Fonds GB 0070 TGA 769 - NASH, Paul - Writings, artwork, correspondence, photographs and ephemera

Zone d'identification

Cote

GB 0070 TGA 769

Titre

NASH, Paul - Writings, artwork, correspondence, photographs and ephemera

Date(s)

  • 1907-1960 (Création/Production)

Niveau de description

Fonds

Étendue matérielle et support

2 boxes and 1 solander box

Zone du contexte

Nom du producteur

Notice biographique

Paul Nash was born in London on 11 May 1889, son of William Harry Nash, late Recorder of Abingdon. He was educated at St. Paul's School, and originally was going to join the Navy. His earliest artistic training was at the Chelsea Polytechnic and the L.C.C. school, he then went to the Slade School of Art. In 1914, shortly after marrying Margaret Theodosia Odeh, he enlisted in The Artists Rifles, where he received a commission in the Hampshire Regiment. Though he had exhibited drawings in 1911, Nash first came into prominence in June 1917, when during convalescence from a broken rib received in the trenches he showed at the Goupil Gallery a collection of landscape drawings made in the Ypres Salient. They made a huge impact, and when Nash returned to France it was as an official war artist.After that Nash developed rapidly with changes of style and medium, but always retaining the same general attitude to nature from simplified forms, through geometrical shapes to surrealist images. Nash also acted as a designer for industry using a wide range of crafts and materials - textiles, wood, glass, china, book production, posters and stage design and costumes. His ideas on modernity in design were put into practice with the foundation in 1933 of 'Unit One'; a group of painters, sculptors, and architects pledged to the expression of the contemporary spirit in their work. For a time Nash was a member of of the New English Art Club, the London Group, the London Artists' Association, the Modern English Watercolour Society, and the International Society of Wood-engravers, but when 'Unit One' was formed he resigend from all other groups and societies. In 1933, he was elected a member of the Council for Art and Industry, having been president of the Society of Industrial Artists in the previous year. He was also visiting instructor to the School of Design at the Royal College of Art. In 1940 Nash was appointed an official war artist to the Air Ministry, and in 1941 to the Ministry of Information. Paul Nash died on 11 July 1946.

Histoire archivistique

GB 0070 TGA 769 1907-1960 Fonds 2 boxes and 1 solander box Nash/ Paul / 1889-1946 / painter

Paul Nash was born in London on 11 May 1889, son of William Harry Nash, late Recorder of Abingdon. He was educated at St. Paul's School, and originally was going to join the Navy. His earliest artistic training was at the Chelsea Polytechnic and the L.C.C. school, he then went to the Slade School of Art. In 1914, shortly after marrying Margaret Theodosia Odeh, he enlisted in The Artists Rifles, where he received a commission in the Hampshire Regiment. Though he had exhibited drawings in 1911, Nash first came into prominence in June 1917, when during convalescence from a broken rib received in the trenches he showed at the Goupil Gallery a collection of landscape drawings made in the Ypres Salient. They made a huge impact, and when Nash returned to France it was as an official war artist.After that Nash developed rapidly with changes of style and medium, but always retaining the same general attitude to nature from simplified forms, through geometrical shapes to surrealist images. Nash also acted as a designer for industry using a wide range of crafts and materials - textiles, wood, glass, china, book production, posters and stage design and costumes. His ideas on modernity in design were put into practice with the foundation in 1933 of 'Unit One'; a group of painters, sculptors, and architects pledged to the expression of the contemporary spirit in their work. For a time Nash was a member of of the New English Art Club, the London Group, the London Artists' Association, the Modern English Watercolour Society, and the International Society of Wood-engravers, but when 'Unit One' was formed he resigend from all other groups and societies. In 1933, he was elected a member of the Council for Art and Industry, having been president of the Society of Industrial Artists in the previous year. He was also visiting instructor to the School of Design at the Royal College of Art. In 1940 Nash was appointed an official war artist to the Air Ministry, and in 1941 to the Ministry of Information. Paul Nash died on 11 July 1946.

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

As the material was unsorted, it was possible to arrange it into the following sections: 769/1 Writing by Nash. 769/2 Material about Nash. 769/3 Correspondence. 769/4 Artwork. 769/5 Source material. 769/6 Printed ephemera. 769/7 Photographs. 769/8 Miscellaneous. 769/9 Press cuttings.

Open. Access to all registered researchers

Usual copyright restrictions apply

English

Paper and online catalogue available.

Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

1994

Source immédiate d'acquisition ou de transfert

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

Zone du contenu et de la structure

Portée et contenu

This small collection of Paul Nash material was given to the Archive by the Paul Nash Trustees via Andrew Causey, who had been using the material for his book on Nash. It contains a wide range of material, including manuscripts and drafts of biographical pieces by his wife Margaret, lists and catalogues of paintings and works, as well as a small collection of artwork including proofs of illustrations.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

As the material was unsorted, it was possible to arrange it into the following sections: 769/1 Writing by Nash. 769/2 Material about Nash. 769/3 Correspondence. 769/4 Artwork. 769/5 Source material. 769/6 Printed ephemera. 769/7 Photographs. 769/8 Miscellaneous. 769/9 Press cuttings.

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Open. Access to all registered researchers

Conditions de reproduction

Usual copyright restrictions apply

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

English

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Paper and online catalogue available.

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Sujets

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Tate Britain

Règles et/ou conventions utilisées

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées