GB-70-tga-9314 - GABO, Sir Naum ([1890-1977]): printmaking archive

Identificatie

referentie code

GB-70-tga-9314

Titel

GABO, Sir Naum ([1890-1977]): printmaking archive

Datum(s)

  • 1940s-1970s (Vervaardig)

Beschrijvingsniveau

Omvang en medium

1 box, 9 folders

Context

Naam van de archiefvormer

Biografie

Naum Gabo was born Naum Pevsner in Russia, in 1890. He was the younger brother of the sculptor Antoine Pevsner. Gabo went to Munich University in 1910 to study medicine and natural sciences, but also attended art history lectures by Heinrich Wölfflin. In 1912 he transferred to an engineering school in Munich. In 1913 he joined Antoine, then a painter, in Paris and whilst there he met Kandinsky. After the outbreak of war, Gabo moved from Paris to Copenhagen and then to Oslo. From 1915 he began to make constructions under the name Naum Gabo. Between 1917 and 1922, Gabo was in Moscow with his brother. Whilst there, they jointly wrote and issued a 'Realistic Manifesto' on the tenets of pure Constructivism. In 1922 Gabo moved to Berlin, where he lived in contact with artists of the de Stijl group and the Bauhaus. In 1926 he co-designed with Antoine, costumes for Diaghilev's ballett 'La Chatte'. In 1932 Gabo moved back to Paris and became a member of Abstraction Création. In 1936 he left Paris, moved to London and married Miriam Franklin (née Israels) in 1937. Gabo edited 'Circle: International Survey of Constructivist Art' along with J.L. Martin and Ben Nicholson. Gabo became good friends with Nicholson, and in 1939 he moved to Carbis Bay, Cornwall, where Nicholson was also based. In 1944 Gabo joined the Design Research Unit and in 1946 he moved to the USA, settling in Conneticut in 1953. He became a US citizen in 1952. Between 1953 and 1954, he was a professor at the Graduate School of Architecture, Harvard University. From 1950 onwards, Gabo took a number of sculpture commmissions, including one for the Bijenkorf store in Rotterdam. In 1971 Gabo was awarded an Honorary KBE. He died in Conneticut in 1977.

archiefbewaarplaats

Geschiedenis van het archief

GB-70-tga-9314 1940s-1970s Collection (fonds) 1 box, 9 folders Gabo , Sir , Naum [formerly Neyemiya Borisovich Pevzner] , [1890]-1977 , Knight , sculptor

Naum Gabo was born Naum Pevsner in Russia, in 1890. He was the younger brother of the sculptor Antoine Pevsner. Gabo went to Munich University in 1910 to study medicine and natural sciences, but also attended art history lectures by Heinrich Wölfflin. In 1912 he transferred to an engineering school in Munich. In 1913 he joined Antoine, then a painter, in Paris and whilst there he met Kandinsky. After the outbreak of war, Gabo moved from Paris to Copenhagen and then to Oslo. From 1915 he began to make constructions under the name Naum Gabo. Between 1917 and 1922, Gabo was in Moscow with his brother. Whilst there, they jointly wrote and issued a 'Realistic Manifesto' on the tenets of pure Constructivism. In 1922 Gabo moved to Berlin, where he lived in contact with artists of the de Stijl group and the Bauhaus. In 1926 he co-designed with Antoine, costumes for Diaghilev's ballett 'La Chatte'. In 1932 Gabo moved back to Paris and became a member of Abstraction Création. In 1936 he left Paris, moved to London and married Miriam Franklin (née Israels) in 1937. Gabo edited 'Circle: International Survey of Constructivist Art' along with J.L. Martin and Ben Nicholson. Gabo became good friends with Nicholson, and in 1939 he moved to Carbis Bay, Cornwall, where Nicholson was also based. In 1944 Gabo joined the Design Research Unit and in 1946 he moved to the USA, settling in Conneticut in 1953. He became a US citizen in 1952. Between 1953 and 1954, he was a professor at the Graduate School of Architecture, Harvard University. From 1950 onwards, Gabo took a number of sculpture commmissions, including one for the Bijenkorf store in Rotterdam. In 1971 Gabo was awarded an Honorary KBE. He died in Conneticut in 1977.

Presented to the Archive by Graham Williams, 1993.

The printmaking archive of the sculptor, Naum Gabo, [1940-1977].

Arranged as follows:

TGA 9314/1 Monoprints

TGA 9314/2 Lithographs

TGA 9314/3 Proofs and negatives of 'Blue Print' lithograph

TGA 9314/4 Etchings

TGA 9314/5 Original sketches and drawings for prints

TGA 9314/6 Cover for print edition

TGA 9314/7 Material by others

Open. Access to all registered users.

Usual copyright restrictions apply.
English

Online and paper catalogue available
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue. Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. 1994 Prints Art Gabo , Sir , Naum [formerly Neyemiya Borisovich Pevzner] , [1890]–1977 , Knight , sculptor Visual materials

Directe bron van verwerving of overbrenging

Presented to the Archive by Graham Williams, 1993.

Inhoud en structuur

Bereik en inhoud

The printmaking archive of the sculptor, Naum Gabo, [1940-1977].

Waardering, vernietiging en slectie

Aanvullingen

Ordeningstelsel

Arranged as follows:

TGA 9314/1 Monoprints

TGA 9314/2 Lithographs

TGA 9314/3 Proofs and negatives of 'Blue Print' lithograph

TGA 9314/4 Etchings

TGA 9314/5 Original sketches and drawings for prints

TGA 9314/6 Cover for print edition

TGA 9314/7 Material by others

Voorwaarden voor toegang en gebruik

Voorwaarden voor raadpleging

Open. Access to all registered users.

Voorwaarden voor reproductie

Usual copyright restrictions apply.

Taal van het materiaal

  • Engels

Schrift van het materiaal

  • Latijn

Taal en schrift aantekeningen

English

Fysieke eigenschappen en technische eisen

Toegangen

Online and paper catalogue available

Verwante materialen

Bestaan en verblifplaats van originelen

Bestaan en verblijfplaats van kopieën

Related units of description

Related descriptions

Aantekeningen

Alternative identifier(s)

Trefwoorden

Onderwerp trefwoord

Geografische trefwoorden

Naam ontsluitingsterm

Genre access points

Beschrijvingsbeheer

Identificatie van de beschrijving

Identificatiecode van de instelling

Tate Britain

Toegepaste regels en/of conventies

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Status

Niveau van detaillering

Verwijdering van datering archiefvorming

Taal (talen)

  • Engels

Schrift(en)

    Bronnen

    Voorwaarden voor raadpleging en gebruik