trades to the needs of fashion', 1996.

Records of Shoreditch College for the Garment Trades, formerly Shoreditch Technical Institute Girls Trade School, [1904]-1967, comprising staff register, [1904]-1922, giving name, details of previous appointments and starting and leaving dates; school rolls, giving names of students, 1948-1961; syllabuses, 1967; examination papers, 1967; examination results, 1961-1965; summary detail of classes, 1949-1965; minutes and papers of the Publicity sub-committee, 1958; papers concerning a ministry inspection of Shoreditch College, undated; annual report, 1964-1965; prospectuses, 1929-1967; photographs of students and press cuttings, 1949-1955; papers and press cuttings relating to Shoreditch Technical Institute, 1949-1955; photographs of prizegivings, 1954-1963; programmes for shows and plays, 1950s; Shoreditch Girls Junior Technical School visitors' book, containing visiting cards left by visitors, 1910.

Records of Central Saint Martins College of Art & Design, 1989-2002, comprising prospectuses for 1989-2004; postgraduate degree and research directory for 2002-2003; material relating to degree shows, 1989-2002.

Records of the Central School of Art and Design, [1896]-1987, comprising minutes of the Advisory Council, 1915-1952; minutes and agendas of the Board of Studies, 1919-1937, 1962-1963; minutes of staff meetings, 1930-1932; annual reports of the Principal and Advisory Committee, 1911-1926; report by the Principal on the aims and organisation of the school, 1913; reports of the Advisory Council, 1926-1933; Advisory Council attendance book, 1915-1951; report of inspection of the Central School, 1920; Board of Education inspection reports of the Central School, 1920-1921; papers concerning aims and organisation of the school, including reports and correspondence, 1913-1956; papers concerning school inspections, including reports, 1929-1953; papers and correspondence relating to diplomas and fellowships, 1921-1953; papers concerning industrial art bursaries, 1947-1955; papers and correspondence relating to the Governing Body, including appointment of governors, 1955-1961;

correspondence concerning the book William Richard Lethaby, 1857-1931 by A R N Roberts (published 1957), [1956]; notes concerning a television programme on the School, 1954; notes on W R Lethaby, with some correspondence of Lethaby, [1909-1930]; visitors book, 1914-1984; timetables, 1973-1977;

photographs of Southampton Row building, [1908]-1970s; photographs of bomb damage to the school, [1942]; photographs of students, [1920s-1990s]; photograph album of students' work, [1950s]; photographs of Khartoum Technical College Department of Fine Arts depicting student life and work, 1963; photographs of life models, [1930s]; floor plans of the Central School building, [1950s];

copies of prospectuses, 1896-1987; prospectuses for departments, 1970s; exhibition catalogues for Central School Book Production and lithography, 1912-1913; degree show catalogues, 1950s-1990s; invitation and publicity concerning students' exhibition of work, 1952;

Students Union members' signature book, 1930-1932; rough lists of members of the Students' Society, 1959-1964; Central School of Arts and Crafts student magazines, 1919, 1920, 1923 (hand drawn and written); Book Production Class magazine (journals for the boys of the Day Technical School of Book Production and Silversmithing), 1912-1913; Printing Class Boys Magazine, 1916, 1926; student newspapers, 1970-1980; student handbook, 1974;

sketch books of R B Neal, of interiors of Hatfield House, sketches and photographs of furniture and notes and sketches on historical furniture styles, [1912-1914]; student essays on interior design and etching, 1954; printed examples of typographical work at a summer school for teachers, 1933;

articles and press cuttings relating to the history of Central School, including magazines and articles on the work of students, 1950s-1990s; press cuttings concerning the opening of the Jeanetta Cochrane theatre, [1962]; articles, obituaries, press cuttings, biographical information and papers relating to W R Lethaby, including his house designs, 1932-1980s; articles, press cuttings, exhibition catalogues, relating to Central School artists and designers, photographs and private view cards, compiled from the 1980s; press cuttings, publicity material concerning Central School exhibitions and fashion shows, 1987-1997;

printed London County Council Education Department records, including reports on technical education, 1912, training and employment in the printing trades, 1914, trade and technical education in France and Germany, 1914; handbook on education visits, 1910; annual report of the Council on higher education, 1911; reports on teachers' conferences, 1909-1914; reports on the Education Act, 1918; Staff Gazette, 1900-1903; Technical Education Board minutes, 1908.

Photographic record of student work completed at the Royal College of Art, 1949-ongoing, including c5000 prints, 1949-1980s, c25,000 slides, 1961-2002, and upwards of 25,000 digital images, 2003-ongoing. The majority of images are installation shots of individual student works across all departments, including Painting, Printmaking, Photography, Sculpture, Ceramics and Glass, GoldsmithingSilversmithing Metalwork and Jewellery, Graphic Design, Illustration, Industrial Design, Interaction Design, Furniture, Design Products, Architecture, Vehicle Design and Textiles. Work exhibited in the Fashion (catwalk and static) shows and final-year exhibitions staged by Curating Contemporary Art students are also included.

Experimental notes, working papers, correspondence and lecture summaries compiled by Charles Wheatstone, 1836-1875, and photographs collected by him in that period. Notably including papers relating to the development and testing of the telegraph, [1836-1960]; descriptions of experiments and test results concerning the measurement of electromotive forces and electrical potential, [1840-1875]; experimental observations on the nature of magnetism, electricity and thermodynamics, including electromagnet design, batteries and dynamos, [1834-1855]; working papers relating to optics including experiments into refraction, colouration of compounds and polarisation, [1850-1875]; drafts of lectures on sound and musical instruments prepared by Wheatstone, [1832-1837]; material relating to the management of the Wheatstone collection of scientific instruments and library, 1890-1992; biographical material relating to the life of Wheatstone, the invention of the telegraph and Wheatstone's musical instrument manufacturing business, with unrelated newspapers, 1757-1975; stereoscopic photographs and glass negatives taken by Roger Fenton, Samuel Buckle, Jules Duboscq and others, featuring landscapes, still lifes, panoramic scenes of cities including Paris and Moscow and the interior and exterior of the Crystal Palace, Hyde Park, Sydenham, 1851, and especially the Exposition Universelle, Paris, 1855, [1850-1901]; artefacts on loan from Department of Physics, King's College London, including telegraph apparatus, a nail fiddle and other prototype musical instruments, [1834-1875]; exhibition of scientific and musical instruments, [1834-1875].

Records relating to the Office of the Armoury, the Ordnance Office (Board of Ordnance), and the Armouries museum comprising:

records of the Office of the Armoury including letter from Sir Henry Lee regarding the Office of the Armoury, c.1579; list of armourers at Greenwich, 1599; inventory of arms and armour in the Office of the Armoury, 1603; list of wages of armourers at Greenwich, 1610, 1612; list of armourers at Greenwich, 1612, 1624; list of wages of the armourers at the Tower of London, Greenwich and Woolwich, 1615; a petition from Francis Ingoldsby for his arrears of wages as Keeper of the Armoury at Greenwich, 1623; letter to Sir Robert Pye authorizing the payment of wages to the armourers at Greenwich, 1627; inventory of arms and armour in the Office of the Armoury, 1650; report by the Commissioners of the Admiralty concerning the wages of the armourers in the Tower of London, 1653;

records of the Ordnance Office/Board of the Ordnance records including Ordnance Office account book, 1547-1553; Ordnance Office debenture book, 1606-1607; Ordnance Office receipted indenture, 1633; extracts from a receipt of Stores ledger, 1645, 1648; warrant signed by John, Lord Berkeley to Col. William Legg, Lt. Governor of the Tower, authorizing the issue and replacement of weapons, 1668; ledger of receipts, returns and issues of arms from the Tower of London, 1675-79; proposed contract for brass guns, 1682; letters patent appointing William Meesters to be Keeper of the Stores of Ordnance at the Tower of London, 1691; warrant of appointment of John Harris to be furbisher of small arms at Hampton Court and St. James's, 1711; Rules, orders and instructions for the government of the Office of the Ordnance, 1760, 1769, 1804, 1829, 1841; regulations for official of the Ordnance Department, 1855; letters patent in favour of Stephen Remnant for the right to manufacture cannon, 1761; letter signed by the 3rd Duke of Richmond and Master of the Ordnance, 1784; An Act for transferring One of Her Majesty's Principal Secretaries of State the Powers and Estates vested in the Principal Officers of the Ordnance, 14th August 1855 [i.e. relating to the abolition of the Board of Ordnance]; proof books;

Corporate records relating to the management of the Tower Armouries under the control of the Board of Ordnance, the War Office, the Office of Works and the Department of the Environment comprising:

Visitor attendance records including: book listing daily attendance figures for the Tower Armouries, 1851; book listing daily attendance figures for the Tower Armouries, 1857-1864; warders book giving the numbers of visitors to the Tower Armouries, 1859-1861; attendance book of artists admitted to the Armouries, 1870-1894; warders book giving the numbers of visitors to the Tower Armouries, 1871-1872; visitors book, 1913-1993; register of students' tickets, 1914-1939; day books and diaries, 1913-1938; visitors book to the study collection, 1961-1971; visitors book, 1961-1975;

photographs of Viscount Dillon (curator, 1895-1915), early 20th century, and Charles ffoulkes (curator and master, 1910-1938), 1916;

documents relating to the transfer of responsibility for the Armouries to the British Museum and the Office of Works, c.1905; letter books 1939-1947, with index 1939-1946; annual reports compiled by Charles ffoulkes, 1913-1938; Charles ffoulkes' report on the Tower Armouries, 1938; Summaries of grant-in-aid received, 1953-1983;

minute relating to changing the name of the officer in charge of the Armouries from Curator to Master of the Armouries, 1935; Staff book 1915-1917 staff occurrence books, 1939-1956; records relating to the relocation of staff during the Second World War, 1939-1945; Wardens Diaries, 1870-1871, 1876-1877;

records relating to the permanent displays at the Tower of London comprising:

papers including letter from Samuel Meyrick to the Board of Ordnance describing his redisplay of the Armouries, 1827; the Spanish Armoury; redisplay of the White Tower by J.R. Planche, 1869; plan of the Small Arms Room, c.1910; volume recording renumbering of exhibits 1914-1915; the redisplay of the White Tower by Charles ffoulkes, c.1920; the Sporting Gallery, 1971-1996; the Oriental Gallery, 1971-1996; the Board of Ordnance Gallery, 1977-1996; improvements to the White Tower displays, 1984-1988; redisplay of instruments of torture, 1989; proposals for the redisplay of the White Tower, 1989; the 18th/19th Century Gallery, [1996]; tenders for the redisplay of the White Tower, 1994; redisplay of the White Tower, 1994-1998; and copies of records relating to provision of wooden figures, 1685-1749; documents relating to the Spanish Armoury; redisplay of the White Tower by Samuel Meyrick, 1826-1832; and alterations to the Horse Armoury, 1850-1851; Gifts and Purchases register 1916-1939 (covering 1840 -1939); file concerning inventory check with location list, 1922-1935; list of uncatalogued items, 1981; administrative files relating to old displays, loans of items, and war time arrangements for the armouries;

stereographic photographs of the Horse Armoury, mid 19th century and c.1870;

photographs of displays of arms and armour in the White Tower, etc., 1884-1895; the Horse Armoury, c.1890, and late 19th century; Queen Elizabeth I and her page on display in the White Tower, late 19th century;

records relating to temporary exhibitions held at the Tower of London including papers relating to the Kings and Captains, 1949';Greenwich Armour', 1951; Brunswick Armour', 1952;Armour from Innsbruck', 1954; Spanish Royal Armour', 1960;Japanese Armour', 1965; Royal Sporting Guns', 1968; Prisoners of the Tower', 1997-1998; Treasures from the Moscow Kremlin', 1998;The Menagerie', 1999-2000;` Millennium Exhibition', 2000;

exhibition catalogues including Exhibition of armour of Kings and Captains from the national collections of Austria (1949); Exhibition of armour made in the Royal Workshops at Greenwich (1951); Exhibition of arms, armour and militaria lent by HRH the Duke of Brunswick and Luneburg at the Armouries of the Tower of London (1952-1953); Exhibition of Spanish royal armour in HM Tower of London (1960); Exhibition of Japanese armour (1965); Royal sporting guns at Windsor / Howard Blackmore (1968); Treasures of the Moscow Kremlin (1998); and guidebook, The Royal Menagerie at the Tower of London (1999); Records relating to buildings and works at the Tower of London including documents relating to repairs, 1825-1826; plans for the conversion of the `C Store' into the New Armouries, 1947; correspondence relating to the plans for a new entrance to the New Armouries, 1949-1959; correspondence relating to the New Armouries building, 1947-1965;

four photograph albums containing images of museum objects (some from the Royal Armouries collection) [1900-1950]; Collections of slides and postcards; Richard Williams' photograph albums and scrap books; original drawings by Dr Sir Samuel Rush Meyrick c.1830, used for the publication Meyrick and Skeltons' Engraved Illustrations of Ancient arms and armour, 1830;

microfilm collection including copies of Rough register of the Chapel, held in the British Library; Hewett Catalogue; Yeoman Warder's Dividend books 1660-1700; State Papers held in the National Archives (Public Record Office) relating to the Board of Ordinance;

photocopy collection comprising copies and transcripts records from the National Archives (Public Record Office) including Exchequer records, 1360-1600; Chancery records, 1455-1655; State Papers, 1523-1681; War Office records, 1589-1841; and manuscripts in the British Library, 1499-1725.

Material, 1938-1996, regarding the fate of Jews in Vienna during the Nazi era including: extract from Viennese street directory; register of assets of Martha Sara Waldmann, 1938; property declaration form, 1938; situation report regarding the deportation of Jews to Poland, 1942 and papers relating to an exhibition on the Viennese Jewish community during the Third Reich, 1996, including script of a German documentary Später Besuch (Belated Visit) and handouts at the exhibition.

Townsend's journals. Also correspondence, personal files, postcards, art photographs, press cuttings, newspapers, typescripts of poems and articles, and general professional papers concerning colleges and exhibitions in Canada and the UK.

Papers of John Thomas Baines including manuscript descriptions of four lithographs of South Africa; photocopies of two letters to Thornton, one dated 1859; typed list of 288 paintings owned by the RGS; catalogue and booklet of exhibitions of 1975; topographical notes of journey west from Zambesi and diary, May 1869-April 1870, missing since 1968.

Papers of Lord Lee of Fareham, [1878-1954], notably papers relating to Lee's book Letters that Remain, including proofs for letters intended for the book, including from Lloyd-George, 1917, 1920; photographs of individuals for the book;

invitations to events and programmes, [1920s-1930s]; papers relating to speeches, [1915-1930s], comprising notes and texts, including speeches as Minister of Agriculture and Fisheries, [1919-1921]; for exhibition opening at Christie's, 1932; press cuttings and Parliamentary reports relating to speeches, printed copies of speeches, [1909-1936], including 'The Need for National Service', 1915, 'The War and After', 1918, 'Lessons of the War', 1936;

original and copy letters, [1894-1946] includingfrom Neville and Mrs Chamberlain, Stanley Baldwin, Ramsay MacDonald, [1920s-1930s]; Winston and Clementine Churchill, 1945; Micheal Balcon, Kenneth Clark, Osbert Sitwell, [1939-1946], Nancy Astor, A J Balfour, Joseph Duveen, relating to the National Gallery and Courtauld Institute, David and Frances Lloyd-George, Field-Marshall Lord Haig, Rudyard Kipling, Ramsay MacDonald; Graham Sutherland, relating to a painting, 1940;
papers relating to Lee's military career, including reference from Lieutenant Colonel Gerald Kitson, 1897; letter concerning Lee, 1898; letter of introduction to Commanding Officers, 1899; letters of authority as Colonel, 1914; army pass, 1914; requisition for petrol and tyres, 1914; permit, 1915; agenda for artillery conference, 1916;
letters relating to Lee's appointment as Chairman of the Radium Commission, 1929, and copy Charter of Incorporation for the Commission; Declaration of Trust between Lord and Lady Lee and the Massey Foundation, 1940;
personal papers, [1878-1945], including passport, 1889; birth certificate, [1868], anecdotes, jokes, press cuttings, printed books and articles, journal, 1889; correspondence and leases of White Lodge, Richmond Park, 1928-1932; letter from Lloyd-George informing Lee of his viscountcy, 1922; letters of condolence to various people and obituaries, [1940s]; correspondence regarding Lee's will, 1945; obituary of Lord Lee, [1947];
papers relating to Chequers, 1917-1953, including abstract of Chequers Estate Act, 1917; articles, guide, 1921, press cuttings, 1920s; correspondence relating to Chequers, including the library, Chequers Trust, silver dessert service presented by Lee, 1938; cartoons by Sir Mark Sykes [of Chequers], [1917];
correspondence concerning pictures and silver, including sale, purchase, restoration work, and some photographs, [1922-1940], including with the Metropolitan Museum of Art, 1927-1928, British Museum, Victoria and Albert Museum, private dealers;
correspondence with Theodore Roosevelt, 1897-1918, and Edith Roosevelt, 1912-1945, including an album of selected letters, 1898-1906, including one labelled by Lee 'possibly Roosevelt's first letter as President', 1901; correspondence with Ethel Derby, [daughter of Roosevelt], [1917-1951];
photographs, [1890-1946], including of the Roosevelt family, the Lees, film stars taken during the Lees' visit to Hollywood, [1930s];

correspondence regarding the establishment of the Conway Hall, London, 1930-1931; correspondence with Thomas Sherrer Ross Boase; papers of Professor W G Constable; papers relating to the Lee Bequest; Harding Collection; Home House Trust; Wilkinson Bequest; MacColl, Panofsky, Ostrer and Samuel Courtauld correspondence; Pilgrim Trust grant for Corpus of English Medieval Paintings; Scientific Department; Summer course; Lee gift to Hart House; draft scheme for the establishment of art history teaching in UK; insurance papers; press cuttings, 1930-1934; speeches relating to the opening of the Courtauld gallery.

Papers of Johannes Wilde, 1916-1995, comprising files of working papers including notes, (manuscript and typescript), sketches, correspondence, photographs, lectures and slidelists, 1916-1965. Wilde meticulously wrote out the text of his lectures each time he gave them, making it possible to trace the evolution of ideas from the earlier to the later versions of the same piece.

Working papers relating to Michelangelo, 1922-1965, (the largest section of material in the collection) including general life and work, specific works including the Sistine Chapel, the Pieta, Cartonetti, 'Christ before Pilate'; his relationship with other artists, including Leonardo, Vasari, Raphael, Sebastiano; his drawings, including notes for a short survey of drawings, lectures, and a summary catalogue; his work in Florence, notably the façade of the Church of San Lorenzo, including correspondence with James S Ackerman concerning his book, The Architecture of Michelangelo (A Zwemmer, London, 1961), the Medici chapel and tombs, including lecture of Michelangelo's designs for the tombs, the Sagrestia Nuova, including draft chapter of its history, various works in the Palazzo Vecchio, the Hall of the Great Council, the Sala del Consiglio Grande, 'the Battle of Cascina', 'Victory', 'Leda', including correspondence concerning the publication of an essay, 1957; the Papal Tombs in Rome, the Marcus Aurelius statue in the Piazza del Campidoglio, Rome, the Sistine Chapel, Rome, the 'Battle of Angiare'; note and transcripts of Michelangelo's letters [now at the British Museum and Oxford]; notes on Michelangelo's drawing methods and early drawings;
list and notes of Wilde's new students [1948], catalogue entries for the catalogue of drawings at Windsor Castle, 1953;

notes relating to other artists, 1949-1962, notably Giotto, Leonardo da Vinci, Vasari, Masaccio, Pierino da Vinci, Raphael, Giovanni Bellini, Mantegna, Corregio, Parmagianino, Daniele da Volterra, Sebastiano del Piombo, Marcello Venusti, Giorgione, Antonello, Jacopo de' Barbari, Giovanni de Busi Cariani, Domenico Fetti, Jacometto, Domenico Mancini, Jacopo Palma Vecchio, Tiepolo, Tintoretto, Titian, Dutch/ Flemish painting, including Wilde's MA thesis on Rembrandt, 1916; notes on the collection of Archduke Leopold Wilhelm known as the Theatrum Pictorium, teaching notes, miscellaneous articles and notes including Henry VIII monument, landscape painting, Vasari, Fontanellato;

travel journals, 1921-1957, including notes relating to Modena, Uffizi, Rome, and exhibitions;
correspondence, 1937-1970, including letters to Wilde thanking him for the gift of his British Museum catalogue; correspondence with Paola Barocchi, 1962-1963; Kenneth Clark, 1959-1964; James A Crabtree, 1964, relating to a Michelangelo drawing; Brigadier Roy Frank Johnson, 1954, relating to portraits owned by him and Count Antoine Seilern; Arthur Ewart Popham, 1941-1949, covering production of of the catalogue of Italian Drawings at Windsor castle; private matters, and including some of the travel permits Wilde required during the war; Count Seilern, 1964, 1970; Hugh Squire, 1960, relating to a drawing in his collection;
miscellaneous items including photographs of Wilde and colleagues, [1920s-1930s]; Johannes and Julia Wilde, [1960s]; one of Wilde's parties, undated; copies of speeches given by Wilde on his 60th, 65th and 70th birthdays and by Anthony Blunt at a party, 1961; copy of Peter Kidson's lecture 'The Recent Transformation of Art History', 1995; copies of the editorial and obituary of Wilde, from The Burlington Magazine.

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Records of Olympia Exhibitions Limited including memorandum and articles of association, directors' reports and accounts, and a minute book.