Fondo GB 0070 TGA 769 - NASH, Paul - Writings, artwork, correspondence, photographs and ephemera

Área de identidad

Código de referencia

GB 0070 TGA 769

Título

NASH, Paul - Writings, artwork, correspondence, photographs and ephemera

Fecha(s)

  • 1907-1960 (Creación)

Nivel de descripción

Fondo

Volumen y soporte

2 boxes and 1 solander box

Área de contexto

Nombre del productor

Historia biográfica

Paul Nash was born in London on 11 May 1889, son of William Harry Nash, late Recorder of Abingdon. He was educated at St. Paul's School, and originally was going to join the Navy. His earliest artistic training was at the Chelsea Polytechnic and the L.C.C. school, he then went to the Slade School of Art. In 1914, shortly after marrying Margaret Theodosia Odeh, he enlisted in The Artists Rifles, where he received a commission in the Hampshire Regiment. Though he had exhibited drawings in 1911, Nash first came into prominence in June 1917, when during convalescence from a broken rib received in the trenches he showed at the Goupil Gallery a collection of landscape drawings made in the Ypres Salient. They made a huge impact, and when Nash returned to France it was as an official war artist.After that Nash developed rapidly with changes of style and medium, but always retaining the same general attitude to nature from simplified forms, through geometrical shapes to surrealist images. Nash also acted as a designer for industry using a wide range of crafts and materials - textiles, wood, glass, china, book production, posters and stage design and costumes. His ideas on modernity in design were put into practice with the foundation in 1933 of 'Unit One'; a group of painters, sculptors, and architects pledged to the expression of the contemporary spirit in their work. For a time Nash was a member of of the New English Art Club, the London Group, the London Artists' Association, the Modern English Watercolour Society, and the International Society of Wood-engravers, but when 'Unit One' was formed he resigend from all other groups and societies. In 1933, he was elected a member of the Council for Art and Industry, having been president of the Society of Industrial Artists in the previous year. He was also visiting instructor to the School of Design at the Royal College of Art. In 1940 Nash was appointed an official war artist to the Air Ministry, and in 1941 to the Ministry of Information. Paul Nash died on 11 July 1946.

Institución archivística

Historia archivística

GB 0070 TGA 769 1907-1960 Fonds 2 boxes and 1 solander box Nash/ Paul / 1889-1946 / painter

Paul Nash was born in London on 11 May 1889, son of William Harry Nash, late Recorder of Abingdon. He was educated at St. Paul's School, and originally was going to join the Navy. His earliest artistic training was at the Chelsea Polytechnic and the L.C.C. school, he then went to the Slade School of Art. In 1914, shortly after marrying Margaret Theodosia Odeh, he enlisted in The Artists Rifles, where he received a commission in the Hampshire Regiment. Though he had exhibited drawings in 1911, Nash first came into prominence in June 1917, when during convalescence from a broken rib received in the trenches he showed at the Goupil Gallery a collection of landscape drawings made in the Ypres Salient. They made a huge impact, and when Nash returned to France it was as an official war artist.After that Nash developed rapidly with changes of style and medium, but always retaining the same general attitude to nature from simplified forms, through geometrical shapes to surrealist images. Nash also acted as a designer for industry using a wide range of crafts and materials - textiles, wood, glass, china, book production, posters and stage design and costumes. His ideas on modernity in design were put into practice with the foundation in 1933 of 'Unit One'; a group of painters, sculptors, and architects pledged to the expression of the contemporary spirit in their work. For a time Nash was a member of of the New English Art Club, the London Group, the London Artists' Association, the Modern English Watercolour Society, and the International Society of Wood-engravers, but when 'Unit One' was formed he resigend from all other groups and societies. In 1933, he was elected a member of the Council for Art and Industry, having been president of the Society of Industrial Artists in the previous year. He was also visiting instructor to the School of Design at the Royal College of Art. In 1940 Nash was appointed an official war artist to the Air Ministry, and in 1941 to the Ministry of Information. Paul Nash died on 11 July 1946.

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

As the material was unsorted, it was possible to arrange it into the following sections: 769/1 Writing by Nash. 769/2 Material about Nash. 769/3 Correspondence. 769/4 Artwork. 769/5 Source material. 769/6 Printed ephemera. 769/7 Photographs. 769/8 Miscellaneous. 769/9 Press cuttings.

Open. Access to all registered researchers

Usual copyright restrictions apply

English

Paper and online catalogue available.

Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

1994

Origen del ingreso o transferencia

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

Área de contenido y estructura

Alcance y contenido

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

As the material was unsorted, it was possible to arrange it into the following sections: 769/1 Writing by Nash. 769/2 Material about Nash. 769/3 Correspondence. 769/4 Artwork. 769/5 Source material. 769/6 Printed ephemera. 769/7 Photographs. 769/8 Miscellaneous. 769/9 Press cuttings.

Área de condiciones de acceso y uso

Condiciones de acceso

Open. Access to all registered researchers

Condiciones

Usual copyright restrictions apply

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

English

Características físicas y requisitos técnicos

Instrumentos de descripción

Paper and online catalogue available.

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Área de notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Tate Britain

Reglas y/o convenciones usadas

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso