Letter from V Le Roy of 8g, Boulevard Halesherbes VIII to an unknown recipient, 23 Jun 1945. Concerning documents relating to Georges Bizet's father's family.

The Grieve collection comprises: 655 original scene designs (and 3 folders of slides), including panoramas and perspective 'cut-outs' in watercolours and wash by members of the Grieve family, covering performances of various revival productions of Shakespeare plays, along with works by Isaac Pocock, M.R.Lacy, Thomas Otway, Michael Costa, Samuel Beazley, Douglas Jerrold, G.Meyerbeer, Charles A.Somerset, Edward Fitzball, Rossini and others, staged at the Theatre Royal (Drury Lane), the Theatre Royal (Covent Garden) and Her Majesty's Theatre, 1813-1857.

Biographical scrapbook, compiled by Cecil Frederick Crofton, including the following: correspondence, cuttings, watercolours and exam papers from Crofton's time at Forest School, near Snaresbrook, including cuttings of poems and articles by Crofton in the school magazine, exam papers, watercolours and illustrations of areas surrounding the school and correspondence with the headmaster regarding fees and attendance, 1874-1876; playbills, cuttings, posters, programmes and illustrations from a majority of Crofton's performances both as an opera singer and actor, both amateur and professional, also including dinner and engagement cards and illustrations and small watercolours by Crofton of theatrical scenes and fellow performers, 1877-1913; Cuttings and illustrations regarding the funeral of the Duke of Devonshire, 1908; correspondence, cuttings and illustrations regarding Sir Nevil Macready, 1919.

Papers of Vincenzo Bellini, comprise a manuscript musical score, excerpt from the opera 'Beatrice di Tenda' (1833) by Vincenzo Bellini; copy, in unidentified hand, entitled 'Romanza, Ah! non pensar, nell' Opera Beatrice di Tenda'.

British Library music manuscripts, 19th century, comprise manuscript transcriptions of music manuscripts held at the British Library, in several unidentified hands. Contains copies of the following: - Harleian 4664: codex containing a wide variety of liturgical music, principally antiphons, of various dates - Harleian 2954: 15th century Sarum hymnary - Unidentified Harleian ms. - Lansdowne 460: 15th century Gregorian antiphonary - Lansdowne 462: late 14th century Sarum antiphonary - Lansdowne 463: late 14th century Sarum antiphomary and Kalendar - Harleian 978: antiphons for Easter and Saint's Days from mainly English sources.

Papers concerning American theatre and opera scrapbooks, 1875-1892, comprise to scrapbooks containing programmes of plays, concerts and operas performed in the USA, with particular reference to New York and the Metropolitan Opera House, from 1875 to 1892. MS1088/2 includes postcards of members of singers performing in the Metropolitan Opera 1890 to 1891 season, posing in some of their operatic roles. The volumes contained two loose inserts, which have now become MS1088/3 and MS1088/4.

Collection of material relating to the dramatist Henry Arthur Jones (1851-1929), collected by M.H.Spielmann, including: Five letters from Henry Arthur Jones to the Morning Post newspaper concerning the reconstruction of the theatre (1919); correspondence with James Stanley Little (1922-1929); correspondence between Jones and M.H.Spielmann (1919-1929); correspondence between Doris Thorne (nee Arthur Jones) and M.H.Spielmann (1929-1939); publications and proofs of works by H.A.Jones (1897-1921); press cuttings concerning miscellaneous topics connected to H.A.Jones, including reviews of books and plays and cuttings concerning his disputes with George Bernard Shaw and H.G.Wells (1887-1950).

Musical scores in manuscript of two versions of A Lyke-Wake: Border Ballad 1934.

Manuscript volume containing a verse play, a prose history, and several songs concerning the Escalade of Geneva undertaken by Duke Charles Emmanuel of Savoy on the 12 Dec 1602.
The play is entitled 'L'Escalade de Genève, Tragi Comèdie Representée pour la prémière fois' 12 Dec 1603. The history is called 'Histoire De la Miraculeuse Délivrance envoyée de Dieu à la Ville de Genève' 12 Dec 1602. The songs, or 'Chansons de L'Escalade', are in French (Savoyard dialect - 4 songs) and English (1 song entitled 'On the Twelfth of December with wicked intent'. The airs of the songs are often given, e.g. 'Sur l'air de la Vendange'. The index to the first lines of the songs is dated 22 Oct 1765.
The front cover of the leather binding is stamped in gold 'Gedeon Macaire Fils MDCCLXIV'.

Manuscript operetta in several hands, perhaps including that of the author, Patrick Robertson, entitled 'La festa d'overgroghi, operetta seria comica, in due atti...parole inglesi-italiane dal Signor Coccalicchi. Rappresentata nella Casa Skenea, Edinburgo, Marzio 1832', and containing instructions to the printer. The manuscript is bound with a printed copy of Nugae Legales (according to the half-title only), containing the printed operetta and some other items. The printed version is fuller than the manuscript, and the leaves are laid down to the size of the manuscript leaves.

Two notebooks containing notes and newspaper cuttings concerning Purdon's production of As You like It, 1949 and Macbeth in 1951.

Fragment of a folio containing four staves of musical notation; on the recto, part of the music is headed '1. H.S. Jeige or hornpip / the mock to the Comitee. Jo. Houlartson', and on the verso there is an apparently unrelated bass part, possibly in a different hand. The manuscript was written in the 16th century.

Records of the Union of Graduates in Music, 1893-1972, including: minute books; copies of the annual report; correspondence relating to Edward Elgar's presidency of the Union, the honorary membership of Princess Elizabeth and various institutions; miscellaneous papers, including a printed copy of the Constitution of the Union and a printed history of the Union written in 1972.

Papers, 1788-1949 and undated, of Vendla Thane, comprising personal papers, 1890, 1910-1949 and undated, such as references, 1910-1911, 1933-1934, passport, 1923, curriculum vitae, 1923, degree certificates, 1927, a few miscellaneous items of correspondence, medical material, photographs, 1888, 1910s-1940s and undated, covering the years of her youth with her parents, her school career, and various Thane relatives, and miscellaneous printed material; genealogical notes on the Klingbergs of Stockholm (descended from the Vasas, the old Swedish royal family), 1788-1902 and undated, possibly written by Jenny, Lady Thane, and including documents about C G Thrström, 1788-1809, papers relating to the engagement and marriage of George Thane and Jenny Klingberg, 1883-1884, and memorabilia relating to Jenny Lind and her family, possibly collected by Lady Thane, and including a manuscript of 'Jenny Lind' by Lady Thane. The papers and photographs date largely from the 1900s and 1910s, and there is little material relating to Vendla's life after the 1930s, or to Sir George Dancer Thane.

Sir Henry Head's papers, 1891-1909, consist of his casebooks of patients with Herpes Zoster, with sketches and photographs, chiefly from Head's work at the London Hospital, 1891-1909, and his casebooks of patients with various diseases, with sketches and charts, from his work at the City of London Hospital for Diseases of the Heart and Lungs, Victoria Park, 1894.

The collection represents the contacts through two centuries of a group of men and women of high distinction ramifying through the medical, legal and literary worlds. It forms a not unimportant fund of minor historical material, comprising more than a thousand letters from nearly five hundred writers.

The autograph letters are mounted in 10 large volumes: -

1. Letterbook of John Arbuthnot (1667-1735). The most interesting letters are those of Pope and Swift and their circle written in 1714 when the Queen's death involved the destruction of their political hopes. Letterbook of William Hunter (1719-1783). It includes letters from Tobias Smollett the novelist, from Dr. Johnson thanking Hunter for presenting his book to the King, and from Edward Gibbon 'proposing himself the pleasure of attending some of Dr. Hunter's Anatomical lectures.'

2. Hunter and Baillie family letters and reminiscences, including the letters written by John to William Hunter from active service in 1761-62; poems by Sophia Baillie, Jenner family letters.

   3. Letters to Matthew Baillie from the Royal Princesses. Letters of the Bentham family, including three from Jeremy Bentham. Autograph letter collection includes letters from Thomas Carlyle and Charles Dickens. 1735 - 1845

3. Denman family collection; autographs collections of Lady Bell and Dr. William Whewell; letters of John Baron, Edward Jenner's biographer; fragment of unpublished music by Mozart; letters from Joanna Baillie's friends including c.1782-1877

4. Letters to Joanna Baillie includes letters from Sir Walter Scott and Maria Edgeworth. Various dates

5. William Hunter's diplomas, and letters to him, Hunter family documents, and notes on family history compiled by Joanna and Matthew Baillie. Locks of hair and christening caps worn by Hunter family. Various dates

6. Matthew Baillie's letters to William Hunter includes material relating to treatment of George III and to his wife Sophia (Denman) and his diplomas. C. 1783-1823

7. Matthew Baillie's professional correspondence including notes on illness of George III and on labour of Princess Charlotte. Letter to Helen Hunter Baillie from George Peachy re Matthew Baillie's notebooks (1923). 1783-1923

8. Joanna Baillie's letters and papers relating to her plays, sale of her works, mss. of two stories and a comedy, letters from Mrs Sigourney, Henry Siddons, Anne Hunter, Mary Somerville; Agnes Baillie's reminiscences, prescriptions by Matthew Baillie

9. Princess Mary's letters to Baillie concerning the illness of Princess Amelia, Anne Hunter's autograph poems, libretto of Haydn's Creation; account of death of Princess Charlotte.

   The Hunter Baillie collection comprises also a number of manuscript books, the oldest of which is a commonplace book of the early eighteenth century, giving details of family history of the Hunters. Matthew Baillie's notebooks include: -

Journal of a tour in Europe in 1788 and A short memoir of my life, 1818. 'Some brief observations from my own experience upon a considerable number of diseases', in two volumes. n.d. With these are his casebooks, fee-books and other professional notes, including details of his attendance on King George III. Baillie records that his total annual fees mounted from £121 in 1792 to £9,995 in 1815.

Papers of Eliza Millard MacLoghlin, 1905-1928, comprising a collection of typescript poems by MacLoghlin, titled Sir, What are these? and dedicated to "My Niece, Aileen Millard"; 10 manuscripts of music written by W G Cook, for songs based on MacLoghlin's poetry, c 1927-1928; and 4 cards and letters, c 1905.

Papers relating to the Clift and Owen families, late 18th century-late 19th century, comprising a file of correspondence and papers between the Clift and Owen families. Including material relating to the parish placements of Sir Richard Owen's grandson, Richard Startin Owen, at St Giles Church, and the Parish of Mortlake; a manuscript copy of the inscription from Sir Richard Owen's great grandmother, Elizabeth Froysell's tomb; William Owen's certificate of admittance to the Royal Arch Masons, 1869; a manuscript settlement made between Sir Richard Owen's great grandparents, Richard Eskrigge and Elizabeth Froysell on their marriage, 1725; a letter from John Hunter to Brigadier Lambart, Commander in Chief of his Majesty's Forces at Belle Isle, and Brigadier Lambart's reply, 1762; correspondence between Sir Richard Owen and his family; 2 pencil drawings by Mrs Clift; correspondence between William Clift and his family; correspondence of Sir Richard Owen from the Jessie Dobson estate; other letters to Sir Richard Owen; a diary belonging to William Clift recording activities in the museum, [1806-1816]; a letter from Antonio Scarpa, 1823 [including a transcription and translation]; sheet music for a song with lyrics by Eugenius Roche Esq and music by Gme Tronsson du Coudray, dedicated to Miss Caroline Amelia Clift; letter from Joshua Brookes to Nathan Pointer [1831]; 4 attendance cards for John W MacNee for lectures given by James Armour on Midwifery (1828), John Burns on Surgery (1827), the structure and diseases of the eye by William MacKenzie (1828), and lectures on anatomy by Robert Hunter (1826-1827); invitation card from E M van Butchell to view the embalmed remains of his wife, and a transcribed letter by William Clift from E M van Butchell regarding the display of his wife's remains, 1815; and various other Clift and Owen manuscripts.

Scientific and other papers sent to the Royal Society, presented at meetings of Fellows, or commissioned by the Society. They form a complementary series to the Early Letters, both of which were superseded by the Letters and Papers. Many of these items, referred to as the 'Guard Books', are duplicated in the Register Book of the Society. The classification is a simplified form of the 'Philosophical Transactions' abridgment by John Lowthorp. This arrangement was completed in 1741 by Thomas Birch. The majority of the papers in these volumes are manuscript, but a few printed documents occur throughout the series. Some of the papers are earlier in date than the grant on 15 July 1662 of the First Charter to the Society. The Committee of Trades seems to have been associated with the earlier meetings of those philosophers who subsequently became Fellows, and produced a number of practical papers, some of which were written in 1639 and which are mostly found in Volume 3(i). There are still earlier documents, mostly in Volume 25, which may have been included in the gift, in 1667, of the Arundel Library.

Letters from Sir Robert Moray to his friend Alexander Bruce, Earl of Kincardine, 1657-1673. Also known as 'The Kincardine Papers'. Bruce was sick of the ague in Bremen for part of this time, and the letters were written to alleviate the tedium of his illness, hence ranging over topics which might not otherwise have been the subjects of correspondence. They include accounts of chemical experiments in his laboratory, his interest in magnetism, medicine in all its aspects, horticulture, fuel, whale fishing, its risks and profits, coal mining, water wheels and tide mills, stone quarrying and the various qualities of different stones, the pumping works needed for undersea coal mines at Bruce's home at Culross in Fifeshire, even to the trees whose wood was best for pipelines, and the diameter of the bore best suited to the purpose. Familiarity is shown with mathematical and surveying instruments, with music, and all sorts of mechanical devices and especially clocks and watches, more particularly the taking out of a patent in respect of a clock for use at sea for finding longitude. Bruce is advised on the choice of books over a wide range of subjects. Moray includes anecdotes to amuse his ailing correspondent; he describes his quiet life and is enthusiastic about many of his chemical experiments. Notable at the end of the letters Moray added what he described as his Masonic signature - a pentagram which also occurs in his crest.

Letters from Sir Robert Moray to his friend Alexander Bruce, Earl of Kincardine, also known as 'The Kincardine Papers'. Bruce was sick of the ague in Bremen for part of this time, and the letters were written to alleviate the tedium of of Bruce's illness, hence ranging over topics which might not otherwise have been the subjects of correspondence. They include accounts of chemical experiments in his laboratory, his interest in magnetism, medicine in all its aspects, horticulture, fuel, whale fishing, its risks and profits, coal mining, water wheels and tide mills, stone quarrying and the various qualities of different stones, the pumping works needed for undersea coal mines at Bruce's home at Culross in Fifeshire, even to the trees whose wood was best for pipelines, and the diameter of the bore best suited to the purpose. Familiarity is shown with mathematical and surveying instruments, with music, and all sorts of mechanical devices and especially clocks and watches, more particularly the taking out of a patent in respect of a clock for use at sea for finding longitude. Bruce is advised on the choice of books over a wide range of subjects. Moray includes anecdotes to amuse his ailing correspondent; he describes his quiet life and is enthusiastic about many of his chemical experiments. Notable at the end of the letters Moray added what he described as his Masonic signature - a pentagram which also occurs in his crest.

Papers of Bernarr Rainbow, [1940-1998], including photographs, personalia, music manuscripts, sound recordings, drafts of published and unpublished works, and a small amount of correspondence.

Papers of Sir George Nares including notes concerning the voyage of HMS ALERT and HMS DISCOVERY, 1875-1876; copy of instructions for survey in the ALERT, 1878 and list of dangers requiring examination; autographed menu for a dinner given to welcome home members of the ALERT and DISCOVERY expedition, 6 Dec 1876; note made in preparation for an obituary of Nares; song sheet of 'Away to the North: a song for the Arctic expedition of 1875' by M Mackay.

Papers relating to fundraising for the buildings of Bedford College, 1897-1981, notably minutes, 1897-1905, and correspondence, 1905-1917, of the Endowment and Buildings Fund Committee; minutes and papers of various Appeals Committees, 1906-1916; correspondence, 1910-1933, concerning financing of building schemes at the Regent's Park site; papers of the Extension Fund Committee, 1919-1932, including committee minutes, minutes and correspondence of the Publicity Sub-Committee, appeal letters, programmes and leaflets for fundraising plays. Material relating to building and development at the Regent's Park site, 1910-1947, including architects' correspondence, mainly from Basil Champneys, concerning plans for the new Bedford College buildings at Regent's Park and the progress of the building work, 1910-1917; Champney's plans, 1913, for the Administrative Block, Senior Common Room, and Science Blocks A and B; plans by Haddocks of the Bursar's Office, 1922; plan and elevations of South Villa, 1926, by Simpson and Maxwell Ayrton; engineer's plans for the Botany Greenhouse and the heating system in the Physiology Laboratory, 1925; plans and watercolour impressions of the Tate Library, 1910, by J R Smith; coloured plans for the layout of rooms in the Physiology Laboratories, [1913]; Maxwell Ayrton's plans, 1925-[1930], for the Tuke Building; correspondence and plans relating to the drainage system at Bedford College, 1920-1947. Papers concerning post-war rebuilding of the Regent's Park site, 1942-1980, notably plans, 1942-1957, by Maxwell Ayrton of Oliver Block, the Herringham Building, the North Science Block (Darwin Building), and extensions to the Tuke Building; correspondence, papers and plans relating to the Tuke-Darwin Infill, 1966-1972; correspondence and plans relating to the Development Programme, 1964-1980, including a report on future library accommodation in the Acland Building, 1971, and proposed plans for an Oliver Infill, a Bedford College Union Society Building and a North Spur, 1979-1980; correspondence concerning the purchase of land for sports facilities, 1922-1925 and 1969-1971. Bursar's papers, 1924-1985, relating to the maintenance of Bedford College buildings, including minutes of the Premises Sub-Committee (Bursar's Meetings), 1965-1976, and minutes and papers of Special Bursar's meetings, 1982-1984; minutes, papers and accounts, 1966-1981 of the Refectory; Bursar's correspondence, 1924-1959; Bursar's working papers, 1978-1981; Bursar's copy of a management study on the efficiency of the Bedford College Administration, 1971, and the Peat-Matwick Report on the financial implications of the merger with Royal Holloway, 1983; minutes and papers of the Safety Committee, 1974-1985, and the General Services Sub-Committee, 1979. General material relating to the Bedford College Halls of Residence, 1873-1982, including legal correspondence concerning the lease and purchase of residential properties, 1922-1953; minutes and papers of the Lodgings Sub-Committee, 1892-1921, formed to vet accommodation offered to students; bound volume of letters offering lodgings to students, 1934-1937; correspondence concerning general policy matters, 1956-1974, and financial management, 1974-1982, of residential Halls; minutes and papers of the Halls of Residence Sub-Committee, 1976-1978; Boarding House accounts, 1873-1901. Correspondence and papers relating to the purchase, lease and maintenance of specific properties used as Halls of Residence, 1895-1985, namely 7, 8, 9, 10 and 28 York Place; South Villa; 17, 20, 35, 36 and 37 Dorset Square (Notcutt House); Bedford College House (Adamson Road and Buckland Crescent), later Lindsell Hall; Hanover Lodge, including plans and Warden's papers; Tennyson Hall; York Gate and Nottingham Terrace; The Holme; Broadhurst Gardens; Nottingham Place (Rachel Notcutt Hall); and St John's Lodge.

Papers relating to the Athletics Union, comprising correspondence concerning the purchase and equipping of College sports grounds, 1919-1934, and an accounts book, 1937-1944; correspondence of the Sports Club, 1912 and 1942; minutes of the Architectural Society, 1894-1919; programmes and posters relating to the Bedford Light Opera Group, [1960-1970]; copies of Bots Up, the magazine of the Botany Department, 1972-1974; copy of Bio-Log, the magazine of the Biological Society (and successor to Bots Up), 1977; copies of Ho, the magazine of the Psychology Department, 1972-1974; minutes and member lists of the Geological Society, 1910-1944.

Photographs of the staff and students of Bedford College, [1849-1985], including academic and domestic staff, members of the governing body, and union committees. Photographs of the buildings of Bedford College, 1849-[1975]. Photographs of special events, 1913-1985, including royal visits, opening ceremonies, garden parties and the final reunion. Photographs concerning academic departments, 1922-1985, and resident students, 1946-1963. Photographs of student activities, 1887-[1970], including sports and drama. Correspondence relating to the photographic material, [1913-1985]. Photographic negatives and lantern slides, [1890-1940].

The collection consists of minutes of management meetings, 1974 - 1994; membership lists; internal correspondence; external correspondence concerning the reactions of the public to the productions; correspondence regarding funding; copies of scripts written by members of the company and outside authors; audition notes and CVs; correspondence and accounts relating to tour arrangements; tour reports; posters and programmes for productions; photographs, video cassettes and loose film reel of productions; promotional material; newspaper cuttings relating to specific productions and Gay Sweatshop in general; theses based on Gay theatre.

The collection consists of member lists and registers; correspondence, notes and publications relating to the building of the new theatre; financial papers relating to loans; financial papers concerning various productions; legal papers relating to the lease of land; applications to the Arts Council of Great Britain and the Greater London Council for funding, including annual reports and accounts; papers and publicity material relating to productions; scripts; programmes and posters for plays; material concerned with the Women's festival of June 1986; publications about fringe theatres and the East End of London; photographs of productions and cast; press cuttings.

Correspondence and reports, 1891-1892, relating to a proposal to include Bedford College as one of the Schools of the University of London, including drafts and printed copy of a petition sent to the House of Commons and the House of Lords, 1891. Correspondence and reports, 1891-1898, relating to the establishment of the teaching University of London, notably resolutions and reports, 1892, by the Council and Staff of Bedford College giving their opinions on the proposed teaching University; copy of a speech by J Spencer Hill, Honorary Treasurer of the Chelsea Centre of the London University Extension Society, entitled 'A few words concerning the draft charter for the new teaching University for London', given at Gresham College, London, Nov 1891; letters and reports from the Committee for Opposing the Grant of the Albert University Charter, outlining the Committee's objections, Jan-Mar 1892; a printed copy of 'London University Commission Bill: arrangement of clauses' (1897); a pamphlet by members of the Convocation of the University of London, entitled Note on the occasion, effect and expediency of the compromise embodied in the London University Commission Bill, 1898. Correspondence, 1894-1895, comprising letters from William Bruce, Secretary of the Royal Commission on Secondary Education, to Henrietta Busk, thanking her for help given to the Commission. Text of lecture on 'The position of women in the University of London, the provincial universities and the University of Wales', [1910], given by Professor Beatrice Edgell, Head of Philosophy at Bedford College, to the Council of the National Union of Women Workers. Papers, 1903-[1911] and 1967, relating to Busk's post as Honorary Secretary of the Bedford College Building and Endowment Fund, notably reports, 1903-1906, relating to proposals for a new site for Bedford College, including recommendations for fundraising and outlines of accommodation needs; two plans, [1908-1911], relating to the Regent's Park site and showing the proposed and actual development of the site by the architect Basil Champneys; correspondence, programmes and financial records, 1906-1911, relating to the performances of Greek plays by students and staff to raise money for the move of Bedford College to Regent's Park, including correspondence, 1967, between Doris Bains, Bedford College Librarian, and Kathleen Spears, Secretary of Bedford College, concerning material for use in the Granville Bantock Centenary Exhibition at the Barber Institute, Birmingham. Letter, Dec 1923, from Ethel Hurlbatt, Principal of the Royal Victoria College for Women, Canada, to Henrietta Busk, mainly concerning Canadian views of the League of Nations, and the Canadian Federation of University Women. Correspondence and notes, 1908-1936, relating to the history of Bedford College, mainly comprising accounts by Busk, [1934-1936], of the origins and early history of the College, notable early students, the roles of the Honorary Secretary of Bedford College Council, the Lady Resident and the Committee of Management in the running of the College, courses offered by the College in the 1850s, and reminiscences of Busk's mother concerning the early days of Bedford College; notes, [1933-1936], made by and for Dame Margaret Janson Tuke during her research for A History of Bedford College for Women, 1849-1937 (Oxford University Press, London, 1939), including handwritten notes of informal interviews with Busk.

Papers, 1887-1977, relating to Blackwell's time as Head of Botany at Royal Holloway College, University of London, notably correspondence with her parents, 1922-1945, discussing life at Royal Holloway College; letters of congratulation on her appointment as Head of Botany at Royal Holloway College, 1922; correspondence and notes, 1928-1949, relating to gifts to Royal Holloway College; personal correspondence, 1941-1970, notably with Ellen Charlotte Higgins, former Principal of Royal Holloway College, (Elsie) Marjorie Williamson, Principal of Royal Holloway College, and John Cameron; papers, 1887-1969, relating to the Royal Holloway College Botany Department, including Botany Lunches, 1949-1977, Botany School Record Books, 1887-1969, and correspondence relating to field trips, 1930-1944; Blackwell's copies of the Royal Holloway College Boat Club Rules, 1914-1918, and the Royal Holloway Rules and Regulations, 1925; notes, memoranda, correspondence, minutes and reports of the University of London Botanical Supply Unit, 1944-1952; invitations and Christmas cards, 1922-1963; autograph books, 1922-1950, including one presented to Blackwell by her old students and staff at a luncheon at the Forum Club, [London], 1950. Records, 1897-1971, relating to the history of Royal Holloway College and the Botany Department, including press cuttings, photographs, memoirs, correspondence and draft articles, notably and article by Blackwell entitled '75 years of Royal Holloway College Botany Department', copies of College songs, and obituaries of old colleagues and students. Publications, 1902-1949, mainly comprising histories of the Botanical Departments of Liverpool and Manchester Universities. Photographs, 1880-1970, including the Botany Department staff and students, 1898-1962; Botany Department field trips, 1898-1948; Royal Holloway College staff, buildings and grounds, 1908-1952; Botany laboratories and gardens, 1912-1949; social and botanical activities at Royal Holloway College, 1927-1955.

Correspondence, 1892-1943, between Benson and various academic colleagues, mainly on subjects relating to botany, and the reading and publication of papers by women to scientific societies, notably with Professor Francis Wall Oliver, Professor of Botany at University College London, Professor Sir Albert Charles Seward, Professor of Botany at Cambridge University, and Dukinfield Henry Scott, President of the Linnean Society. Papers, 1871, 1906 and [1936] relating to Benson's death, including her childhood exercise book, 1897, given to Professor Elizabeth Marianne Blackwell, Head of Botany at Royal Holloway College, various copies of the obituary notice written by Blackwell, [1936], and material relating to a bequest by Benson to the Botanical Laboratory at Royal Holloway College, [1936]. Photographs, [1893-1922] of staff and student life at Royal Holloway College, including boating scenes, costume tableaux in the College quad, formal portraits of Benson in academic dress, and laboratories in the College.

Articles, 1941-1968, mainly by Helen Maud Cam on historical topics, also including biographical articles and obituaries; report on 'The objections of the University of London Graduates Association to the scheme proposed by the Royal Commission on University education in London', Dec 1913, with notes by Cam on a meeting held by the students, 12 Nov 1913; items found in the Cam book bequest, 1918-1959, notably correspondence on literature, newspaper cuttings, especially relating to George Bernard Shaw, handwritten notes, and invitations; photographs, [1906-1918], mainly of groups of students at Royal Holloway College, including performances of College plays, and of Bryn Mawr College, USA.

Brochures and syllabuses relating to various departments, 1968-1972, notably Physics, Chemistry and German. Record Book of the Zoology Department, 1936-1952, giving lists of students and notes on developments in the department. Departmental records of the Faculty of Music, notably Registers, 1915-1969, of members and music played by Royal Holloway College orchestra and choirs, lists of musical events and meetings of music societies, and lists of performers and music performed at music examinations and festivals; Organist's Handbook, [1904-1915], including details of procedure for various musical events; minute books of the Music Club, 1916-1949, and the Music Association, 1934-1954; Concert Programmes and invitations, 1908, 1915-1970.

Papers of Max Lock, 1936-1988, produced and collected by Max Lock and the Max Lock Group, relate to Lock's career as a planner and architect and to wider issues in planning, particularly after World War Two, and comprise working papers (including survey papers) and finished material.

They include correspondence; notes and card indexes; photographs (some aerial), slides, drawings, maps and plans; Bills, Acts, white papers and other official publications; books, articles, reports and other publications (some annotated); typescripts; press cuttings; and conference papers. The bulk of the material dates from the 1940s to the early 1970s. Material relating to Lock's career and projects within the UK includes papers on his time as a Watford councillor and his architectural practice in the 1930s, including a timber house he designed at Stanmore, Middlesex; Hull, 1939-1957, including conflicts between Lock and his superiors; Scalby, 1940-1941; Middlesborough, 1943-1970; Hartlepool, 1946-1970; Portsmouth, 1948-1973; Salisbury, 1949-1969; Sutton Coldfield, 1950-1967; Bedford, 1950-1971; Sevenoaks, 1954-1965; Aberdare, 1957-1959; Stratford (West Ham), 1957-1962; Hackney and Shoreditch, 1960-1971; Woodley, 1962-1969; Oldham, 1962-1971; Covent Garden, 1963-1971; Battle, 1964; Brentford and Chiswick, 1964-1970; Torbay, 1968-1969; Dunstable, 1968-1972; Greater London Development Plan Inquiry, 1969-1971, and other material on GLC planning and transport; Beverley, 1969-1972. Material on projects and visits overseas includes papers on Scandinavia, 1937-1939, 1946-1949; India, Pakistan and Ceylon, 1946-1955; the Netherlands, including the Town Planning Institute Tour (1946), 1946-1957; the Americas, including Brazil, the West Indies and the USA, 1952-1969; Italy, 1952-1970; the Middle East, including Iraq and Jordan, 1954-1958; Australia, 1959-1960; Aden, 1960-1961; Kuwait, 1961; Nigeria, including Kaduna and Maiduguri, 1962-1975.

The collection includes a large volume of accumulated material, 1944-1987, largely printed material by other authors, including other planners, planning bodies and architects, some from architectural and planning journals and from the national and regional press, on planning and related issues both in the UK and overseas, such as planning law and procedures; central and local government and administration; public inquiries; housing; historic buildings; urban development; industry and retail; transport infrastructure, including roads and ports; traffic, noise, and the environment; social and economic issues including employment, labour, and social class; population levels and density; public amenities and utilities; land use and open space; and statistical data. Some papers relate to the affairs, including legal and financial matters, of the Max Lock Group; the architectural work of Max Lock and Partners; premises in Victoria Square, London; and the Max Lock Group Nigeria. Papers of or concerning Lock himself include his notebooks and other papers reflecting the development of his ideas; papers relating to publications and broadcasts; papers relating to professional bodies, including the TPI, RIBA, TCPA and UDAG; personal correspondence; photographs of him and his friends; papers on music and architecture, including lecture notes; articles about Lock, and his obituary in the Independent, 3 May 1988.

Records of the organisation known variously as the Polytechnic Sports Club, the The Institute of the Polytechnic Sports and Social Clubs, and The Polytechnic Sports Club Committee, as well as records of the Polytechnic's Men's and Women's Council, and Joint Council.

This collection includes all records relating to the organisation of sports and social activities by members of the Polytechnic except for records of the individual clubs themselves, which are catalogued as separate collections. However it does include correspondence with the clubs by the Secretary and Committees. This collection also includes papers relating to the award of Polytechnic-wide medals and trophies, including the Elsie Hoare Trophy, Studd Trophy and Ditchman Trophy.

The collection contains administrative papers relating to Company contracts and internal and external correspondence; financial papers relating to budgets and funding, miscellaneous personal papers of the Company's director, Jonathan Holloway; production records including scripts, technical notes, rehearsal and production notes and directions, stage directions, information on casts, and tour and venue information; audiovisual recordings of productions; promotional, marketing and educational-outreach material; press-cuttings and reviews, photographs of named and un-named actors and productions; publications inspiring Red Shift productions; a study of the Company's production of 'The Love Child'; and an untitled script.

The Roy Waters Theatre Collection is a privately created collection of theatrical material amassed as a result of forty years of collecting by Roy Waters. The collection primarily comprises of theatrical ephemera, though it also includes the personal papers of Roy Waters, documenting both his career as teacher and later as a school inspector, and his collecting habits and cultural interests.

The nature of the material is diverse, with the printed ephemera including a sizeable collection of programmes from the 19th to the 21st century, collectable items such as cigarette cards, press cuttings collected for their relevance to named individuals and events and photographs reflecting a range of formats including postcards, cartes de visite and cabinet photographs. Toy theatre and juvenile drama are well represented with loose character and scene sheets, tinsel prints and twentieth century stage and script packs forming part of the collection. In addition, the prints series, although primarily consisting of portrait and scene prints of theatrical individuals, also includes a range of topographic and general entertainment prints. Artefacts and commemorative ornaments comprise a series, as do sound recordings relating to the specialisms of the collection in particular productions and well known individuals.

The theatrical ephemera, although initially collected with a broad interest in the theatre in mind, does reflect the specific areas of interest which developed as the collection grew; discreet collections of material relate to specific individuals or events, for instance Noel Coward and Oscar Wilde.

The collection also contains hundreds of individual autograph letters dating from the 18th to the 20th century representing the variety of professions involved in the performing arts, including letters from George Arliss, Sir James Barrie, Phineas Taylor Barnum, Charles Dickens and a sick note for J.S.Grimaldi [Joseph Samuel Grimaldi]. In addition, there are a small number of original art works relating to the theatre.

Eight autographed letters by Jerrold ([1843-1856]), play bills including for "Rent Day" and "Mrs Caudle", 1845. Research files, correspondence relating to Professor Michael Slater's book Douglas Jerrold : 1803-1857 [London : Duckworth, 2002]. Includes a card index of Jerrold's plays, research file on the play "Black-Eyed Susan". "Douglas Jerrold's Weekly Newspaper", 1847 January-August.

This collection encompasses all the main phases of Crosland's career; his education and early career, World War II, his time as a Member of Parliament. It includes personal and professional correspondence, diaries, notes and notebooks, publications, speeches, broadcasts, photographs, and ephemera (including opera, theatre and concert programmes) and comprises the following:
Part I. Education and Early Career, 1930-1950
Section 1) Highgate School (exercise books and certificates); Section 2) Trinity College, Oxford (essays and notes, material relating to student societies, and ephemera); Section 3) War (including diaries, correspondence and notebooks).

Part II. Member of Parliament, 1950-1977
Section 4) Papers; Section 5) Ministerial; Section 6) Labour Party; Section 7) Constituency; Section 8) Official foreign visits.

Part III. Correspondence (personal and professional), 1927-1976:
Section 9) 1927-1949; Section 10) 1950-1966; Section 11) 1967-1970; Section 12) 1971-1976.

Part IV. Various, 1920 - 1980
Section 13) Books, pamphlets, articles, speeches and broadcasts (concerning socialism, economics, and political campaigning); Section 14) Co-operative Independent Commission; Section 15) Profiles and biography; Section 16) Notes, note books, press cuttings and miscellaneous (personal accounts, notes and reflections); Section 17) Susan Crosland's papers (concerning biographies of Anthony Crosland); Section 18) Crosland Additional (photographs and ephemera).

The following sections, describing printed items, have been added to the catalogue as appendices: 1. Printed articles and speeches by Crosland; 2. Pamphlets (collected by Crosland); 3. Opera, Theatre and Concert Programmes.
There are two later accessions of scrapbooks, press cuttings, photographs, war medals and correspondence, c1920-c1980, and a file on the International Monetary Fund, 1976-1987.

Ephemeral material, 1953-2000, collected by the Hall-Carpenter Archive and relevant for the study of gay, lesbian and bisexual history. The ephemera series contains the following material: poster, tickets and leaflets for events; records from organisations for which there is very little surviving material; and records for which the Hall-Carpenter Archive has no information about terms of deposit, or where material has been deposited by several sources. Organisations represented in the ephemera series include regional gay groups, non-UK gay organisations, arts events and commercial organisations. Readers are advised to search the Archives on-line catalogue to locate all relevant material, as material is continually added to the collection.

This collection is divided into two sections. Section one contains material on capital punishment and the death penalty, against which Hewitt campaigned. Section two covers material concerned with obscene publications and other forms of media, including censorship, Obscene Publications Acts and other allied topics. The papers contain many printed examples of C H Rolph's articles and materials by organisation such as the Howard League for Penal Reform and the National League for the Abolition of the Death Penalty. Infamous legal cases such as the obscenity trials in the 1960s relating to 'Oz' magazine and Hubert Selby's novel 'Last Exit to Brooklyn' are discussed.

Business papers of George Bernard Shaw, 1872-1950, mainly comprising correspondence, royalty details, contracts, copyright notices and other financial material, including papers relating to the performance of Shaw's plays in the UK and abroad by professional and amateur companies, 1896-1950; material concerning Shaw's dealings with literary agents, publishers, translators and various regulatory bodies, 1899-1950; printed blank contracts regulating the production and performance of Shaw's work in the UK and abroad, 1900-[1950]; correspondence, contracts, statements of royalties and other papers relating to the translation, publication and performance of Shaw's plays in countries other than the UK, 1907-1950; correspondence and bills of Messrs Leighton-Straker, bookbinders, 1911-1949, and Messrs R & R Clarke, printers, 1908-1949, including details of texts, numbers ordered and cost per unit; papers relating to dealings with Constable and Company Ltd, publishers, [1919]-1950; material relating to dealings with Messrs Brentano, US publishers, 1889-1946, notably royalty statements, accounts of sales, copyright agreements, and other material related to the publication of Shaw's plays and literary works in the USA; correspondence between Shaw and Paul Reynolds, his literary agent in the USA, 1907-1922, including details of payments made to Shaw for various articles, the serialisation of his plays in magazines, and copyright details; correspondence and papers concerning Shaw's dealings with literary agents in other European countries, [1903-1949], notably relating to the translation, publication and performance of his works; papers relating to litigation about copyright in the USA, 1927-1950; material relating to legal actions brought by Shaw against various unauthorised central European productions and publications, 1906-1910; correspondence relating to the adaptation and filming of Shaw's plays, 1913-[1950], including material concerning the development of the British and Irish film industries and the funding, marketing and distribution of films; correspondence concerning broadcasting rights, 1949-1950, mainly of Shaw's talks and adaptations of his plays; papers relating to the translation of Shaw's works, 1904-1949, into Russian, Czech, French, German and Polish; correspondence, receipts and contracts relating to Shaw's personal finances, 1872-1950, including details of his insurance policies and investments, property, income tax in the UK and USA, bank statements, royalty payments, and the disposal of the estate of Charlotte Shaw; papers relating to property owned by Shaw in Ireland and at Shaw's Corner, 1920-1949; material concerning dealings with J N Mason and Co, solicitors, 1891-1948, including the post-nuptial agreement made between Shaw and his wife; bills and letters relating to the purchase and hire of motor cars, 1900-1950; engagement diaries, 1877-1950; personal and domestic bills and receipts, 1872-1950, including hotel bills collected by Shaw during tours of the UK and Europe; notebooks and ledgers containing records of royalty payments, 1898-1950; copies of letters from Charlotte Shaw, 1899-1936, including letters to Alys Russell and Blanche Patch, with photographs of Charlotte's family and friends; material given to the Library by users of the Shaw papers, 1961-1970, notably copies of The California Shavian, 1961-1962.

Archives, [1957]-1996, of Africa95, including material from the festival administrators, producers and participants.

Various deposits, c1980-1996, on individual artists or on planning Africa95 include correspondence, printed material, photographs, and slides of the work of artists from Algeria, Egypt, Ethiopia, Ghana, Ivory Coast, Kenya, Morocco, Nigeria, Senegal, South Africa, Sudan, Uganda, Tanzania, Tunisia, Zambia, Zimbabwe, and the USA.

Records of the central administration, 1991-1996, comprise planning papers and correspondence, 1991-1993; minutes of the Executive Committee, 1993-1995, Board of Trustees, 1995-1996, Funding Committee, 1993-1994, and Annual General Meeting, 1995; Chairman's correspondence, 1993-1996; research materials on non-western arts in Europe; Executive Council records, comprising correspondence, 1992-1995, reports received, 1993, 1995, and Trustees' report and financial statements, 1995; contracts, information and correspondence of the Co-ordinator, 1993-1994; International Council of Artists proposals, contact lists and correspondence, 1993-1994; brochures, 1993-1995; legal papers concerning incorporation, lease of premises, and charitable status, 1993-1995.

Records relating to arts management, 1980-1996, cover funding and sponsorship, 1993-1995; publicity, 1994-1995; press activity, 1994-1996, including cuttings; posters, 1993-1995; general administration, including personnel and finance, 1994-1995; arts organisations and other festivals, 1991-1995; subject files, 1985-1996, including exhibition catalogues on people and places including Algeria, Egypt, Ethiopia, Ghana, Morocco, Nigeria, Senegal, South Africa, Sudan, Tunisia, the USA, and Zimbabwe; videos, 1980-1995, including artists and their work; publications and exhibition catalogues, 1980-1995, for Algeria, Angola, France, Korea, Morocco, Nigeria, Senegal, South Africa, Zimbabwe, and the UK.

Records relating to finance and development, 1991-1996, cover budgets and funding, companies and sponsorship, and Trusts.

Records on receptions and launches, 1993-1995, relate to events in various locations.

Records relating to Africa95 Nigeria, 1994-1995, include correspondence and photographs.

Records relating to arts events across the UK cover visual arts (photography, fine art, sculpture, calligraphy, metalwork, textiles, and architecture), 1991-1996; cinema, 1993-1995; music, including classical, traditional, gospel, world, jazz, reggae, and popular music [1957]-1996 (including videos, sound recordings and scores); performing arts, including dance, theatre, and puppetry, 1989-1996 (including videos); literature, including poetry, 1993-1995.

Records relating to other activities cover conferences on African arts, including events at the School of Oriental and African Studies, Royal African Society, and Courtauld Institute of Art, 1993-1996; education and young peoples' events, 1993-1996; international workshops and residencies, including events in Senegal, Zimbabwe, London, and Yorkshire, 1990-1996; television and radio, 1992-1995 (including sound recordings of programmes on Radios 1, 3 and 4).

Records relating to post-festival administration, 1994-1996, cover evaluation, celebratory concert, finance, and archive arrangements.

Papers relating to missionary work in Zambia (northern Rhodesia), comprising a printed edition of Bemba hymns (Society for Promoting Christian Knowledge, 1933), including introduction by A R Godfrey, with manuscript scores added; two undated notebooks containing manuscript scores, one belonging to A R Godfrey and containing songs in African languages [1930s]; undated manuscript account of the history of the Tonga tribe, written for educational use [1930s].

Collected papers, c1810-c1899 (some undated), of the Rev William Ernest Taylor, including Swahili verses, proverbs, chronicles, stories, songs, hymns, religious texts, and vocabularies, and some of Taylor's own correspondence.

Papers, c1932-1961, of Dr Arnold Adrian Baké, comprising notes on Indian music and folklore, in addition to songs in various Indian languages and translations in English and Dutch.

Papers, 1950s-1980s, of Professor David W Arnott on West African languages, comprising papers, including notes and questionnaires, from his study leave (1955-1956) spent travelling from Nigeria through Niger, Dahomey (Benin), Upper Volta (Burkina Faso), French Sudan (Mali), Senegal and Gambia to Guinea and Sierra Leone; copies (photocopied and photographic) of manuscripts; translations and transcriptions; transcriptions of language recordings; seminar and conference papers; teaching material; offprints of articles by Arnott; typescripts or corrected proofs of articles; and reviews of books by other authors. The papers relate largely to Nigeria but also to Benin, Burkina Faso, Cameroon, Gambia, Guinea, Mali, Niger and Senegal, relating mainly to Fulfulde, Fula and Fulani (language of the Fulani people of West Africa), and also to Tiv and to Hausa poetry and songs. The subjects include literature, including poetry (religious and non-religious), oral literature and folklore, proverbial lore, Islamic influences on African literary cultures, grammar, including morphology, verbal and nominal systems, nouns, vocabulary, and the distribution of dialects.