Records of the Royal Society of Portrait Painters, including minute books, agreements, rules, acceptances of membership, papers relating to annual dinners, press cuttings, and annual exhibiton catalogues. Please note that access to the collection is by written permission from the depositors only.

Archive, 1754 to date, of the Royal Society of Arts (RSA; formerly the Society for the Encouragement of Arts, Manufactures and Commerce, or Society of Arts), created by the Society in the course of its activities, and comprising records of its administration (Ref: AD), and records of its activities and events (Ref: PR), also including some printed material dating back to 1634.

Administrative records of the Society include:

Records of Miscellaneous Committees to discuss the programme and administration of the Society, including the Committee of Correspondence and Papers and the Committee of Miscellaneous Matters, 1754-1848 (Ref: AD.MA/104).
Records of the Society from 1754, later the Council (established 1845) (Ref: AD.MA/100).

Records concerning Chairmen of Council (from 1846) and Council membership (Ref: AD.MA/102).

Records of Secretaries (administrative head of the Society), after 1994 known as the Director (Ref: AD.MA/101).

Records of Presidents (Ref: AD.MA/103).

Records of Membership/Fellowship, relating to subscribers to the Society, originally termed 'members', referred to as 'Fellows' from 1908 (Ref: AD.MA/900). (The archive does not include extensive biographical information on RSA Fellows, although dates of membership of Fellows are usually recorded.)
Records concerning the Society's House in John Adam Street from its design and construction by the Adam Brothers, including correspondence, papers, notes, leases and other legal documents, relating to administration, management, alteration and repair of the building (Ref: AD.MA/300).

Records of various House Committees set up at different times to look at the building, its use, function, administration and management (Ref: AD.MA/305).

Accounting and financial records produced by various committees including the Accounts Committee and Finance and General Purposes Committee (Ref: AD.MA/400).

Annual Reports recording the Society's activities over the year, initially within the Journal (from 1852), but later as a separate publication (Ref: AD.MA/701).

Records relating to general lectures (developed from the 1850s when the Society ceased the award of premiums for inventions), with correspondence mainly concerning administrative arrangements for speakers and publication of their texts (in the RSA Journal) and suggestions for topics for discussion (Ref: AD.MA/800).

Records relating to the RSA Silver Medal awarded annually for the most interesting lecture over the preceding year (Ref: AD.MA/803).

Records relating to production of the Journal and other publicity, promotion and communication (Ref: AD.MA/203).

Donations and collections, comprising objects and artefacts donated to or bought by the Society (Ref: AD.MA/204).

Records of the Society's activities (such as award schemes, exhibitions, conferences, seminars and lectures), including joint initiatives with a range of other organisations, include:

Guard Books (30 volumes), 1754-1770, containing correspondence and papers about all Society activities and committees, on a range of subjects (Ref: PR.GE/110).

Manuscript versions of the Society's Transactions, comprising draft versions of the printed Transactions, including drawings, plans and diagrams in support of claims for premiums and awards. Also general correspondence to the Society on various 19th century campaigns, conferences and committees, covering subjects including lectures (arrangements for dates, speakers, chairmen, participants; suggestions for subjects, submission of lecture texts, corrections to texts, requests for tickets/programmes, acceptances, apologies for non-attendance etc), examinations (requests for syllabus, copies of certificates, programmes, rules; complaints, arrangements, agreements with colleges, details of examiners etc), membership (requests for information, applications, replies to circulars, notes accompanying subscriptions, resignations, complaints), Council/committee chairmen (intention to attend meetings, acceptances, general arrangements for meetings, requests for information, dates, times etc), Journal (receipt/non-receipt of copies, reciprocal arrangements with other libraries, requests for extra copies, corrections to proofs, advertising, arrangements for making blocks, photogravures etc), House (letters from freeholders, solicitors, contractors; booking of rooms), staff (applications for employment, testimonials, sick notes etc - a very small number of items), general (invitations, letters from bankers, auditors, business circulars, requests for funding, suggestions for campaigns, policies, events etc), and including artistic copyright, uniform musical pitch, domestic economy, art workmanship, musical training, food committees, patent law reform, prevention of fires in theatres and education exhibitions (Ref: PR.GE/118-19, 121).

Records relating to Premium and Programme committees (Ref: PR.GE/112); Albert Medal (founded 1863) (Ref: PR.GE/101); Memorial Tablet (blue plaque) scheme (founded 1866) (PR.GE/122); War Memorials Advisory Council (established 1944, disbanded 1948), concerning memorials of the Second World War (Ref: PR.GE/117); Exhibition of Exhibitions (1951), concurrent with the Festival of Britain, to commemorate earlier ground-breaking Society exhibitions on contemporary art (1760), industrial design (1847-1850), photography (1852), industry (1761), and the first international exhibition (1851) (Ref: PR.GE/102); R B Bennett Commonwealth Prize (endowed 1944) for outstanding contribution to the promotion of the arts, agriculture, industries and commerce of the Overseas Empire (Ref: PR.GE/116); Commonwealth Committee (Ref: PR.GE/113); proposals and planning for the Festival of Britain (1951) (Ref: PR.GE/103); events for the RSA Bicentenary (1954) (Ref: PR.GE/107); Benjamin Franklin Medal (instituted 1956) (Ref: PR.GE/100); Trusts, bequests, fundraising and development (Ref: PR.GE/111).

Records relating to manufacture and commerce, including the Paris Exhibitions (1844-1900) (Ref: PR.MC/109); Great Exhibition (1851) (Ref: PR.MC/107); International Exhibition (1862) (Ref: PR.MC/108); Chicago Exhibition (World's Columbian Exposition, 1893), British Section (Ref: PR.MC/112); Industry Year/Industry Matters (1986) (Ref: PR.MC/100); Tomorrow's Company (begun 1994), concerning the role of business in a changing world (Ref: PR.MC/115); Redefining Work (launched 1995) (Ref: PR.MC/116); Forum for Ethics in the Workplace (1997) (Ref: PR.MC/117); Manufacturing, Wealth Creation and the Economy (1998) (Ref: PR.MC/118).

Records of subject-based standing committees set up by the Society from 1754 to judge awards and premiums in particular areas, including minutes and correspondence about awards and attendance at and structure of committees: Agriculture (Ref: PR.MC/103), Chemistry (Ref: PR.MC/105), Colonies and Trade (Ref: PR.MC/104), Manufactures (Ref: PR.MC/102), Mechanics (Ref: PR.MC/101), and Polite Arts - including prints, drawings and other artwork submitted for award (Ref: PR.AR/103).

Records relating to fine and applied arts, including exhibition of works of Ancient and Medieval Art (1847-1850) (Ref: PR.AR/105); exhibition of the works of William Etty and William Mulready (1848-1849), including general correspondence, printed matter, catalogues, press cuttings, tickets and notices about mounting of exhibitions, and attendance (Ref: PR.AR/112); British Art in Industry Exhibition (1935) to publicise good design in articles of everyday use (Ref: PR.AR/101); Humorous Art Exhibition (1949-1950) (Ref: PR.AR/100); Art for Architecture scheme (from 1990), aiming to enhance the urban environment by encouraging cross disciplinary approaches to building and landscape projects, and associated with the Jerwood Art for Architecture Award (introduced 1994) (Ref: PR.AR/110); Shakespeare in Schools (begun 1992), a pilot project to introduce Shakespeare to children (Ref: PR.AR/108).

Records relating to promotion of design, including the Design Bursaries Board, Design Committee, the Design Board, Design Advisory Group and Design Section (Ref: PR.DE/106-7); Industrial Art Bursaries Competition (started 1924), succeeded by the Design Bursaries Competition, Competition of Industrial Designs and Student Design Awards (Ref: PR.DE/100); Royal Designers for Industry (RDI) scheme (created 1936) to encourage a high standard of industrial design (Ref: PR.DE/101); Bicentenary Medal (instituted 1954) for exceptional influence in promoting art and design in British industry (Ref: PR.DE/102); Presidential Awards for Design Management (instituted 1964) to recognise outstanding design policy (Ref: PR.DE/105).
Records relating to education, including the RSA Examinations Board (PR.ED/100); the Education for Capability programme (initiated 1979) to counteract academic bias in British education and promote practical, organising and co-operative skills (Ref: PR.ED/107); the future of Technological Higher Education in Britain (1982), a study group to consider the problems facing Britain in the development of technological higher education (Ref: PR.ED/118); Home-School links (from 1988) (Ref: PR.ED/108); Parents in a Learning Society, a development project to involve parents in education and assess home-school work (Ref: PR.ED/104); the National Advisory Council for Careers and Educational Guidance (established 1994), to promote and advise on provision of guidance for learning and work (Ref: PR.ED/103); Education Futures (2000) (Ref: PR.ED/116).

Records relating to the environment, including the Campaign for the Preservation of Ancient Cottages (begun 1926) to protect cottage architecture, establishing a fund which purchased or restored cottages near Worthing, at Bibury, Gloucestershire, West Wycombe, Buckinghamshire, Chiddingstone, Kent, and elsewhere (Ref: PR.EN/100); three 'Countryside in 1970' Conferences (1963-1970) (Ref: PR.EN/104); Environment Committee (formed 1971) to identify and anticipate major environmental problems and provide a forum for discussion (Ref: PR.EN/107), which began the Pollution Abatement Technology Award Scheme (PATAS) (1983-1986) (Ref: PR.EN/103), succeeded by the Better Environment for Industry/European Better Environment Awards for Industry (BEAFI/EBEAFI) (1987-1991) (Ref: PR.EN/101); the Environment Committee's sub-committee the RSA-Cubitt Trust Panel (to 1991), devoted to the built environment and working with the Cubitt Trust to convene conferences, seminars and an annual Cubitt Lecture (Ref: PR.EN/106); After the Earth Summit - What Next? (1992) (Ref: PR.EN/128); RSA Environmental Management Awards (begun 1993) (Ref: PR.EN/102).

The Early Library (Ref: SC/EL/1-5), comprising c500 printed works collected by the Society before 1830, including journals and periodicals, and c300 pamphlets and tracts covering broad-ranging topics relating to premiums and awards of the various sectional committees (Agriculture, Polite Arts, Chemistry, Manufactures, Mechanics, and Colonies and Trade), and including extracts from proceedings of other societies and learned institutions.

Two volumes of notes, on medical and chemical books, and on diseases and their treatment, c 1800-1823.

Papers of Arthur Hale Smith-Dorrien, comprising four volumes of watercolours, photographs, newscuttings and documents covering his career from his schooldays in 1865 until the end of his naval service, together with three volumes of caricatures and sketches.

Papers of Helen Faulkner, 1938-1979, 20 water colour sketchbooks, 3 folders of notes relating to the sketchbooks, 3 boxes of index cards and 1 folder of preparatory notes for index and lists of determinations.

The photographs in this collection cover areas of Peri's work between 1920 and 1966. They include images of his early constructivist work, bronze figurines, cement sculptures and pictures of the artist at work. The drawings and sketches are mainly of people in a variety of simple poses, but are all undated. The correspondence refers to possible commissions for the London County Council, 1958 and an exhibition of his work at St. Pancras Public Library, 1963.

This collection largely consists of correspondence to and from Stanley Spencer and his writings on himself, his paintings, religion and his relationships. The correspondence dates from the late 1930s, with the majority coming from the 1940s and 1950s. Important correspondents include: the British Broadcasting Corporation, Mary and Louis Behrend (patrons and founders of Sandham Memorial Chapel, Burghclere), Spencer's sister Florence Image, his first wife Hilda, his children Unity and Shirin, John and Elizabeth Rothenstein and the Tate, and Arthur Tooth and Sons (his agents). The collection also contains Spencer's writings, notebooks and diaries. Spencer was a prolific writer who appeared to use his writings as an opportunity to expand or refine his ideas for paintings, and his personal thoughts. Along with his letters, the continuous writings, notebooks and diaries often contain detailed descriptions of his paintings, compositions and schemes; his opinions on art, life, philosophy, religion and sex; and his autobiography and preparation for a proposed book. The collection is completed by a number of sketches and drawings by Spencer, the majority of which relate to larger, painted works; and some printed ephemera including press cuttings, photographs, postcards, private view cards and exhibition catalogues.

Papers relating to Sanders' life and military career, 1911-1966, including five letters of appreciation, 1911-1927, mostly relating to Sanders' work as Superintendent, Army Remount Service, No 3 Depot, Melton Mowbray, Leicestershire, 1914-1920, notably typescript letter from Gen Sir Douglas Haig, Commander in Chief, British Armies in France, 3 Jun 1918; manuscript letter to Sanders from Lt Gen Adrian Carton de Wiart, from Rome, Italy, relating to his capture and imprisonment by Italian forces, 10 Aug 1941; painting of final mounted parade, 4/7 Royal Dragoon Guards, Edinburgh, 15 Aug 1938; edition of Wandsworth Borough News, with photograph and article on the 28 Bn, (Wandsworth), County of London, Home Guard, commanded by Sanders, 26 Sep 1941.

Records of Chelsea School of Art, 1928-2001, later Chelsea College of Art & Design, comprising minutes and agendas of Academic Board meetings, 1975-1991; minutes of the Board of Studies, and related papers, 1991-1993; minutes of the Academic Committee and related papers, 1992-1993; papers of the Advisory Committee of the New School of Art in Chelsea, notably minutes, agendas and papers, 1958-1964, including schedule of accommodation for proposed College, 1958; minutes of the Chelsea School of Art/Hammersmith College of Art and Building (Art Department) Formation Committee, 1974, relating to the merger of the colleges; minutes of the Fine Art Area Committee, 1990-1993; minutes of Library Committee, 1978-1980;

Principal's reports to the Governors, 1959-1965; instrument of Government and draft Articles of Government, 1970; list of former staff and students at the College, 1958 and minutes of H S Williamson presentation committee, 1958 (retiring head of College); summaries of part time teaching staff contracts, 1971-1976;

correspondence with Professor Gowing concerning the administration of the new college, 1958; inventory and papers relating to equipment and furniture for the new college, [1960-1963]; correspondence concerning the building of school, 1963-1964, including furniture catalogues; papers concerning the opening ceremony of the new College building, 1964-1965, including programme for the opening of new building, 1965; correspondence and papers relating to Henry Moore's sculpture Two Piece Reclining Figure no.1, purchased by the College in 1963; photographs of its erection at the College, 1964; survey of accommodation and equipment, 1975;

papers concerning the Academic Development Plan, 1976; report of the Council for National Academic Awards, 1975; papers relating to bursaries and awards, 1975; papers relating to Council for National Academic Awards visit, including review of MA in Fine Art, 1977; papers relating to Quinquennial reviews, 1977-1982; papers concerning the Council for National Academic Awards review visit to Chelsea, 1982; programme for opening of South Park Annexe, 1982; submissions for new course in 3D Design, 1982; proposed MA in History of Modern Art, 1986; papers and circulars relating to ILEA, 1970s-1986;

Chelsea School of Art programmes for end of term plays/entertainments, 1932-1962; copies of The Queel, 1928-1929, Chiaroscuro, 1949, Chelsea College of Art magazines; magazines and works produced by students, including Pump, Chelsea School of Art magazine, 1977-1978; MONTAGE 4, 1984; newsletter, 1977; Chelsea School of Art Graphics magazines, 1977-1982; Insight, 1991, Review, 2000, London Institute magazines; briefing, London Institute newspaper, 2001; Entitled, London Institute students union magazine, 2001;

prospectuses, 1959-2001; publicity leaflet for new courses, 1962; Chelsea College of Science and Technology annual report, 1958-1959; press cuttings, 1970-1991, relating to the College and Government policy; press release concerning the creation of London Institute, 1985; album of photographs of social events and work at the College, 1970s; correspondence, related papers and exhibition catalogues for the school gallery exhibitions, 1965-1973; papers relating to general studies open lectures, 1970-1972; photographs, articles and catalogues for degree shows, 1977-2001; portfolios of prints by students and staff of the Printmaking Department, [1965-1986]; papers relating to the London Institute, [1987]-1991, including course monitoring reports, 1990; annual reports, 1990-1992; student handbooks, 1991;

memoir of Anne Baer, nee Sedgwick, student at Chelsea Art School, 1933-1936; correspondence and papers relating to Frederick Brill's (Principal, Chelsea School of Art) book, Matisse (Paul Hamlyn, London, 1967), 1965-1967;

records of Hammersmith College of Art and Building, comprising Department of Art prospectus, 1973-1974; programme for the opening of the new Hammersmith School of Building and Arts and Crafts, 1930; 35mm slides and photographs of student work, 1960s; publicity leaflets, 1960s.

Papers of Jean Spencer, 1970-2002, comprising the Kleinsassen archive, 1986, consisting of schema, texts, plans, photographs and complete slide archive; Elephant Trust proposal and studies, 1987, including a folder of original drawings; studies for Kemi, comprising black and white photographs and line drawings; 2 sketchbooks of studies for reliefs; exhibition catalogues including Jean Spencer's work, 1972-1990; Study for Double Square Painting, 1992, (oil on linen); group exhibition catalogues, 1972-1990; "Countervail" exhibition publicity cards, Mappin Art Gallery, Sheffield, 1992.

Papers of Stephen Willats, 1960s-1998, comprising documentation relating mainly to his West London Social Resource Project in the Greenford, Hanwell and Osterley area, [1972], including questionnaires, re-modeling books and manuals for Greenford, Hanwell and Osterley, black and white photographs of the areas, audio tape of statement and interviews with project operators, examples of returns from re-modeling books and manuals, participants' sheets, public decision sheets, map of project area, exhibition display mounts; papers relating to his Edinburgh Social Model Construction Project, 1973, including project operators' manuals, problem sheets for project areas, participant project file; advertising posters, photographs; exhibition catalogues, 1968-1998, for exhibitions of Willats' work in the UK, Europe and Toronto.

Papers of Dr Edward H Cree, including volumes one to twenty-one, 1937-1961, and comprises Cree's personal journals whilst serving at sea. The text is supplemented by circa seventeen hundred watercolours and sketches. The journals account details of his sea voyages, experience whilst in foreign lands, his impressions of people and places, his recollections amongst family and friends and writings concerning his life at home and with his wife. In addition to the illustrated journals are his 'rough journals' 1841, 1847, 1849, 1851-2 and 1854, his medical journal kept 1841-1847, journal notes (1837), sketchbook (1839), newspaper cuttings, service records and certificates and invitations. An index to the journals provides useful information on the vessels served on, the places visited and the illustrations within.

Papers of Sir Erasmus Gower, consisting of a log, 1792 to 1794, with one watercolour sketch; two volumes of 'Nautical Observations on a Voyage to China', illustrated with views of coasts and harbours; a letterbook, 1794 to 1798, and a signal notebook, 1801.

Photographs of Russian silver, porcelain, glass, ikons, paintings and other objets d'art; also offprint of Russian silver by R G Hare (in Ramsay, L G G "The Connoisseur Complete Encyclopedia of antiques" (New York, 1962, pp 60-65).

The archive consists of biographical publications on Louie Burrell and postcard reproductions of her work:

• 13 postcard reproductions of the following paintings by Louie Burrell: Life Class (1900-1903); Girl at Writing Box (c 1895); A Model (1900-1903); Old Sales - a model (1900-1903); Making Marmalade (1890-1900); Philippa (1917); A Model (1900-1903); The Forge (1890-1900); Julia (1889); A Child Seated (1904); Mrs Stanley Baldwin (1924); Nurse and Philippa (1908); Philip Burrell (1904-1907)

• 1 postcard reproduction of a painting by Ada (Margetts) Luker (mother of Louie Burrell): Still Life (c 1857)

• 'The Saratoga Trunk and The Last Door' (Jul 1997), Philippa Burrell. Booklet memoir relating to her own and her mother's artistic life.

• 'Louie Burrell - A Woman Painter', (The University of Hull Art Collection, c 1990). A short biography compiled from the letters and writings of Philippa Burrell and Jim Murrell.

• 'Louie Burrell Woman and Artist 1873-1971' (c 1990). Leaflet by Philippa Burrell.

Papers of Henry Wilson, comprising correspondence, photographs and presscuttings [1864-1934].

Papers of Hilde Kurz, art historian, c 1945-1968, including working papers and draft for The Encyclopaedia of Painting. Topics covered include: Costume; Tapestries; Painting in Northern Europe.

Notebooks and working papers of the art historian Charles Mitchell, c 1951-1986, on topics including: Ciriaco d'Ancona; Tempio Malatestiano (Temple of the Planets, Rimini, Italy); Antiquarianism and 15th Century Italian Art.

Papers of Herbert Horne, architect and art historian, c 1883-1886, including correspondence with Grace Parkinson and some correspondence with Aby Warburg. Topics covered include: Italian Renaissance Art: Botticelli, Uccello and Piero di Cosimo.

Records of the Bankside Gallery comprising: committee minutes, financial records, administrative records, files on exhibitions held at the Gallery, 1980-present; and press cutting collection 1980-2002.

Portrait of Lilian de Lissa, first principal of Gipsy Hill Teacher Training College, by artist Gilbert Spencer. The painting was commissioned by the college as a present for Miss de Lissa and presented to her in a ceremony in October 1953. The portrait has been held by Gipsy Hill Teacher Training College prior to passing to Kingston Polytechnic and Kingston University.

Collection of photographs previously owned by Iris Murdoch. Includes images of Iris Murdoch alone, Iris Murdoch pictured with others and portraits of individuals who Iris Murdoch knew. As well as Murdoch those depicted include John Bayley, Frank Thompson and Elias Cannetti.

Drawings and watercolour paintings of fossil fish by Joseph Dinkel, J C Weber, Cécilie Agassiz, Jacques Bourkhardt, G A H Köppel and Sixtus Heinrich Jarwart and others, commissioned by Jean Louis Rudolphe Agassiz for his publications 'Recherches sur les Poissons Fossiles' (1833-1844) and the follow up 'Monographie des Poissons Fossiles du Vieux Grès Rouge' (1844-1845). Also includes drawings commissioned by Lord William Willoughby Cole (1807-1886), later the Earl of Enniskillen, and Sir Philip de Malpas Egerton (1806-1881) of their own fossil cabinets.

2 postcards from George Jacob Holyoake of Eastern Lodge, Brighton to Edwin Ashworth, Todmorden Hall, Yorkshire, West Riding. (1) On the subject of portraits, 1 Feb [1897]. (2) 'Thank you for your pleasant birthday note. I have pleasant memories of Todmorden', 16 Apr 1901.

Both letters are autograph, with signatures.

Wash and line drawing.

Letters to Lord Leighton on the Wellington memorial in St Paul's Cathedral.

Letter from Peter Mackenzie of Glasgow to Joseph Hume, 8 Jan 1834. Returning the 'Major's portrait'. Sends Hume volumes [2 and 3] of the Reformers' Gazette.

Papers of James Fernandez Clarke, 1829, comprising a volume titled Notes of a Reader Volume I containing information relating to topics including drunkeness; stammering; the nervous system; travels in Turkey and Palestine; classification of the animal kingdom; painters and painting; idiosyncracies; the pursuit of knowledge; poetry; juvenile delinquency; and natural history.

Papers of William Cheselden, 1749-c 1990, comprising a deed of sale for the copyright of Anatomy of the Human Body by William Cheselden, to the publishers, Charles Hitch and Robert Dodsley for £200, dated 8 Apr 1749; two receipts for shares, dated 19 Oct 1771 by W Woodfall, for one 16th share in Cheselden's Anatomy to Mr Dodsley, and dated 22 Oct - 25 Nov 1778 by the trustees of Mr William Nicoll, also for one 16th share of Cheselden's Anatomy to James Dodsley; and photographs of the original drawings for Cheselden's Osteographia, 1733. The drawings for the vignettes in the Osteographia were by Jacobus Schijnvoet of Amsterdam, and the drawings for the plates were by Gerard van der Gucht. The photographs are mounted on card and numbered on the back.

Papers of Edward Whymper, 1871-1911, including computations of heights in the Andes, 1880 and watercolour, 'View of Greenland'.

Papers of Sir Augustus Wall Callcott, 1786-1837, comprising travel journals and papers largely from Callcott's honeymoon in Europe in 1827-1828, notably including lists, descriptions and sketches of pictures from various art collections visited in Italy, Germany, Austria and Czechoslovakia.

Papers of George Field, comprising photographs and colour slides of five notebooks, [1804-1825], covering all aspects of colour making.

Papers of and relating to James Duffield Harding, 1819-1996, comprising annual diaries which include notes on the weather, art lessons given, photography, family birthdays and marriges, financial details, 1828-1861 (not all years are covered);
journals, some including a few sketches, recording journeys to the North of England, 1827, Llandough, Glamorgan 1828, France and Italy, 1830, the Continent, 1832, 1844, 1856; accounts, 1823-1863, including lists of pupils with accounts of fees paid, 1832-1837; lists of subscribers to Sketches at Home and Abroad, 1836; sales of pictures and income from lessons, 1845-1846; daily expenditure diary, 1856;
miscellaneous papers including manuscript entitled Remarks on Water Colouring, 1819; passport to France, 1845; letter offering Harding a teaching post, 1846; poem by Mrs Valentine Bartholomew, inspired by a picture by Harding, 1848; manuscript of the 'Use of the Brush etc', possibly printed (in part) in Lessons in Taste; undated notes on "Objects", their form and function, and art; undated extracts from various items including a paper on Coleridge; an Essay on Taste by Oliver Goldsmith; Locke's Essay on the Human Understanding; items (title page and vignettes) from Harding's book Sketches at Home and Abroad, 1836; lists of the collection, by the Reverend A A Duffield Harding [1953]; James Duffield Harding 1797-1863: A Centenary Memoir, by Charles Skilton, 1963.

Papers of Percy Moore Turner, 1905-1952, comprising folders relating to various artists and works of art including John Sell Cotman, John Berney Crome, Honoré Daumier Edgar Degas, Eugène Delacroix, Peter De Wint, Thomas Gainsborough, Francisco de Goya, Rembrandt Harmenszoon van Rijn, Varin and Diego Velazquez, and museums including the Louvre, Paris; catalogues of pictures at Staunton Harold, 1922; an exhibition by Richard Parkes Bonington, 1937; Percy Moore Turner's collection of engravings, etchings, lithographs and other prints, 1951; correspondence relating to gift of pictures to the Louvre, 1947-1948, and P M Turner's estate, 1951-1952; photographs of paintings, undated, from the British Museum, Castle Museum, Norwich, National Gallery, Royal Albert Memorial Museum, Exeter, and the Tate Gallery; newpaper cuttings, 1925-1950, including some relating to the Courtauld.

Papers, 1835-c1975, of and relating to the Rev Thomas Pyne, comprising correspondence and accounts, 1839-1845 and undated, documenting Pyne's guardianship of (John) Ossoo Ansah and (William) Quanti Massah in England (1840), associated expenses, and aspects of their trip including invitations to dinner, entrance permits to London Zoo and to George Heriot's Hospital [School], Edinburgh, undated plan of a breakwater, Falmouth(?), undated print of Brighton Pavilion and other ephemera relating to places visited, photographs of paintings of the princes, and various visiting cards; other correspondence and papers of Pyne, 1835-1873 and undated, including printed Thanksgiving sermon preached at St Peter's Church, New York, including anti-slavery sentiments, 1835, pamphlets by Pyne on peace, 1844 and undated, and astronomy, 1852, a letter from L'Institut d'Afrique to Pyne concerning honorary membership, 1843, miscellaneous pamphlets relating to African affairs, and a photograph of Pyne, 1870; correspondence, notes, transcripts from original documents, and other papers, 1950-1953, c1975 and undated, concerning Pyne and his papers, and the two princes, including their portraits.

Watercolour drawings of the grave monuments of 'celebrated persons' in London, Middlesex, Surrey and Kent, by Thomas Gosden.

Transcript of the manuscript history of the Princes of Wales, from the time of Edward of Caernarvon to the present sovereign of England, by George Perfect Harding, F.S.A., also a description of a series of illustrations to the manuscript history, 1828, with engravings of tombs, portraits, original drawings, and manuscript letters, 1828-51, from royal and distinguished personages.

The collection contains committee minutes from its foundation until 1925, minutes of the annual general meetings from 1902 to 1937, agendas and notes for meetings between 1905 and 1910, press cuttings (mainly reviewing the Society's exhibitions) and printed material relating to exhibitions.

Letters written by James Smetham, 1853-1877, mainly to William Davies, concerning his work, schemes to raise money and his religious beliefs. Smetham called his letters "ventilators" and they often took the form of handmade notebooks with their contents resembling diaries or commonplace books. Other correspondents include Rev Thomas Akroyd, Quintin Hogg (1845-1903), Charles Mansford, Charles Gabriel Dante Rossetti (1828-1882), John Ruskin (1819-1900) and Frederic James Shields (1833-1911). Also letters to Sarah Smetham, his widow, from William Davies, 1889-1895.

The collection comprises correspondence, writings and administrative material relating to the Jenner family, particularly Dr. Edward Jenner (pioneer of smallpox vaccination) and the associated Black and Davies families, 1680-1877.

The material on Edward Jenner includes papers relating to organisations set up in the aftermath of his vaccination discoveries: the National Vaccine Establishment, the Royal Jennerian Society and the London Vaccine Institution.

Photographs of Russian icons intended to give "a picture of the development of ancient Russian icon painting" with an introduction signed by Anisionov and brief descriptions of each photograph. Inserted in the album are notes on an exhibition "Russia: her soul through the ages in life and art", 18 November 1929.

Material relating to the production of Inventory magazine, [1995-2000], comprising flyers, private view cards, christmas cards and letters.

Papers of Charles Ramsey Drinkwater Bethune comprising letters, written mainly by Bethune to his family, 1815 to 1835, and a number of watercolours.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Photograph of the Murdoch family in Ireland c 1890s. Those pictured include William Murdoch and Louise Murdoch with their children Sara, Ella and Hugh. Hugh Murdoch was Iris Murdoch's father, and William and Louise her grandparents. Photograph taken at the Abernethy Studios in Belfast.

Records of Central Saint Martins College of Art & Design, 1989-2002, comprising prospectuses for 1989-2004; postgraduate degree and research directory for 2002-2003; material relating to degree shows, 1989-2002.

Records of the Central School of Art and Design, [1896]-1987, comprising minutes of the Advisory Council, 1915-1952; minutes and agendas of the Board of Studies, 1919-1937, 1962-1963; minutes of staff meetings, 1930-1932; annual reports of the Principal and Advisory Committee, 1911-1926; report by the Principal on the aims and organisation of the school, 1913; reports of the Advisory Council, 1926-1933; Advisory Council attendance book, 1915-1951; report of inspection of the Central School, 1920; Board of Education inspection reports of the Central School, 1920-1921; papers concerning aims and organisation of the school, including reports and correspondence, 1913-1956; papers concerning school inspections, including reports, 1929-1953; papers and correspondence relating to diplomas and fellowships, 1921-1953; papers concerning industrial art bursaries, 1947-1955; papers and correspondence relating to the Governing Body, including appointment of governors, 1955-1961;

correspondence concerning the book William Richard Lethaby, 1857-1931 by A R N Roberts (published 1957), [1956]; notes concerning a television programme on the School, 1954; notes on W R Lethaby, with some correspondence of Lethaby, [1909-1930]; visitors book, 1914-1984; timetables, 1973-1977;

photographs of Southampton Row building, [1908]-1970s; photographs of bomb damage to the school, [1942]; photographs of students, [1920s-1990s]; photograph album of students' work, [1950s]; photographs of Khartoum Technical College Department of Fine Arts depicting student life and work, 1963; photographs of life models, [1930s]; floor plans of the Central School building, [1950s];

copies of prospectuses, 1896-1987; prospectuses for departments, 1970s; exhibition catalogues for Central School Book Production and lithography, 1912-1913; degree show catalogues, 1950s-1990s; invitation and publicity concerning students' exhibition of work, 1952;

Students Union members' signature book, 1930-1932; rough lists of members of the Students' Society, 1959-1964; Central School of Arts and Crafts student magazines, 1919, 1920, 1923 (hand drawn and written); Book Production Class magazine (journals for the boys of the Day Technical School of Book Production and Silversmithing), 1912-1913; Printing Class Boys Magazine, 1916, 1926; student newspapers, 1970-1980; student handbook, 1974;

sketch books of R B Neal, of interiors of Hatfield House, sketches and photographs of furniture and notes and sketches on historical furniture styles, [1912-1914]; student essays on interior design and etching, 1954; printed examples of typographical work at a summer school for teachers, 1933;

articles and press cuttings relating to the history of Central School, including magazines and articles on the work of students, 1950s-1990s; press cuttings concerning the opening of the Jeanetta Cochrane theatre, [1962]; articles, obituaries, press cuttings, biographical information and papers relating to W R Lethaby, including his house designs, 1932-1980s; articles, press cuttings, exhibition catalogues, relating to Central School artists and designers, photographs and private view cards, compiled from the 1980s; press cuttings, publicity material concerning Central School exhibitions and fashion shows, 1987-1997;

printed London County Council Education Department records, including reports on technical education, 1912, training and employment in the printing trades, 1914, trade and technical education in France and Germany, 1914; handbook on education visits, 1910; annual report of the Council on higher education, 1911; reports on teachers' conferences, 1909-1914; reports on the Education Act, 1918; Staff Gazette, 1900-1903; Technical Education Board minutes, 1908.

Photographic record of student work completed at the Royal College of Art, 1949-ongoing, including c5000 prints, 1949-1980s, c25,000 slides, 1961-2002, and upwards of 25,000 digital images, 2003-ongoing. The majority of images are installation shots of individual student works across all departments, including Painting, Printmaking, Photography, Sculpture, Ceramics and Glass, GoldsmithingSilversmithing Metalwork and Jewellery, Graphic Design, Illustration, Industrial Design, Interaction Design, Furniture, Design Products, Architecture, Vehicle Design and Textiles. Work exhibited in the Fashion (catwalk and static) shows and final-year exhibitions staged by Curating Contemporary Art students are also included.

Papers of Leopold David Ettlinger, c 1948-1989, including personal documents, notebooks, notes, working papers for lectures, and correspondence. Topics covered include: Art and Theory of Art; German 16th Century Art; Italian Renaissance; Catalogue Raisonné of Pollaiuolo; Greek and Roman Gods; 19th Century Landscape Painting; Self-Portraits; Winckelmann and 'Wien und die Entwicklung der kunsthistorischen Methode'.

Papers of Mary Edith Durham, c 1899-1902, comprise six sketch books including pencil and watercolour drawings of coastal scenes and of local people and rural scenes including farms and cattle; areas depicted include Trieste, Viterbo and Nivica.