GB 0000 WIAC - Women's International Art Club

Área de identidad

Código de referencia

GB 0000 WIAC

Título

Women's International Art Club

Fecha(s)

  • 1942-[1976] (Creación)

Nivel de descripción

Volumen y soporte

2 files

Área de contexto

Nombre del productor

Historia biográfica

The Women's International Art Club was founded in Paris in 1900, as the Paris International Art Club. At this time there was very little opportunity for women to exhibit their art work, and as an exhibiting society the Club was instrumental in bringing the work of women sculptors and painters to the notice of the general public. The first exhibition under its new name was held at the Grafton Galleries in London in 1900. The Club had an annual exhibition of paintings and sculptures in London until it closed in 1976, and smaller exhibitions were also shown outside London and abroad. The foreign sections of the Club also contributed work to the exhibition, including the Italian, Scottish, Dutch, American, French and Greek sections.

Members' works were submitted for selection by a selection committee, comprising officials of the club and two outsiders chosen from the artistic community, usually art critics, gallery owners etc. In the 1950s and 1960s the club continued to flourish, encouraging young experimental artists and organising exhibitions from abroad. In the 1970s the waning of interest in large exhibitions and rising costs of gallery space led to the closure of the club in 1976. Exhibitors included Gwen Barnard, Eileen Agar, Elizabeth Frink, Lee Krasner and Gwen John.

Historia archivística

Most of the papers are of the painter Gwen Barnard, who joined the club in 1952 and served on committees from this date. She was Vice Chairman from 1958 to 1960, and Chairman from 1960 to 1964.
GB 0000 WIAC 1942-[1976] Collection (fonds) 2 files Women's International Art Club
The Women's International Art Club was founded in Paris in 1900, as the Paris International Art Club. At this time there was very little opportunity for women to exhibit their art work, and as an exhibiting society the Club was instrumental in bringing the work of women sculptors and painters to the notice of the general public. The first exhibition under its new name was held at the Grafton Galleries in London in 1900. The Club had an annual exhibition of paintings and sculptures in London until it closed in 1976, and smaller exhibitions were also shown outside London and abroad. The foreign sections of the Club also contributed work to the exhibition, including the Italian, Scottish, Dutch, American, French and Greek sections.

Members' works were submitted for selection by a selection committee, comprising officials of the club and two outsiders chosen from the artistic community, usually art critics, gallery owners etc. In the 1950s and 1960s the club continued to flourish, encouraging young experimental artists and organising exhibitions from abroad. In the 1970s the waning of interest in large exhibitions and rising costs of gallery space led to the closure of the club in 1976. Exhibitors included Gwen Barnard, Eileen Agar, Elizabeth Frink, Lee Krasner and Gwen John.

Most of the papers are of the painter Gwen Barnard, who joined the club in 1952 and served on committees from this date. She was Vice Chairman from 1958 to 1960, and Chairman from 1960 to 1964.

Records of the Women's International Art Club (WIAC), 1942-[1976], comprising catalogues of WIAC annual and other exhibitions, 1942-1968; rules of the constitution and exhibitions of the club, 1952-1971; exhibition publicity material, 1960-1964, view cards and invitations, 1963-1965; summaries of meetings, 1953, 1957-1958; minutes of meetings, 1959-1962, 1970-1971; audited accounts, 1955-1971; correspondence, 1952-1971, largely to Gwen Barnard, relating to her election to WIAC, 1952; printing of catalogues and financial and administrative matters [1959]-1971; relating to WIAC exhibitions, 1959-1964; letter from Brenda Chamberlain concerning plagiarism in art, [1958-1959]; press cuttings, 1961; photograph of WIAC members, 1962; newsletter, 1971; histories of the WIAC, [1962]-[1976].

The records are arranged chronologically.

By written application to the Site Librarian, Manresa Road, London, SW3 6LS. Researchers from the London Institute may visit by appointment.

Photocopying is permitted at the discretion of the Librarian.
English

A list is available at Chelsea College of Art & Design Manresa Road Library.

Records of the WIAC, 1921-1975, are held by the Women Artists Slide Library, Fulham; exhibition catalogues 1899-1938, held by the Victoria and Albert Museum.

Compiled by Julie Tancell as part of the RSLP AIM25 project. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997. July 2002 Art galleries Artists Barnard , Gwen , fl 1952-1964 , painter Brenda Chamberlain , 1912-1971 , artist, poet and writer Exhibitions Women artists Women's International Art Club

Origen del ingreso o transferencia

Área de contenido y estructura

Alcance y contenido

Records of the Women's International Art Club (WIAC), 1942-[1976], comprising catalogues of WIAC annual and other exhibitions, 1942-1968; rules of the constitution and exhibitions of the club, 1952-1971; exhibition publicity material, 1960-1964, view cards and invitations, 1963-1965; summaries of meetings, 1953, 1957-1958; minutes of meetings, 1959-1962, 1970-1971; audited accounts, 1955-1971; correspondence, 1952-1971, largely to Gwen Barnard, relating to her election to WIAC, 1952; printing of catalogues and financial and administrative matters [1959]-1971; relating to WIAC exhibitions, 1959-1964; letter from Brenda Chamberlain concerning plagiarism in art, [1958-1959]; press cuttings, 1961; photograph of WIAC members, 1962; newsletter, 1971; histories of the WIAC, [1962]-[1976].

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

The records are arranged chronologically.

Área de condiciones de acceso y uso

Condiciones de acceso

By written application to the Site Librarian, Manresa Road, London, SW3 6LS. Researchers from the London Institute may visit by appointment.

Condiciones

Photocopying is permitted at the discretion of the Librarian.

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

English

Características físicas y requisitos técnicos

Records of the WIAC, 1921-1975, are held by the Women Artists Slide Library, Fulham; exhibition catalogues 1899-1938, held by the Victoria and Albert Museum.

Instrumentos de descripción

A list is available at Chelsea College of Art & Design Manresa Road Library.

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Identificador de la institución

University of the Arts London: Chelsea College of Art and Design

Reglas y/o convenciones usadas

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso