Zone d'identification
Cote
Titre
Date(s)
- 1877-2000 (Création/Production)
Niveau de description
Étendue matérielle et support
approx. 5000 objects (plus 3,800+ objects identified in the archives)
Zone du contexte
Nom du producteur
Notice biographique
The history of the Museum Collection as a discrete collection within The Women's Library is less easy to trace than the Archive and Printed Collections. Fawcett Library members and related organisations often deposited objects with the Library, either as part of personal and organisational archives or as individual 'iconic' items. This ad-hoc collection continued after the transfer of the collections to the University in 1977, although several projects, including exhibitions, were carried out to highlight the importance of the visual material. In 1980-1981 The Fawcett Society deposited objects, including banners, with a number of museums (including the Fawcett Library). In 1984 the Mary Evans Picture Library became The Women's Library Commercial Picture Library partner. By the 1990s a contract Visual Materials Curator was appointed and it appears that the groupings by object type were made in this period as were some object descriptions. In Sep 1995 a project to identify, package and inventory objects from the museum and archives collection was begun; with the first museum accessions register started in 1998. Towards the end of the 1990s the Library was part of the JISC Image Digitisation Initiative (JIDI). This created digital images of the banner collection which were posted on the web as part of the Visual Arts Data Service, VADS (later the Arts and Humanities Data Service (AHDS)) by the end of 2001. Between 2000-2001 there was also a project to document objects held within archive collections.
With the move to the new building in 2002 the importance of visual material (initially focusing on the banner collection) was formally recognised by the inclusion of an Exhibition Hall in the building. Initially this was designed for a 'permanent' exhibition of the suffrage banners and other treasures. However, the actual move to the building saw a change in the Library's audience development. This, together with a recognition that the banners could not be on permanent display due to conservation concerns, resulted in a programme of exhibitions. For the first few years a programme of 3 exhibitions per year was carried out. However, this was later reduced to 2 exhibitions per year in order to develop a more interactive public, university and schools programme of events. External curators are often appointed to work with the Special Collections Curator to bring specific expertise to the exhibition.
Alongside the move to the new premises in 2002 The Women's Library agreed to meet the standards for Museum Registration, and later Museums' Accreditation. A three-year project, 2002-2005 documented the museum objects, with funding provided by the Arts and Humanities Research Council. Some 3500 objects were described on the archive-museum catalogue CALM to comply with minimum SPECTRUM standards and rehoused as part of this project. Subsequent to this the majority of museum catalogue entries were edited and made available to the public via the online catalogue (by 2008). As part of the 2002-2005 project, a template for cataloguing objects in CALM was produced, together with best practice guidance for rehousing specific types of objects held in the collections. This was used for subsequent deposits, including objects within archives (for which a SPECTRUM/ISAD(G) template was agreed). As part of the retroconversion project of archive catalogues, existing descriptions of objects in archives were edited to be more consistent with the 2002-2005 project.
Dépôt
Histoire archivistique
GB 106 TWL.museum 1877-2000 Collection (fonds) approx. 5000 objects (plus 3,800+ objects identified in the archives) The Women's Library
The history of the Museum Collection as a discrete collection within The Women's Library is less easy to trace than the Archive and Printed Collections. Fawcett Library members and related organisations often deposited objects with the Library, either as part of personal and organisational archives or as individual 'iconic' items. This ad-hoc collection continued after the transfer of the collections to the University in 1977, although several projects, including exhibitions, were carried out to highlight the importance of the visual material. In 1980-1981 The Fawcett Society deposited objects, including banners, with a number of museums (including the Fawcett Library). In 1984 the Mary Evans Picture Library became The Women's Library Commercial Picture Library partner. By the 1990s a contract Visual Materials Curator was appointed and it appears that the groupings by object type were made in this period as were some object descriptions. In Sep 1995 a project to identify, package and inventory objects from the museum and archives collection was begun; with the first museum accessions register started in 1998. Towards the end of the 1990s the Library was part of the JISC Image Digitisation Initiative (JIDI). This created digital images of the banner collection which were posted on the web as part of the Visual Arts Data Service, VADS (later the Arts and Humanities Data Service (AHDS)) by the end of 2001. Between 2000-2001 there was also a project to document objects held within archive collections.
With the move to the new building in 2002 the importance of visual material (initially focusing on the banner collection) was formally recognised by the inclusion of an Exhibition Hall in the building. Initially this was designed for a 'permanent' exhibition of the suffrage banners and other treasures. However, the actual move to the building saw a change in the Library's audience development. This, together with a recognition that the banners could not be on permanent display due to conservation concerns, resulted in a programme of exhibitions. For the first few years a programme of 3 exhibitions per year was carried out. However, this was later reduced to 2 exhibitions per year in order to develop a more interactive public, university and schools programme of events. External curators are often appointed to work with the Special Collections Curator to bring specific expertise to the exhibition.
Alongside the move to the new premises in 2002 The Women's Library agreed to meet the standards for Museum Registration, and later Museums' Accreditation. A three-year project, 2002-2005 documented the museum objects, with funding provided by the Arts and Humanities Research Council. Some 3500 objects were described on the archive-museum catalogue CALM to comply with minimum SPECTRUM standards and rehoused as part of this project. Subsequent to this the majority of museum catalogue entries were edited and made available to the public via the online catalogue (by 2008). As part of the 2002-2005 project, a template for cataloguing objects in CALM was produced, together with best practice guidance for rehousing specific types of objects held in the collections. This was used for subsequent deposits, including objects within archives (for which a SPECTRUM/ISAD(G) template was agreed). As part of the retroconversion project of archive catalogues, existing descriptions of objects in archives were edited to be more consistent with the 2002-2005 project.
As at Jan 2009, The Women's Library held approximately 4,000 objects in the Museum Collection, with 3,840 additional objects identified in the archives.
The Women's Library Museum Collection objects are grouped in the following categories: Badges; Banners; Paintings; Photographs; Postcards; Posters; Textiles; - Objects and other ephemera e.g. souvenir material related to women's campaigning, ceramics used to promote or commemorate women's campaigning activities, artefacts associated with famous/prominent women.
The strength of the Museum Collection lies in the range of printed ephemera and artefacts that document suffrage campaign activities, in addition there is some material relating to later 20th century women's organisations and campaigning, such as feminist activity during the 1970s and 1980s. The Museum Collection complements the range of artefacts and ephemera held in The Women's Library archive and printed collections.
For further information about the scope of the banner, postcard, photograph and poster holdings see the introductions to (object numbers: twl.banner; twl.postcard; twl.poster).
Objects can be searched using the 'ObjectName' field. The main categories are named: badge, banner, photograph, postcard, painting, poster, textile.
Additional object names include: Album, Arm band , Ashtray, Bag, Blouse, Bookmark, Book token, Bottle, Braid, Bunting, Bunting flag, cake server, Calendar, Candleholder, Caricature, Cartoon, Chair back, Christmas card, Cigarette box, Clay pipe, Coaster, Coin, Comb, Cup, Design, Envelope, Flag, Flier, Fragment of aluminium, Game, Goblet, Gown, Greetings Card, Illustration, Jabot, Jacket, Key-ring, Magazine, Mallet, Map, Medal, Medallion, Membership Card, Memorial, Menu, Metal Cast, Mug, Needlecraft, Notebook, Offprint, Ornament, Packaging, Page, Patch, Pattern, Pen, Pin, Plaque, Plate, Print, Presentation volume, Programme, Record, Ribbon, Rosette, Sash, Saucer, Scarf, Seal, Shield, Ship's card, Sign, Silhouette, Spoon, Stamp, Sticker, Swizzle stick, T-Shirt, Tea Spoon, Tea Towel, Textile, Textile fragment, Ticket, Toy, Trousers, Unitard, Wallet, Wallpaper.
Arranged by subject.
Advance Ordering Required. This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit. The majority of objects in the Museum Collection may be requested for research in the Reading Room. Due to their size and fragility banners can only be consulted by an appointment with the curator.
English
As at 2006 the museum catalogues were being edited and made available online.
Historical Note: In 1980-1981 The Fawcett Society deposited objects with a number of museums (including the Fawcett Library). The Museum of London was given a number of banners by the Fawcett Society. MoL were also given a WSPU teapot; silk scarf; sash; equal pay pencil; framed photograph of Shaw; triangular bunting flag; 2 NUWSS shoulder bags; Lady's accelerator.
The Museum Collection was catalogued by Charlotte Dew between 2001-2004 in a project funded by the AHRC (Arts and Humanities Research Council). Museum Collection description by Teresa Doherty, The Women's Library Dec 2006. Edited for AIM25 by Sarah Drewery.
General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.
Feb 2009. Associations Womens organizations Sex distribution Sex Women Internal politics Electoral systems Womens suffrage Organizations Womens liberation movement Liberation movements Political movements
Source immédiate d'acquisition ou de transfert
Zone du contenu et de la structure
Portée et contenu
As at Jan 2009, The Women's Library held approximately 4,000 objects in the Museum Collection, with 3,840 additional objects identified in the archives.
The Women's Library Museum Collection objects are grouped in the following categories: Badges; Banners; Paintings; Photographs; Postcards; Posters; Textiles; - Objects and other ephemera e.g. souvenir material related to women's campaigning, ceramics used to promote or commemorate women's campaigning activities, artefacts associated with famous/prominent women.
The strength of the Museum Collection lies in the range of printed ephemera and artefacts that document suffrage campaign activities, in addition there is some material relating to later 20th century women's organisations and campaigning, such as feminist activity during the 1970s and 1980s. The Museum Collection complements the range of artefacts and ephemera held in The Women's Library archive and printed collections.
For further information about the scope of the banner, postcard, photograph and poster holdings see the introductions to (object numbers: twl.banner; twl.postcard; twl.poster).
Objects can be searched using the 'ObjectName' field. The main categories are named: badge, banner, photograph, postcard, painting, poster, textile.
Additional object names include: Album, Arm band , Ashtray, Bag, Blouse, Bookmark, Book token, Bottle, Braid, Bunting, Bunting flag, cake server, Calendar, Candleholder, Caricature, Cartoon, Chair back, Christmas card, Cigarette box, Clay pipe, Coaster, Coin, Comb, Cup, Design, Envelope, Flag, Flier, Fragment of aluminium, Game, Goblet, Gown, Greetings Card, Illustration, Jabot, Jacket, Key-ring, Magazine, Mallet, Map, Medal, Medallion, Membership Card, Memorial, Menu, Metal Cast, Mug, Needlecraft, Notebook, Offprint, Ornament, Packaging, Page, Patch, Pattern, Pen, Pin, Plaque, Plate, Print, Presentation volume, Programme, Record, Ribbon, Rosette, Sash, Saucer, Scarf, Seal, Shield, Ship's card, Sign, Silhouette, Spoon, Stamp, Sticker, Swizzle stick, T-Shirt, Tea Spoon, Tea Towel, Textile, Textile fragment, Ticket, Toy, Trousers, Unitard, Wallet, Wallpaper.
Évaluation, élimination et calendrier de conservation
Accroissements
Mode de classement
Arranged by subject.
Zone des conditions d'accès et d'utilisation
Conditions d'accès
Advance Ordering Required. This collection is available for research. Readers are advised to contact The Women's Library in advance of their first visit. The majority of objects in the Museum Collection may be requested for research in the Reading Room. Due to their size and fragility banners can only be consulted by an appointment with the curator.
Conditions de reproduction
Langue des documents
- anglais
Écriture des documents
- latin
Notes de langue et graphie
English
Caractéristiques matérielle et contraintes techniques
Historical Note: In 1980-1981 The Fawcett Society deposited objects with a number of museums (including the Fawcett Library). The Museum of London was given a number of banners by the Fawcett Society. MoL were also given a WSPU teapot; silk scarf; sash; equal pay pencil; framed photograph of Shaw; triangular bunting flag; 2 NUWSS shoulder bags; Lady's accelerator.
Instruments de recherche
As at 2006 the museum catalogues were being edited and made available online.
Zone des sources complémentaires
Existence et lieu de conservation des originaux
Existence et lieu de conservation des copies
Unités de description associées
Note de publication
Zone des notes
Note
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Sujets
- Organisation » Association
- Organisation » Association » Organisation féminine
- Répartition par sexe
- Répartition par sexe » Sexe
- Répartition par sexe » Sexe » Femme
- Politique intérieure
- Politique intérieure » Système électoral
- Politique intérieure » Système électoral » Vote des femmes
- Organisation
- Mouvement politique » Mouvement de libération » Mouvement de libération des femmes
- Mouvement politique » Mouvement de libération
- Mouvement politique
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle de la description
Identifiant de la description
Identifiant du service d'archives
Règles et/ou conventions utilisées
General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.
Statut
Niveau de détail
Dates de production, de révision, de suppression
Langue(s)
- anglais