Arquivo GB 0070 TGA 769 - NASH, Paul - Writings, artwork, correspondence, photographs and ephemera

Zona de identificação

Código de referência

GB 0070 TGA 769

Título

NASH, Paul - Writings, artwork, correspondence, photographs and ephemera

Data(s)

  • 1907-1960 (Produção)

Nível de descrição

Arquivo

Dimensão e suporte

2 boxes and 1 solander box

Zona do contexto

Nome do produtor

História biográfica

Paul Nash was born in London on 11 May 1889, son of William Harry Nash, late Recorder of Abingdon. He was educated at St. Paul's School, and originally was going to join the Navy. His earliest artistic training was at the Chelsea Polytechnic and the L.C.C. school, he then went to the Slade School of Art. In 1914, shortly after marrying Margaret Theodosia Odeh, he enlisted in The Artists Rifles, where he received a commission in the Hampshire Regiment. Though he had exhibited drawings in 1911, Nash first came into prominence in June 1917, when during convalescence from a broken rib received in the trenches he showed at the Goupil Gallery a collection of landscape drawings made in the Ypres Salient. They made a huge impact, and when Nash returned to France it was as an official war artist.After that Nash developed rapidly with changes of style and medium, but always retaining the same general attitude to nature from simplified forms, through geometrical shapes to surrealist images. Nash also acted as a designer for industry using a wide range of crafts and materials - textiles, wood, glass, china, book production, posters and stage design and costumes. His ideas on modernity in design were put into practice with the foundation in 1933 of 'Unit One'; a group of painters, sculptors, and architects pledged to the expression of the contemporary spirit in their work. For a time Nash was a member of of the New English Art Club, the London Group, the London Artists' Association, the Modern English Watercolour Society, and the International Society of Wood-engravers, but when 'Unit One' was formed he resigend from all other groups and societies. In 1933, he was elected a member of the Council for Art and Industry, having been president of the Society of Industrial Artists in the previous year. He was also visiting instructor to the School of Design at the Royal College of Art. In 1940 Nash was appointed an official war artist to the Air Ministry, and in 1941 to the Ministry of Information. Paul Nash died on 11 July 1946.

Entidade detentora

História do arquivo

GB 0070 TGA 769 1907-1960 Fonds 2 boxes and 1 solander box Nash/ Paul / 1889-1946 / painter

Paul Nash was born in London on 11 May 1889, son of William Harry Nash, late Recorder of Abingdon. He was educated at St. Paul's School, and originally was going to join the Navy. His earliest artistic training was at the Chelsea Polytechnic and the L.C.C. school, he then went to the Slade School of Art. In 1914, shortly after marrying Margaret Theodosia Odeh, he enlisted in The Artists Rifles, where he received a commission in the Hampshire Regiment. Though he had exhibited drawings in 1911, Nash first came into prominence in June 1917, when during convalescence from a broken rib received in the trenches he showed at the Goupil Gallery a collection of landscape drawings made in the Ypres Salient. They made a huge impact, and when Nash returned to France it was as an official war artist.After that Nash developed rapidly with changes of style and medium, but always retaining the same general attitude to nature from simplified forms, through geometrical shapes to surrealist images. Nash also acted as a designer for industry using a wide range of crafts and materials - textiles, wood, glass, china, book production, posters and stage design and costumes. His ideas on modernity in design were put into practice with the foundation in 1933 of 'Unit One'; a group of painters, sculptors, and architects pledged to the expression of the contemporary spirit in their work. For a time Nash was a member of of the New English Art Club, the London Group, the London Artists' Association, the Modern English Watercolour Society, and the International Society of Wood-engravers, but when 'Unit One' was formed he resigend from all other groups and societies. In 1933, he was elected a member of the Council for Art and Industry, having been president of the Society of Industrial Artists in the previous year. He was also visiting instructor to the School of Design at the Royal College of Art. In 1940 Nash was appointed an official war artist to the Air Ministry, and in 1941 to the Ministry of Information. Paul Nash died on 11 July 1946.

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

As the material was unsorted, it was possible to arrange it into the following sections: 769/1 Writing by Nash. 769/2 Material about Nash. 769/3 Correspondence. 769/4 Artwork. 769/5 Source material. 769/6 Printed ephemera. 769/7 Photographs. 769/8 Miscellaneous. 769/9 Press cuttings.

Open. Access to all registered researchers

Usual copyright restrictions apply

English

Paper and online catalogue available.

Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

1994

Fonte imediata de aquisição ou transferência

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

Zona do conteúdo e estrutura

Âmbito e conteúdo

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

Avaliação, seleção e eliminação

Incorporações

Sistema de arranjo

As the material was unsorted, it was possible to arrange it into the following sections: 769/1 Writing by Nash. 769/2 Material about Nash. 769/3 Correspondence. 769/4 Artwork. 769/5 Source material. 769/6 Printed ephemera. 769/7 Photographs. 769/8 Miscellaneous. 769/9 Press cuttings.

Zona de condições de acesso e utilização

Condições de acesso

Open. Access to all registered researchers

Condiçoes de reprodução

Usual copyright restrictions apply

Idioma do material

  • inglês

Sistema de escrita do material

  • latim

Notas ao idioma e script

English

Características físicas e requisitos técnicos

Instrumentos de descrição

Paper and online catalogue available.

Zona de documentação associada

Existência e localização de originais

Existência e localização de cópias

Unidades de descrição relacionadas

Descrições relacionadas

Zona das notas

Identificador(es) alternativo(s)

Pontos de acesso

Pontos de acesso - Assuntos

Pontos de acesso - Locais

Pontos de acesso - Nomes

Pontos de acesso de género

Zona do controlo da descrição

Identificador da descrição

Identificador da instituição

Tate Britain

Regras ou convenções utilizadas

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estatuto

Nível de detalhe

Datas de criação, revisão, eliminação

Línguas e escritas

  • inglês

Script(s)

    Fontes

    Área de ingresso