Área de identidad
Código de referencia
Título
Fecha(s)
- 1877-2000 (Creación)
Nivel de descripción
Volumen y soporte
approx. 5000 objects (plus 3,800+ objects identified in the archives)
Área de contexto
Nombre del productor
Historia biográfica
The history of the Museum Collection as a discrete collection within The Women's Library is less easy to trace than the Archive and Printed Collections. Fawcett Library members and related organisations often deposited objects with the Library, either as part of personal and organisational archives or as individual 'iconic' items. This ad-hoc collection continued after the transfer of the collections to the University in 1977, although several projects, including exhibitions, were carried out to highlight the importance of the visual material. In 1980-1981 The Fawcett Society deposited objects, including banners, with a number of museums (including the Fawcett Library). In 1984 the Mary Evans Picture Library became The Women's Library Commercial Picture Library partner. By the 1990s a contract Visual Materials Curator was appointed and it appears that the groupings by object type were made in this period as were some object descriptions. In Sep 1995 a project to identify, package and inventory objects from the museum and archives collection was begun; with the first museum accessions register started in 1998. Towards the end of the 1990s the Library was part of the JISC Image Digitisation Initiative (JIDI). This created digital images of the banner collection which were posted on the web as part of the Visual Arts Data Service, VADS (later the Arts and Humanities Data Service (AHDS)) by the end of 2001. Between 2000-2001 there was also a project to document objects held within archive collections.
With the move to the new building in 2002 the importance of visual material (initially focusing on the banner collection) was formally recognised by the inclusion of an Exhibition Hall in the building. Initially this was designed for a 'permanent' exhibition of the suffrage banners and other treasures. However, the actual move to the building saw a change in the Library's audience development. This, together with a recognition that the banners could not be on permanent display due to conservation concerns, resulted in a programme of exhibitions. For the first few years a programme of 3 exhibitions per year was carried out. However, this was later reduced to 2 exhibitions per year in order to develop a more interactive public, university and schools programme of events. External curators are often appointed to work with the Special Collections Curator to bring specific expertise to the exhibition.
Alongside the move to the new premises in 2002 The Women's Library agreed to meet the standards for Museum Registration, and later Museums' Accreditation. A three-year project, 2002-2005 documented the museum objects, with funding provided by the Arts and Humanities Research Council. Some 3500 objects were described on the archive-museum catalogue CALM to comply with minimum SPECTRUM standards and rehoused as part of this project. Subsequent to this the majority of museum catalogue entries were edited and made available to the public via the online catalogue (by 2008). As part of the 2002-2005 project, a template for cataloguing objects in CALM was produced, together with best practice guidance for rehousing specific types of objects held in the collections. This was used for subsequent deposits, including objects within archives (for which a SPECTRUM/ISAD(G) template was agreed). As part of the retroconversion project of archive catalogues, existing descriptions of objects in archives were edited to be more consistent with the 2002-2005 project.
Institución archivística
Historia archivística
GB 106 TWL.museum 1877-2000 Collection (fonds) approx. 5000 objects (plus 3,800+ objects identified in the archives) The Women's Library
The history of the Museum Collection as a discrete collection within The Women's Library is less easy to trace than the Archive and Printed Collections. Fawcett Library members and related organisations often deposited objects with the Library, either as part of personal and organisational archives or as individual 'iconic' items. This ad-hoc collection continued after the transfer of the collections to the University in 1977, although several projects, including exhibitions, were carried out to highlight the importance of the visual material. In 1980-1981 The Fawcett Society deposited objects, including banners, with a number of museums (including the Fawcett Library). In 1984 the Mary Evans Picture Library became The Women's Library Commercial Picture Library partner. By the 1990s a contract Visual Materials Curator was appointed and it appears that the groupings by object type were made in this period as were some object descriptions. In Sep 1995 a project to identify, package and inventory objects from the museum and archives collection was begun; with the first museum accessions register started in 1998. Towards the end of the 1990s the Library was part of the JISC Image Digitisation Initiative (JIDI). This created digital images of the banner collection which were posted on the web as part of the Visual Arts Data Service, VADS (later the Arts and Humanities Data Service (AHDS)) by the end of 2001. Between 2000-2001 there was also a project to document objects held within archive collections.
With the move to the new building in 2002 the importance of visual material (initially focusing on the banner collection) was formally recognised by the inclusion of an Exhibition Hall in the building. Initially this was designed for a 'permanent' exhibition of the suffrage banners and other treasures. However, the actual move to the building saw a change in the Library's audience development. This, together with a recognition that the banners could not be on permanent display due to conservation concerns, resulted in a programme of exhibitions. For the first few years a programme of 3 exhibitions per year was carried out. However, this was later reduced to 2 exhibitions per year in order to develop a more interactive public, university and schools programme of events. External curators are often appointed to work with the Special Collections Curator to bring specific expertise to the exhibition.
Alongside the move to the new premises in 2002 The Women's Library agreed to meet the standards for Museum Registration, and later Museums' Accreditation. A three-year project, 2002-2005 documented the museum objects, with funding provided by the Arts and Humanities Research Council. Some 3500 objects were described on the archive-museum catalogue CALM to comply with minimum SPECTRUM standards and rehoused as part of this project. Subsequent to this the majority of museum catalogue entries were edited and made available to the public via the online catalogue (by 2008). As part of the 2002-2005 project, a template for cataloguing objects in CALM was produced, together with best practice guidance for rehousing specific types of objects held in the collections. This was used for subsequent deposits, including objects within archives (for which a SPECTRUM/ISAD(G) template was agreed). As part of the retroconversion project of archive catalogues, existing descriptions of objects in archives were edited to be more consistent with the 2002-2005 project.
As at Jan 2009, The Women's Library held approximately 4,000 objects in the Museum Collection, with 3,840 additional objects identified in the archives.
The Women's Library Museum Collection objects are grouped in the following categories: Badges; Banners; Paintings; Photographs; Postcards; Posters; Textiles; - Objects and other ephemera e.g. souvenir material related to women's campaigning, ceramics used to promote or commemorate women's campaigning activities, artefacts associated with famous/prominent women.
The strength of the Museum Collection lies in the range of printed ephemera and artefacts that document suffrage campaign activities, in addition there is some material relating to later 20th century women's organisations and campaigning, such as feminist activity during the 1970s and 1980s. The Museum Collection complements the range of artefacts and ephemera held in The Women's Library archive and printed collections.
For further information about the scope of the banner, postcard, photograph and poster holdings see the introductions to (object numbers: twl.banner; twl.postcard; twl.poster).
Objects can be searched using the 'ObjectName' field. The main categories are named: badge, banner, photograph, postcard, painting, poster, textile.
Additional object names include: Album, Arm band , Ashtray, Bag, Blouse, Bookmark, Book token, Bottle, Braid, Bunting, Bunting flag, cake server, Calendar, Candleholder, Caricature, Cartoon, Chair back, Christmas card, Cigarette box, Clay pipe, Coaster, Coin, Comb, Cup, Design, Envelope, Flag, Flier, Fragment of aluminium, Game, Goblet, Gown, Greetings Card, Illustration, Jabot, Jacket, Key-ring, Magazine, Mallet, Map, Medal, Medallion, Membership Card, Memorial, Menu, Metal Cast, Mug, Needlecraft, Notebook, Offprint, Ornament, Packaging, Page, Patch, Pattern, Pen, Pin, Plaque, Plate, Print, Presentation volume, Programme, Record, Ribbon, Rosette, Sash, Saucer, Scarf, Seal, Shield, Ship's card, Sign, Silhouette, Spoon, Stamp, Sticker, Swizzle stick, T-Shirt, Tea Spoon, Tea Towel, Textile, Textile fragment, Ticket, Toy, Trousers, Unitard, Wallet, Wallpaper.
Arranged by subject.
Advance Ordering Required. This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit. The majority of objects in the Museum Collection may be requested for research in the Reading Room. Due to their size and fragility banners can only be consulted by an appointment with the curator.
English
As at 2006 the museum catalogues were being edited and made available online.
Historical Note: In 1980-1981 The Fawcett Society deposited objects with a number of museums (including the Fawcett Library). The Museum of London was given a number of banners by the Fawcett Society. MoL were also given a WSPU teapot; silk scarf; sash; equal pay pencil; framed photograph of Shaw; triangular bunting flag; 2 NUWSS shoulder bags; Lady's accelerator.
The Museum Collection was catalogued by Charlotte Dew between 2001-2004 in a project funded by the AHRC (Arts and Humanities Research Council). Museum Collection description by Teresa Doherty, The Women's Library Dec 2006. Edited for AIM25 by Sarah Drewery.
General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.
Feb 2009. Associations Womens organizations Sex distribution Sex Women Internal politics Electoral systems Womens suffrage Organizations Womens liberation movement Liberation movements Political movements
Origen del ingreso o transferencia
Área de contenido y estructura
Alcance y contenido
As at Jan 2009, The Women's Library held approximately 4,000 objects in the Museum Collection, with 3,840 additional objects identified in the archives.
The Women's Library Museum Collection objects are grouped in the following categories: Badges; Banners; Paintings; Photographs; Postcards; Posters; Textiles; - Objects and other ephemera e.g. souvenir material related to women's campaigning, ceramics used to promote or commemorate women's campaigning activities, artefacts associated with famous/prominent women.
The strength of the Museum Collection lies in the range of printed ephemera and artefacts that document suffrage campaign activities, in addition there is some material relating to later 20th century women's organisations and campaigning, such as feminist activity during the 1970s and 1980s. The Museum Collection complements the range of artefacts and ephemera held in The Women's Library archive and printed collections.
For further information about the scope of the banner, postcard, photograph and poster holdings see the introductions to (object numbers: twl.banner; twl.postcard; twl.poster).
Objects can be searched using the 'ObjectName' field. The main categories are named: badge, banner, photograph, postcard, painting, poster, textile.
Additional object names include: Album, Arm band , Ashtray, Bag, Blouse, Bookmark, Book token, Bottle, Braid, Bunting, Bunting flag, cake server, Calendar, Candleholder, Caricature, Cartoon, Chair back, Christmas card, Cigarette box, Clay pipe, Coaster, Coin, Comb, Cup, Design, Envelope, Flag, Flier, Fragment of aluminium, Game, Goblet, Gown, Greetings Card, Illustration, Jabot, Jacket, Key-ring, Magazine, Mallet, Map, Medal, Medallion, Membership Card, Memorial, Menu, Metal Cast, Mug, Needlecraft, Notebook, Offprint, Ornament, Packaging, Page, Patch, Pattern, Pen, Pin, Plaque, Plate, Print, Presentation volume, Programme, Record, Ribbon, Rosette, Sash, Saucer, Scarf, Seal, Shield, Ship's card, Sign, Silhouette, Spoon, Stamp, Sticker, Swizzle stick, T-Shirt, Tea Spoon, Tea Towel, Textile, Textile fragment, Ticket, Toy, Trousers, Unitard, Wallet, Wallpaper.
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
Arranged by subject.
Área de condiciones de acceso y uso
Condiciones de acceso
Advance Ordering Required. This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit. The majority of objects in the Museum Collection may be requested for research in the Reading Room. Due to their size and fragility banners can only be consulted by an appointment with the curator.
Condiciones
Idioma del material
- inglés
Escritura del material
- latín
Notas sobre las lenguas y escrituras
English
Características físicas y requisitos técnicos
Historical Note: In 1980-1981 The Fawcett Society deposited objects with a number of museums (including the Fawcett Library). The Museum of London was given a number of banners by the Fawcett Society. MoL were also given a WSPU teapot; silk scarf; sash; equal pay pencil; framed photograph of Shaw; triangular bunting flag; 2 NUWSS shoulder bags; Lady's accelerator.
Instrumentos de descripción
As at 2006 the museum catalogues were being edited and made available online.
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
Unidades de descripción relacionadas
Nota de publicación
Área de notas
Notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
- Organización » Asociación
- Organización » Asociación » Organización femenina
- Distribución por sexo
- Distribución por sexo » Sexo
- Distribución por sexo » Sexo » Mujer
- Política interna
- Política interna » Sistema electoral
- Política interna » Sistema electoral » Sufragio femenino
- Organización
- Movimiento político » Movimientos de liberación » Movimiento de liberación femenina
- Movimiento político » Movimientos de liberación
- Movimiento político
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control de la descripción
Identificador de la descripción
Identificador de la institución
Reglas y/o convenciones usadas
General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.
Estado de elaboración
Nivel de detalle
Fechas de creación revisión eliminación
Idioma(s)
- inglés