GB-70-tga-9314 - GABO, Sir Naum ([1890-1977]): printmaking archive

Área de identidad

Código de referencia

GB-70-tga-9314

Título

GABO, Sir Naum ([1890-1977]): printmaking archive

Fecha(s)

  • 1940s-1970s (Creación)

Nivel de descripción

Volumen y soporte

1 box, 9 folders

Área de contexto

Nombre del productor

Historia biográfica

Naum Gabo was born Naum Pevsner in Russia, in 1890. He was the younger brother of the sculptor Antoine Pevsner. Gabo went to Munich University in 1910 to study medicine and natural sciences, but also attended art history lectures by Heinrich Wölfflin. In 1912 he transferred to an engineering school in Munich. In 1913 he joined Antoine, then a painter, in Paris and whilst there he met Kandinsky. After the outbreak of war, Gabo moved from Paris to Copenhagen and then to Oslo. From 1915 he began to make constructions under the name Naum Gabo. Between 1917 and 1922, Gabo was in Moscow with his brother. Whilst there, they jointly wrote and issued a 'Realistic Manifesto' on the tenets of pure Constructivism. In 1922 Gabo moved to Berlin, where he lived in contact with artists of the de Stijl group and the Bauhaus. In 1926 he co-designed with Antoine, costumes for Diaghilev's ballett 'La Chatte'. In 1932 Gabo moved back to Paris and became a member of Abstraction Création. In 1936 he left Paris, moved to London and married Miriam Franklin (née Israels) in 1937. Gabo edited 'Circle: International Survey of Constructivist Art' along with J.L. Martin and Ben Nicholson. Gabo became good friends with Nicholson, and in 1939 he moved to Carbis Bay, Cornwall, where Nicholson was also based. In 1944 Gabo joined the Design Research Unit and in 1946 he moved to the USA, settling in Conneticut in 1953. He became a US citizen in 1952. Between 1953 and 1954, he was a professor at the Graduate School of Architecture, Harvard University. From 1950 onwards, Gabo took a number of sculpture commmissions, including one for the Bijenkorf store in Rotterdam. In 1971 Gabo was awarded an Honorary KBE. He died in Conneticut in 1977.

Institución archivística

Historia archivística

GB-70-tga-9314 1940s-1970s Collection (fonds) 1 box, 9 folders Gabo , Sir , Naum [formerly Neyemiya Borisovich Pevzner] , [1890]-1977 , Knight , sculptor

Naum Gabo was born Naum Pevsner in Russia, in 1890. He was the younger brother of the sculptor Antoine Pevsner. Gabo went to Munich University in 1910 to study medicine and natural sciences, but also attended art history lectures by Heinrich Wölfflin. In 1912 he transferred to an engineering school in Munich. In 1913 he joined Antoine, then a painter, in Paris and whilst there he met Kandinsky. After the outbreak of war, Gabo moved from Paris to Copenhagen and then to Oslo. From 1915 he began to make constructions under the name Naum Gabo. Between 1917 and 1922, Gabo was in Moscow with his brother. Whilst there, they jointly wrote and issued a 'Realistic Manifesto' on the tenets of pure Constructivism. In 1922 Gabo moved to Berlin, where he lived in contact with artists of the de Stijl group and the Bauhaus. In 1926 he co-designed with Antoine, costumes for Diaghilev's ballett 'La Chatte'. In 1932 Gabo moved back to Paris and became a member of Abstraction Création. In 1936 he left Paris, moved to London and married Miriam Franklin (née Israels) in 1937. Gabo edited 'Circle: International Survey of Constructivist Art' along with J.L. Martin and Ben Nicholson. Gabo became good friends with Nicholson, and in 1939 he moved to Carbis Bay, Cornwall, where Nicholson was also based. In 1944 Gabo joined the Design Research Unit and in 1946 he moved to the USA, settling in Conneticut in 1953. He became a US citizen in 1952. Between 1953 and 1954, he was a professor at the Graduate School of Architecture, Harvard University. From 1950 onwards, Gabo took a number of sculpture commmissions, including one for the Bijenkorf store in Rotterdam. In 1971 Gabo was awarded an Honorary KBE. He died in Conneticut in 1977.

Presented to the Archive by Graham Williams, 1993.

The printmaking archive of the sculptor, Naum Gabo, [1940-1977].

Arranged as follows:

TGA 9314/1 Monoprints

TGA 9314/2 Lithographs

TGA 9314/3 Proofs and negatives of 'Blue Print' lithograph

TGA 9314/4 Etchings

TGA 9314/5 Original sketches and drawings for prints

TGA 9314/6 Cover for print edition

TGA 9314/7 Material by others

Open. Access to all registered users.

Usual copyright restrictions apply.
English

Online and paper catalogue available
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue. Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 1994 Prints Art Gabo , Sir , Naum [formerly Neyemiya Borisovich Pevzner] , [1890]–1977 , Knight , sculptor Visual materials

Origen del ingreso o transferencia

Presented to the Archive by Graham Williams, 1993.

Área de contenido y estructura

Alcance y contenido

The printmaking archive of the sculptor, Naum Gabo, [1940-1977].

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

Arranged as follows:

TGA 9314/1 Monoprints

TGA 9314/2 Lithographs

TGA 9314/3 Proofs and negatives of 'Blue Print' lithograph

TGA 9314/4 Etchings

TGA 9314/5 Original sketches and drawings for prints

TGA 9314/6 Cover for print edition

TGA 9314/7 Material by others

Área de condiciones de acceso y uso

Condiciones de acceso

Open. Access to all registered users.

Condiciones

Usual copyright restrictions apply.

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

English

Características físicas y requisitos técnicos

Instrumentos de descripción

Online and paper catalogue available

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Área de notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Tate Britain

Reglas y/o convenciones usadas

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso