GB 0000 WIAC - Women's International Art Club

Zone d'identification

Cote

GB 0000 WIAC

Titre

Women's International Art Club

Date(s)

  • 1942-[1976] (Création/Production)

Niveau de description

Étendue matérielle et support

2 files

Zone du contexte

Nom du producteur

Notice biographique

The Women's International Art Club was founded in Paris in 1900, as the Paris International Art Club. At this time there was very little opportunity for women to exhibit their art work, and as an exhibiting society the Club was instrumental in bringing the work of women sculptors and painters to the notice of the general public. The first exhibition under its new name was held at the Grafton Galleries in London in 1900. The Club had an annual exhibition of paintings and sculptures in London until it closed in 1976, and smaller exhibitions were also shown outside London and abroad. The foreign sections of the Club also contributed work to the exhibition, including the Italian, Scottish, Dutch, American, French and Greek sections.

Members' works were submitted for selection by a selection committee, comprising officials of the club and two outsiders chosen from the artistic community, usually art critics, gallery owners etc. In the 1950s and 1960s the club continued to flourish, encouraging young experimental artists and organising exhibitions from abroad. In the 1970s the waning of interest in large exhibitions and rising costs of gallery space led to the closure of the club in 1976. Exhibitors included Gwen Barnard, Eileen Agar, Elizabeth Frink, Lee Krasner and Gwen John.

Histoire archivistique

Most of the papers are of the painter Gwen Barnard, who joined the club in 1952 and served on committees from this date. She was Vice Chairman from 1958 to 1960, and Chairman from 1960 to 1964.
GB 0000 WIAC 1942-[1976] Collection (fonds) 2 files Women's International Art Club
The Women's International Art Club was founded in Paris in 1900, as the Paris International Art Club. At this time there was very little opportunity for women to exhibit their art work, and as an exhibiting society the Club was instrumental in bringing the work of women sculptors and painters to the notice of the general public. The first exhibition under its new name was held at the Grafton Galleries in London in 1900. The Club had an annual exhibition of paintings and sculptures in London until it closed in 1976, and smaller exhibitions were also shown outside London and abroad. The foreign sections of the Club also contributed work to the exhibition, including the Italian, Scottish, Dutch, American, French and Greek sections.

Members' works were submitted for selection by a selection committee, comprising officials of the club and two outsiders chosen from the artistic community, usually art critics, gallery owners etc. In the 1950s and 1960s the club continued to flourish, encouraging young experimental artists and organising exhibitions from abroad. In the 1970s the waning of interest in large exhibitions and rising costs of gallery space led to the closure of the club in 1976. Exhibitors included Gwen Barnard, Eileen Agar, Elizabeth Frink, Lee Krasner and Gwen John.

Most of the papers are of the painter Gwen Barnard, who joined the club in 1952 and served on committees from this date. She was Vice Chairman from 1958 to 1960, and Chairman from 1960 to 1964.

Records of the Women's International Art Club (WIAC), 1942-[1976], comprising catalogues of WIAC annual and other exhibitions, 1942-1968; rules of the constitution and exhibitions of the club, 1952-1971; exhibition publicity material, 1960-1964, view cards and invitations, 1963-1965; summaries of meetings, 1953, 1957-1958; minutes of meetings, 1959-1962, 1970-1971; audited accounts, 1955-1971; correspondence, 1952-1971, largely to Gwen Barnard, relating to her election to WIAC, 1952; printing of catalogues and financial and administrative matters [1959]-1971; relating to WIAC exhibitions, 1959-1964; letter from Brenda Chamberlain concerning plagiarism in art, [1958-1959]; press cuttings, 1961; photograph of WIAC members, 1962; newsletter, 1971; histories of the WIAC, [1962]-[1976].

The records are arranged chronologically.

By written application to the Site Librarian, Manresa Road, London, SW3 6LS. Researchers from the London Institute may visit by appointment.

Photocopying is permitted at the discretion of the Librarian.
English

A list is available at Chelsea College of Art & Design Manresa Road Library.

Records of the WIAC, 1921-1975, are held by the Women Artists Slide Library, Fulham; exhibition catalogues 1899-1938, held by the Victoria and Albert Museum.

Compiled by Julie Tancell as part of the RSLP AIM25 project. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997. July 2002 Art galleries Artists Barnard , Gwen , fl 1952-1964 , painter Brenda Chamberlain , 1912-1971 , artist, poet and writer Exhibitions Women artists Women's International Art Club

Source immédiate d'acquisition ou de transfert

Zone du contenu et de la structure

Portée et contenu

Records of the Women's International Art Club (WIAC), 1942-[1976], comprising catalogues of WIAC annual and other exhibitions, 1942-1968; rules of the constitution and exhibitions of the club, 1952-1971; exhibition publicity material, 1960-1964, view cards and invitations, 1963-1965; summaries of meetings, 1953, 1957-1958; minutes of meetings, 1959-1962, 1970-1971; audited accounts, 1955-1971; correspondence, 1952-1971, largely to Gwen Barnard, relating to her election to WIAC, 1952; printing of catalogues and financial and administrative matters [1959]-1971; relating to WIAC exhibitions, 1959-1964; letter from Brenda Chamberlain concerning plagiarism in art, [1958-1959]; press cuttings, 1961; photograph of WIAC members, 1962; newsletter, 1971; histories of the WIAC, [1962]-[1976].

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

The records are arranged chronologically.

Zone des conditions d'accès et d'utilisation

Conditions d'accès

By written application to the Site Librarian, Manresa Road, London, SW3 6LS. Researchers from the London Institute may visit by appointment.

Conditions de reproduction

Photocopying is permitted at the discretion of the Librarian.

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

English

Caractéristiques matérielle et contraintes techniques

Records of the WIAC, 1921-1975, are held by the Women Artists Slide Library, Fulham; exhibition catalogues 1899-1938, held by the Victoria and Albert Museum.

Instruments de recherche

A list is available at Chelsea College of Art & Design Manresa Road Library.

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Note de publication

Zone des notes

Note

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Sujets

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

University of the Arts London: Chelsea College of Art and Design

Règles et/ou conventions utilisées

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal Place and Corporate Names 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées