The collection contains committee minutes from its foundation until 1925, minutes of the annual general meetings from 1902 to 1937, agendas and notes for meetings between 1905 and 1910, press cuttings (mainly reviewing the Society's exhibitions) and printed material relating to exhibitions.

Edward Burra was an English painter, illustrator and stage designer. This collection includes a wide variety of material reflecting Burra's eclectic interests. There is a small amount of correspondence; artwork including sketchbooks and mounted pages from sketchbooks; and proof illustrations for Humbert Woolfe's 'ABC of Theatre'. There are photographs of some of Burra's stage designs; material sent to Burra by Paul Nash; and a wide range of presscuttings, some relating to Burra, others collected out of interest. The two card indexes of books were made at the time of the inventory of his possessions at his home, soon after his death. Many of the books and other printed items are stored in the Tate Library. There is also a collection of Burra's 78s, jazz, blues, swing, Latin American and Spanish records. There is a further collection of Burra's papers, notebooks, diaries, artworks, photographs, exhibition catalogues, sound recordings and postcards at TGA 939.

Carrington's life and her relationships are comprehensively covered in the writings, correspondence and photographs contained within this collection.

Records of the Middlesex County Council Architect's Department, including administrative records, 1929-1963, such as correspondence, contract books, registers, departmental organisation and procedures, committee papers and minutes, memoranda, exhibitions, journal articles and press cuttings on the work of the department, papers relating to the issue of iron and steel for building purposes, schedules of prices for building works, papers relating to private architects and correspondence with teaching staff on school design.

Records relating to the construction of primary and secondary schools in Acton, Brentford, Chiswick, Ealing, Eastcote, Edmonton, Enfield, Feltham, Finchley, Friern Barnet, Hampstead, Hanworth, Harrow, Hayes, Hendon, Heston, Hornsey, Northwood, Pinner, Potters Bar, Southall, Southgate, Teddington, Tottenham, Twickenham, Uxbridge, Wembley, West Kenton, Willesden and Wood Green, 1946-1963; including bills, estimates, contracts, accounts, specifications and correspondence. Contracts, estimates, bills and specifications for Acton Technical College, Ealing Technical College, Maria Grey Training College, Southgate Technical College, Trent Park Teacher Training College and Willesden Technical College, 1947-1963.

Bills, specifications, accounts, and estimates for other buildings, 1949-1964, including offices, branch libraries, housing, civil defence control centres, clinics, community centres, court houses, ambulance garages, fire stations, sports facilities and the Central Middlesex Hospital, Willesden.

Drawings and plans, 1880-1961, for Middlesex Guildhall, Hanworth Grammar School, Feltham; Edmonton Technical Institute; Twickenham sewerage connection; Twickenham Fire Station and an old people's home in Tottenham.

Items from the Crystal Palace Handel-Mendelssohn Festival including admission ticket, to Orchestra, for Miss M. Bruin, 1909; admission ticket to South Area Stall, 1909; photograph of orchestra and choir, 1909 and label for instrument case, 1912.

Records of the parish of Saint Michael, Chiswick, including baptism registers (1908-1964); marriage registers (1909-1972); confirmation registers (1940-1976); service registers (1908-2009); temporary building committee, Parochial Church Council and Vestry meeting minutes; a recording of the church choir singing at Truro Cathedral; parish magazines and newsletters.

Papers relating to the estate of John Bacon the younger, sculptor, including title deeds and documents relating to the purchase, ownership and sale of properties in the City of London, Bethnal Green, Paddington, Marylebone, Hoxton, Shoreditch, Stepney, Knightsbridge, Westminster and Kent; correspondence; articles of co-partnership with Charles Manning; and lists of sculptural works underway.

Personal papers of painter Andrew Brown Donaldson and his wife Agnes Emily Twining. The main series comprises diaries written jointly by Andrew and Agnes Donaldson. They start on the day of their wedding in June 1872, and end with Andrew's death in 1919, Agnes having died in 1918. The diaries provide a fascinating insight into middle class life in Victorian and Edwardian London, being mainly concerned with domestic matters, with occasional references to external events such as the Boer War, the death of Queen Victoria, and World War One.

The plays and poems appear mainly to have been written by Donaldson for his children. Many of the plays were performed by the family during Christmas and new year festivities.

The collection also contains a small amount of material relating to the Donaldson's third child, Leonard. He pursued a career in the Royal Navy and was ultimately made an admiral.

Letters to William Pettit Griffith, architect, of 9 St John's Square, Clerkenwell, dated October 1840 and October 1845.

Records of the Artists League of Great Britain, formerly the Imperial Arts League. The records relate mainly to the administration of the league. The earliest material are the council minutes from 1909. There are also files of individual members; especially interesting is the file of Sydney Cockerell, bookbinder, which includes samples of hand made end-papers. Also of interest are the subject files on sketching and painting in war time (1915-1942) and a file of newspaper cuttings (1939-1940) concerning exhibitions and bequests during the war.

Guild of Memorial Craftsmen records including minutes and AGMs dating from 1949, a register of members, a short series of accounts and balance sheets and a nice series of photographs showing the work of members.

Collection of material relating to the singer and civil rights activist Paul Robeson, including a large number of recordings on tape and vinyl of Paul Robesons' wide repertoire of songs and a series of reel-to-reel tapes including interviews and radio programmes made with Robeson; and letters and photographs and a series of scrapbooks (put together by Ken Goodland) of newspaper cuttings charting the life and career of Paul Robeson.

This collection comprises one photograph showing an Italian Carabinieri band marching down Cockspur Street, Pall Mall c 1918.

This collection consists of 186 letters sent to or written by Samuel and Henrietta Barnett. The correspondence is from public figures, including authors, poets, artists and other social reformers.

Photographs and sketches of the Clerkenwell area by Sylvia Turtle, showing the development of the area including images of storm damage in Charterhouse Square in 1987 and a poster produced during office developments in the 1990's showing a skull formed out of buildings and the words 'Death by Development'.

The collection also includes a letter written in 1941 to Sylvia Turtle's aunt from Simpkin Marshall Book Centre regarding their old fashioned service and their 'Dickensian Staff' and displaying War time spirit '... to show the Germans that they cannot part old friends with their bombs, and fires, and bloody murder.'

Records of the Uxbridge Choral Society. The collection consists of minutes, general and concert administration, finance, printed material including programmes and posters and some photographs of rehearsals.

Records relating to the International Bookfair of Radical Black and Third World Books, including original programmes, stationery, correspondence and notes from members of The Alliance and from artists and those who attended the conferences. Also listings of families and individuals who provided accommodation for artists and rotas for the staffing of the Fairs.

The programmes are an excellent resource for information about the social and political issues that were of concern to Black people living in London in the 1980s and 1990s. They show the international links and connections between individuals of different artistic disciplines.

The development of the organisation and it's influence on diverse groups in the community are well documented in the correspondence and minutes; LMA/4462/M/01 and 02.

The photographs are both formal and informal. They show the Fair in action and special guests and artists performing or speaking at the different events. One album was put together by a participant as a gift to the Huntleys.

The press cuttings give valuable information on how the Fairs were being received by the Black community and others in London and internationally. There is an exclusive interview with Sonia Sanchez and an article by Margaret Busby which gives an historical overview of the Fair.

The copyright to these records rests with the depositors, Race Today Publications and New Beacon Books. Permission for the use of images for publication must be sought from all three organisations.

The collection contains the administrative papers of the Barbican Arts Group Trust including policy documents; minutes of meetings; financial records; property records; and artists' details. In addition, the collection includes a range of visual material showing artists and their work as well as printed publicity material for exhibitions. The Trust's outreach work is represented through a number of school packs and booklets.

Short black and white silent amateur films made by Colin Gibson featuring Harrow Technical College, Within 5 miles of Harrow and boats on the River Thames.

Records of Keith Waithe, musician, comprising published recordings from Essequibo Music and The Macusi Players with business card and promotional card.

'UG2LDN', Uganda to London Heritage Lottery Funded oral history project concerning refugee settlers: monthly reports, oral history tape recordings (raw and published DVD), rough log of interviews, photographs, flyers, postcards and T-shirt.

Records of The Greene Sisters mainly relating to their professional life: correspondence concerning their working life, organising concerts and issues with their agents Foster's, copies of their wartime contracts as well as examples of publicity material particularly play bills for variety performance they appeared and a few programmes.

There are copies of radio broadcasts including some from the series 'Hi Gang' recorded between 1951-1952.

Included are both professional photographs and family photographs of The Greene Sisters, Jeanette, Gertie and Judy as well as their brother Marcus and youngest sister Sylvia; their parents Jack and Rebecca.

There is a series of papers of Sylvia Greene the youngest sister which include the book, lyrics and music for a musical play 'A Great Guy' written by Sylvia.

Records of Cy Grant reflecting his career containing rich material for research themes around multi-ethnic minority arts on a national basis, an iconic career which saw stardom and fame across the world and across ethnic divides, wartime narratives, discourse on Black African Caribbean roots, culture and race relations.

Records consist of correspondence, notes, photographs and audio-visual material. Includes Cy Grant's records relating to his service as navigator in the Second World War, records of Drum Arts Centre Limited, records of Concord Festival Trust; his acting career including theatre and film posters and programmes, correspondence with agents and producers and fan mail; writing career including published books and draft manuscripts, campaigning, spirituality and health and personal papers including copy items from 1910.

Highlights in the collection include Cy Grant's Royal Air Force log book; fan-mail, studio and film stills photographs, and audio-visual material documenting Cy Grant's fame from his acting and singing, 1950s-1970s; minutes and papers of the Drum Arts Centre Limited London, 1970s documenting the establishment of a national centre for the arts of Black people and related Black Theatre Workshop; minutes and printed material documenting the Concord Festival Trust for which Cy Grant was Director overseeing 22 multicultural ethic arts festivals across Britain over four years between 1981-1985. Cy Grant's life is documented in his memoir 'Blackness and the Dreaming Soul' published in 2007 and his original drafts are contained in the collection alongside other writings.

ACKNOWLEDGEMENTS: The collection was catalogued as part of a project funded by Heritage Lottery Fund titled 'Navigating the Dreams of an Icon: Remembering Cy Grant Through His Archive'. £79,800 was awarded by the Heritage Lottery Fund to the Cy Grant Trust. The Trust, London Metropolitan Archives and Windrush Foundation formed a partnership in 2015 to oversee the archive project which ran from April 2016-May 2017 including an exhibition, website and education pack as well as a series of events including a Finale on 18 February 2017 at London Metropolitan Archives.

Diary of actor John Pritt Harley, 1858.

Records documenting the work of contemporary artists practising in Britain of African-Caribbean, Asian and African descent, 1970-2002, largely comprising exhibition posters, exhibition cards, press releases, press cuttings, videos, audio tapes and slides; records of The Peoples' Gallery, Camden, 1984-1987, comprising publicity flyers, press cuttings.

35mm slides of contemporary art images collected by Chelsea College of Art & Design, 1992-2002, photographed by Donald Smith or sourced from previously inaccessible private gallery and artist archives, comprising work by artists including Anish Kapoor, Richard Deacon, Jeff Koons, Damien Hurst, Gillian Wearing and Cindy Sherman.

Material relating to the production of Inventory magazine, [1995-2000], comprising flyers, private view cards, christmas cards and letters.

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Papers of Jean Spencer, 1970-2002, comprising the Kleinsassen archive, 1986, consisting of schema, texts, plans, photographs and complete slide archive; Elephant Trust proposal and studies, 1987, including a folder of original drawings; studies for Kemi, comprising black and white photographs and line drawings; 2 sketchbooks of studies for reliefs; exhibition catalogues including Jean Spencer's work, 1972-1990; Study for Double Square Painting, 1992, (oil on linen); group exhibition catalogues, 1972-1990; "Countervail" exhibition publicity cards, Mappin Art Gallery, Sheffield, 1992.

Papers of Stephen Willats, 1960s-1998, comprising documentation relating mainly to his West London Social Resource Project in the Greenford, Hanwell and Osterley area, [1972], including questionnaires, re-modeling books and manuals for Greenford, Hanwell and Osterley, black and white photographs of the areas, audio tape of statement and interviews with project operators, examples of returns from re-modeling books and manuals, participants' sheets, public decision sheets, map of project area, exhibition display mounts; papers relating to his Edinburgh Social Model Construction Project, 1973, including project operators' manuals, problem sheets for project areas, participant project file; advertising posters, photographs; exhibition catalogues, 1968-1998, for exhibitions of Willats' work in the UK, Europe and Toronto.

Two letters from George Dance the younger; the first relating to preparations for the entertainment at Guildhall of the Prince Regent, the Emperor of Russia Alexander I and the King of Prussia Frederick William III, 1814; the second describing Dance's son as surviving the battle of Waterloo, 1815. With a sheet of verse in Dance's hand, 1810.

Ledgers of William Sharpe, Thomas Sharpe and George Bishop, heraldic painters; including customers' names.

Copies of correspondence and memoranda relating to a dispute between the proprietors of the Theatre Royal at Covent Garden and performers.

Records of the Worshipful Company of Musicians, including charter and ordinance books; bye laws; Court minute books; signature book; livery lists; registers of freedom admissions; registers of apprentice bindings; financial accounts including cash books; press cuttings; clerk's correspondence and papers; letters from composers including Richard Strauss, Sir Edward Elgar and Herbert Howells; manuscript music scores including Elgar and Howells; concert and event programmes; photographs; papers relating to scholarships; and papers relating to company property and estates.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

Records of the Worshipful Company of Painter Stainers. Court minutes begin in 1623, freedom admission registers in 1658 and apprentice binding books in 1660. The records were compiled between 1623 and 1973, but they include deeds from 1423. Collection also includes financial records and records of charitable payments.

IMPORTANT INFORMATION REGARDING ACCESS: These records are stored at the Guildhall Library site rather than the LMA Clerkenwell site. Researchers wishing to access these records should do so at the Guildhall Library Rare Books table. The Library is open Monday to Saturday, 9:30 to 16:45. Researchers will need to have an Archives History Card or a Library Readers Card. An archivist will be available at Guildhall Library on Thursday mornings to answer any queries.

Papers of the Actresses' Franchise League including annual reports 1909-1914; annual statements of accounts; leaflets including lists of officers and league's objects and list of members and programme.

Papers of the Artists' Suffrage League, 1905-1912, including correspondence, drawings, cartoons, prints, poster, postcard, programmes and their covers, notices press clippings, album of designs by Mary Lowndes.

The archive consists of papers relating to the activities and members of See Red Women's Workshop, 1974-1984. It includes correspondence; notebooks containing minutes; press cuttings; poster catalogues and photographs showing members at work in the screen-print workshop.

The archive consists of greetings cards, postcards and posters produced by Wildcat Cards; a selection of cards produced by women; slides, negatives, mock ups and proofs, photographs and some original artwork; advertisements and press releases, catalogues, order forms, price lists, artists briefs and press cuttings; correspondence, administrative and financial papers.

The archive consists of copies of information pieces that appeared in art magazines during their media campaign to draw attention to discrimination and inequality in the art world. It also includes an article about Fanny Adams, a bibliography of 'Fanny's moments in the press' and video footage of events, including 'Fanny's Big Ball', 28 Oct 1992.

The archive consists of correspondence (1903-1949); printed and typescript copies (including corrections) of plays (1913-1938); diaries including one written by her companion Fanny Laming (1922-1952), drawings, leaflets, albums containing sketches, verse, programmes of entertainment, photographs, receipts, press cuttings, etc (1893-1952); biographical notes (1930s); verse (1915-1953); drawings; papers related to the National Federation of Women's Institutes (1917-54); papers related to her activities in the First World War; materials concerning the death of Williams (1957-9).

The archive consists of 77 letters to Bodichon mainly from Helen Taylor, James Joseph Sylvester, Marianne North, the Hill Family and various other correspondents (1827-c 1891); offprints of papers written by the donor related to Helen Taylor (1978), James Joseph Sylvester (1981) and Marianne North (1989).

The archive consists of working, personal and family papers including correspondence, printed material, photographs and other material; textile and other objects; audio-visual material.

The archive consists of photocopies of letters sent to Fraenkel by Pankhurst mainly concerned with an exhibition of the latter's paintings which Elsa organised and which was held in London in 1959. Includes a pastel drawing of Pankhurst by Fraenkel (c.1957).

The archive consists of a typescript autobiography, written in 1976, entitled 'Auntie Gertrude's Life', 1889-1976.

The archive consists of a typescript autobiography (about 350 pages, unbound, on 'flimsy' paper).

The archive consists of biographical publications on Louie Burrell and postcard reproductions of her work:

• 13 postcard reproductions of the following paintings by Louie Burrell: Life Class (1900-1903); Girl at Writing Box (c 1895); A Model (1900-1903); Old Sales - a model (1900-1903); Making Marmalade (1890-1900); Philippa (1917); A Model (1900-1903); The Forge (1890-1900); Julia (1889); A Child Seated (1904); Mrs Stanley Baldwin (1924); Nurse and Philippa (1908); Philip Burrell (1904-1907)

• 1 postcard reproduction of a painting by Ada (Margetts) Luker (mother of Louie Burrell): Still Life (c 1857)

• 'The Saratoga Trunk and The Last Door' (Jul 1997), Philippa Burrell. Booklet memoir relating to her own and her mother's artistic life.

• 'Louie Burrell - A Woman Painter', (The University of Hull Art Collection, c 1990). A short biography compiled from the letters and writings of Philippa Burrell and Jim Murrell.

• 'Louie Burrell Woman and Artist 1873-1971' (c 1990). Leaflet by Philippa Burrell.

The archive consists of reminiscences of May Greenup about St. Gabriel's College, Camberwell, 1922-1924, written by Angela Raby in 1998 and illustrated with original photographs; transcript biographical notes relating to May Greenup, Joseph Greenup and Elizabeth Bridge, compiled by Angela Raby and illustrated with original photographs.

The archive consists of printed flyers and a pamphlet, an interview transcript, press cuttings and other papers relating to the photographer Melanie Manchot and exhibitions of her work.

The file comprises:

• Curriculum Vitae of Melanie Manchot, c 1998

• Essay by the exhibition curator Maeve O'Brien, of Nottingham Trent University Bonnington Gallery, on the exhibition 'Lifelines' that featured silver gelatin print photographs of Manchot's naked mother, Jun 1998

• Transcript of interview between Manchot and Penny Martin [then archivist at The Women's Library], c 2000

• Four press cuttings relating to the exhibition 'Lifelines', from 'Time Out', 'Scene' and the 'Independent on Sunday', 1996-1998.

• Publicity flyers for exhibitions featuring Manchot's work: 'Behind the Screen', 'The Ugly Show', 'Light Sensitive', 'Lifelines', 1998.

• Catalogue for 'Lifelines' with reproductions of Manchot's photographs and an essay on her work by Sue Hubbard.

The archive consists of two notebooks containing Martineau's diaries, describing her training at art colleges in London and her social and family life (1892-1914). Also includes a typescript of a lecture based on the diaries given by historian Elizabeth Crawford at a Women's History Network Conference, Sep 2005.