GB-70-tga-9314 - GABO, Sir Naum ([1890-1977]): printmaking archive

Identity area

Reference code

GB-70-tga-9314

Title

GABO, Sir Naum ([1890-1977]): printmaking archive

Date(s)

  • 1940s-1970s (Creation)

Level of description

Extent and medium

1 box, 9 folders

Context area

Name of creator

Biographical history

Naum Gabo was born Naum Pevsner in Russia, in 1890. He was the younger brother of the sculptor Antoine Pevsner. Gabo went to Munich University in 1910 to study medicine and natural sciences, but also attended art history lectures by Heinrich Wölfflin. In 1912 he transferred to an engineering school in Munich. In 1913 he joined Antoine, then a painter, in Paris and whilst there he met Kandinsky. After the outbreak of war, Gabo moved from Paris to Copenhagen and then to Oslo. From 1915 he began to make constructions under the name Naum Gabo. Between 1917 and 1922, Gabo was in Moscow with his brother. Whilst there, they jointly wrote and issued a 'Realistic Manifesto' on the tenets of pure Constructivism. In 1922 Gabo moved to Berlin, where he lived in contact with artists of the de Stijl group and the Bauhaus. In 1926 he co-designed with Antoine, costumes for Diaghilev's ballett 'La Chatte'. In 1932 Gabo moved back to Paris and became a member of Abstraction Création. In 1936 he left Paris, moved to London and married Miriam Franklin (née Israels) in 1937. Gabo edited 'Circle: International Survey of Constructivist Art' along with J.L. Martin and Ben Nicholson. Gabo became good friends with Nicholson, and in 1939 he moved to Carbis Bay, Cornwall, where Nicholson was also based. In 1944 Gabo joined the Design Research Unit and in 1946 he moved to the USA, settling in Conneticut in 1953. He became a US citizen in 1952. Between 1953 and 1954, he was a professor at the Graduate School of Architecture, Harvard University. From 1950 onwards, Gabo took a number of sculpture commmissions, including one for the Bijenkorf store in Rotterdam. In 1971 Gabo was awarded an Honorary KBE. He died in Conneticut in 1977.

Repository

Archival history

GB-70-tga-9314 1940s-1970s Collection (fonds) 1 box, 9 folders Gabo , Sir , Naum [formerly Neyemiya Borisovich Pevzner] , [1890]-1977 , Knight , sculptor

Naum Gabo was born Naum Pevsner in Russia, in 1890. He was the younger brother of the sculptor Antoine Pevsner. Gabo went to Munich University in 1910 to study medicine and natural sciences, but also attended art history lectures by Heinrich Wölfflin. In 1912 he transferred to an engineering school in Munich. In 1913 he joined Antoine, then a painter, in Paris and whilst there he met Kandinsky. After the outbreak of war, Gabo moved from Paris to Copenhagen and then to Oslo. From 1915 he began to make constructions under the name Naum Gabo. Between 1917 and 1922, Gabo was in Moscow with his brother. Whilst there, they jointly wrote and issued a 'Realistic Manifesto' on the tenets of pure Constructivism. In 1922 Gabo moved to Berlin, where he lived in contact with artists of the de Stijl group and the Bauhaus. In 1926 he co-designed with Antoine, costumes for Diaghilev's ballett 'La Chatte'. In 1932 Gabo moved back to Paris and became a member of Abstraction Création. In 1936 he left Paris, moved to London and married Miriam Franklin (née Israels) in 1937. Gabo edited 'Circle: International Survey of Constructivist Art' along with J.L. Martin and Ben Nicholson. Gabo became good friends with Nicholson, and in 1939 he moved to Carbis Bay, Cornwall, where Nicholson was also based. In 1944 Gabo joined the Design Research Unit and in 1946 he moved to the USA, settling in Conneticut in 1953. He became a US citizen in 1952. Between 1953 and 1954, he was a professor at the Graduate School of Architecture, Harvard University. From 1950 onwards, Gabo took a number of sculpture commmissions, including one for the Bijenkorf store in Rotterdam. In 1971 Gabo was awarded an Honorary KBE. He died in Conneticut in 1977.

Presented to the Archive by Graham Williams, 1993.

The printmaking archive of the sculptor, Naum Gabo, [1940-1977].

Arranged as follows:

TGA 9314/1 Monoprints

TGA 9314/2 Lithographs

TGA 9314/3 Proofs and negatives of 'Blue Print' lithograph

TGA 9314/4 Etchings

TGA 9314/5 Original sketches and drawings for prints

TGA 9314/6 Cover for print edition

TGA 9314/7 Material by others

Open. Access to all registered users.

Usual copyright restrictions apply.
English

Online and paper catalogue available
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue. Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 1994 Prints Art Gabo , Sir , Naum [formerly Neyemiya Borisovich Pevzner] , [1890]–1977 , Knight , sculptor Visual materials

Immediate source of acquisition or transfer

Presented to the Archive by Graham Williams, 1993.

Content and structure area

Scope and content

The printmaking archive of the sculptor, Naum Gabo, [1940-1977].

Appraisal, destruction and scheduling

Accruals

System of arrangement

Arranged as follows:

TGA 9314/1 Monoprints

TGA 9314/2 Lithographs

TGA 9314/3 Proofs and negatives of 'Blue Print' lithograph

TGA 9314/4 Etchings

TGA 9314/5 Original sketches and drawings for prints

TGA 9314/6 Cover for print edition

TGA 9314/7 Material by others

Conditions of access and use area

Conditions governing access

Open. Access to all registered users.

Conditions governing reproduction

Usual copyright restrictions apply.

Language of material

  • English

Script of material

  • Latin

Language and script notes

English

Physical characteristics and technical requirements

Finding aids

Online and paper catalogue available

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Related descriptions

Notes area

Alternative identifier(s)

Access points

Subject access points

Place access points

Name access points

Genre access points

Description control area

Description identifier

Institution identifier

Tate Britain

Rules and/or conventions used

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Status

Level of detail

Dates of creation revision deletion

Language(s)

  • English

Script(s)

    Sources

    Accession area