Papers of author and journalist Paul Tabori (1908-1974), comprising the following: draft typescripts of novels, poetry and works of fiction, 1927-1973; draft typescripts of completed short stories, ideas and fragments for fiction works, 1938-1970; typescripts of non-fiction works, including typescripts of completed books on a variety of topics covering the supernatural, travel, crime, historical and biographical topics and erotica, along with draft non-fiction fragments and ideas, 1930-1973; typescripts of articles for magazines on various subjects including crime, travel, erotica, the supernatural, historical and biographical topics, along with interviews with international political and celebrity figures, 1940-1969; typescripts of film scripts, screenplays or ideas written or edited by Tabori, including scripts for Hammer and London Films, along with stills [photographs] from some of the productions, 1944-1960; typescripts and working scripts written or edited by Tabori for television and radio plays, including material broadcast in the television series, the Errol Flynn Theatre and The Vise, along with stills [photographs] accompanying the working scripts, 1950-1970.

'UG2LDN', Uganda to London Heritage Lottery Funded oral history project concerning refugee settlers: monthly reports, oral history tape recordings (raw and published DVD), rough log of interviews, photographs, flyers, postcards and T-shirt.

This collection comprises the following films produced and made by the Dagenham Co-operative Film Society:

'The Seeds of Time' was the first film made by the Dagenham Film Co-operative Society. It includes scenes of local children at school and at home, and in doing so provides an insight into family life on the Becontree Estate, Dagenham (1948). This film was commissioned by and produced in association with the Borough of Dagenham.

'Dagenham Festival' was made by the Dagenham Film Co-operative Society (1951). It includes scenes of historical pageant at Valence House, Dagenham held to celebrate the Festival of Britain, as well as other social events, sporting competitions and football matches that took place during the same year. Also depicting stalls and the procession during the Dagenham Town Show. This film was commissioned by and produced in association with the Borough of Dagenham.

'Our Year' was made by the Dagenham Film Co-operative Society (1957). It includes scenes relating to the activities and functions of Dagenham Borough Council. Also depicts the celebrations in the borough surrounding the Dagenham Town Show. This film was commissioned by and produced in association with the Borough of Dagenham.

'Time to Play' was made by the Dagenham Film Co-operative Society (1960). It includes scenes that show how local parks, swimming pools, athletic tracks and other leisure sites were managed and maintained by the Parks and Leisure Department of Dagenham Borough Council. This film was commissioned by and produced in association with the Borough of Dagenham.

'Help Yourself to Health' was made by the Dagenham Film Co-operative Society (1963). It includes scenes relating to health services, such as antenatal and postnatal classes, as well as child welfare, nursery schools, school meals, immunisation, clean fuel and food hygiene initiatives that were available to residents in Dagenham. This film was commissioned by and produced in association with the Borough of Dagenham.

'Playtime' was made by the Dagenham Film Co-operative Society (1969). It includes scenes of local children skipping, doing handstands and playing 'leap frog' in the playground at an unidentified school in Dagenham. This film was commissioned by and produced in association with the London Borough of Barking and Dagenham.

A substantial collection on cinema compiled by Deac Rossell, consisting of a collection of published books, pamphlets and ephemera and a collection of manuscripts. The print collection is wholly international in scope, containing predominantly post-1950 material, including many reference works, on the history of motion pictures. The collection has both diversity and depth. There are significant holdings on several topics, including animated films, documentary, studio histories, British cinema, Asian cinemas, Indian cinema, Arab cinema and black films and filmmaking of all types including African-American cinema and African national cinemas. Within these thematic groups, the few English-language histories or director studies are mostly present, sometimes backed up with substantial works in other languages; a feature of most of these themes are monographs on individual filmmakers from small publishers and/or unusual sources. There is also a group of film festival catalogues from the 1980s and 1990s, where there are often significant essays on national cinemas or current productions which have never been published in book form - such as the excellent writing on Hong Kong films and filmmakers from the elaborate catalogues published by the film festival in that city. Extensive filmographies can be found in the collection of directories and festival programmes from around the world. There are more than 850 books in total and around 1,000 pamphlets and programmes. There is a collection of posters included and also 10 manuscripts, including that of Deac Rossell’s work 'Living pictures: origins of the movies', 1996.

Short black and white silent amateur films made by Colin Gibson featuring Harrow Technical College, Within 5 miles of Harrow and boats on the River Thames.

45 copies of still photographs (some obtained from the National Film Archive) and 6 postcards of Sergei Mikhaylovich Eisenstein and taken from Eisenstein's films. Also 3 publicity pamphlets for Soviet films not directed by Eisenstein.

Papers relating to Juliet Rhys Williams' work on economics, taxation reforms, wages policy, and Commonwealth trade; her membership of the European League for Economic Co-operation, the United Europe Movement, the European Movement, and other European groups; correspondence, articles and pamphlets relating to European issues; correspondence, speeches, conference papers and pamphlets from the Liberal Party; material concerning Rhys Williams' involvement in the Conservative Party, mostly relating to the Monday Club and elections; papers relating to commercial television, and film making; documents relating to the building and administration of Cwmbran New Town; papers relating to Rhys Williams' time as Churchwarden of St Anne's, Soho, and as vice-president of the St Anne's Society; material relating to the publishing and winding up of the 'European Review' and the 'Economic Digest'; minutes of the Bishop of Llandaff's Committee on hardship in the Rhondda Valley; Rhys Williams' collected writings, correspondence, and pamphlet and newsletter collections; papers relating to projects and societies in which Rhys Williams was involved; and family papers relating to property owned by the Rhys Williams family, family finances, photographs, Elspeth Rhys Williams (her daughter) and Sir Rhys Rhys Williams (her husband).