GB 0000 WIAC - Women's International Art Club

Zona de identificação

Código de referência

GB 0000 WIAC

Título

Women's International Art Club

Data(s)

  • 1942-[1976] (Produção)

Nível de descrição

Dimensão e suporte

2 files

Zona do contexto

Nome do produtor

História biográfica

The Women's International Art Club was founded in Paris in 1900, as the Paris International Art Club. At this time there was very little opportunity for women to exhibit their art work, and as an exhibiting society the Club was instrumental in bringing the work of women sculptors and painters to the notice of the general public. The first exhibition under its new name was held at the Grafton Galleries in London in 1900. The Club had an annual exhibition of paintings and sculptures in London until it closed in 1976, and smaller exhibitions were also shown outside London and abroad. The foreign sections of the Club also contributed work to the exhibition, including the Italian, Scottish, Dutch, American, French and Greek sections.

Members' works were submitted for selection by a selection committee, comprising officials of the club and two outsiders chosen from the artistic community, usually art critics, gallery owners etc. In the 1950s and 1960s the club continued to flourish, encouraging young experimental artists and organising exhibitions from abroad. In the 1970s the waning of interest in large exhibitions and rising costs of gallery space led to the closure of the club in 1976. Exhibitors included Gwen Barnard, Eileen Agar, Elizabeth Frink, Lee Krasner and Gwen John.

História do arquivo

Most of the papers are of the painter Gwen Barnard, who joined the club in 1952 and served on committees from this date. She was Vice Chairman from 1958 to 1960, and Chairman from 1960 to 1964.
GB 0000 WIAC 1942-[1976] Collection (fonds) 2 files Women's International Art Club
The Women's International Art Club was founded in Paris in 1900, as the Paris International Art Club. At this time there was very little opportunity for women to exhibit their art work, and as an exhibiting society the Club was instrumental in bringing the work of women sculptors and painters to the notice of the general public. The first exhibition under its new name was held at the Grafton Galleries in London in 1900. The Club had an annual exhibition of paintings and sculptures in London until it closed in 1976, and smaller exhibitions were also shown outside London and abroad. The foreign sections of the Club also contributed work to the exhibition, including the Italian, Scottish, Dutch, American, French and Greek sections.

Members' works were submitted for selection by a selection committee, comprising officials of the club and two outsiders chosen from the artistic community, usually art critics, gallery owners etc. In the 1950s and 1960s the club continued to flourish, encouraging young experimental artists and organising exhibitions from abroad. In the 1970s the waning of interest in large exhibitions and rising costs of gallery space led to the closure of the club in 1976. Exhibitors included Gwen Barnard, Eileen Agar, Elizabeth Frink, Lee Krasner and Gwen John.

Most of the papers are of the painter Gwen Barnard, who joined the club in 1952 and served on committees from this date. She was Vice Chairman from 1958 to 1960, and Chairman from 1960 to 1964.

Records of the Women's International Art Club (WIAC), 1942-[1976], comprising catalogues of WIAC annual and other exhibitions, 1942-1968; rules of the constitution and exhibitions of the club, 1952-1971; exhibition publicity material, 1960-1964, view cards and invitations, 1963-1965; summaries of meetings, 1953, 1957-1958; minutes of meetings, 1959-1962, 1970-1971; audited accounts, 1955-1971; correspondence, 1952-1971, largely to Gwen Barnard, relating to her election to WIAC, 1952; printing of catalogues and financial and administrative matters [1959]-1971; relating to WIAC exhibitions, 1959-1964; letter from Brenda Chamberlain concerning plagiarism in art, [1958-1959]; press cuttings, 1961; photograph of WIAC members, 1962; newsletter, 1971; histories of the WIAC, [1962]-[1976].

The records are arranged chronologically.

By written application to the Site Librarian, Manresa Road, London, SW3 6LS. Researchers from the London Institute may visit by appointment.

Photocopying is permitted at the discretion of the Librarian.
English

A list is available at Chelsea College of Art & Design Manresa Road Library.

Records of the WIAC, 1921-1975, are held by the Women Artists Slide Library, Fulham; exhibition catalogues 1899-1938, held by the Victoria and Albert Museum.

Compiled by Julie Tancell as part of the RSLP AIM25 project. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997. July 2002 Art galleries Artists Barnard , Gwen , fl 1952-1964 , painter Brenda Chamberlain , 1912-1971 , artist, poet and writer Exhibitions Women artists Women's International Art Club

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Zona do conteúdo e estrutura

Âmbito e conteúdo

Records of the Women's International Art Club (WIAC), 1942-[1976], comprising catalogues of WIAC annual and other exhibitions, 1942-1968; rules of the constitution and exhibitions of the club, 1952-1971; exhibition publicity material, 1960-1964, view cards and invitations, 1963-1965; summaries of meetings, 1953, 1957-1958; minutes of meetings, 1959-1962, 1970-1971; audited accounts, 1955-1971; correspondence, 1952-1971, largely to Gwen Barnard, relating to her election to WIAC, 1952; printing of catalogues and financial and administrative matters [1959]-1971; relating to WIAC exhibitions, 1959-1964; letter from Brenda Chamberlain concerning plagiarism in art, [1958-1959]; press cuttings, 1961; photograph of WIAC members, 1962; newsletter, 1971; histories of the WIAC, [1962]-[1976].

Avaliação, seleção e eliminação

Incorporações

Sistema de arranjo

The records are arranged chronologically.

Zona de condições de acesso e utilização

Condições de acesso

By written application to the Site Librarian, Manresa Road, London, SW3 6LS. Researchers from the London Institute may visit by appointment.

Condiçoes de reprodução

Photocopying is permitted at the discretion of the Librarian.

Idioma do material

  • inglês

Sistema de escrita do material

  • latim

Notas ao idioma e script

English

Características físicas e requisitos técnicos

Records of the WIAC, 1921-1975, are held by the Women Artists Slide Library, Fulham; exhibition catalogues 1899-1938, held by the Victoria and Albert Museum.

Instrumentos de descrição

A list is available at Chelsea College of Art & Design Manresa Road Library.

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Identificador da instituição

University of the Arts London: Chelsea College of Art and Design

Regras ou convenções utilizadas

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.

Estatuto

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Datas de criação, revisão, eliminação

Línguas e escritas

  • inglês

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    Área de ingresso