Colección GB 1556 WL 575 - Kulturbund deutscher Juden: correspondence and papers (microfilm)

Área de identidad

Código de referencia

GB 1556 WL 575

Título

Kulturbund deutscher Juden: correspondence and papers (microfilm)

Fecha(s)

  • 1933-1939 (Creación)

Nivel de descripción

Colección

Volumen y soporte

1650 frames

Área de contexto

Nombre del productor

Historia biográfica

The Kulturbund Deutscher Juden was an organisation engaged in promoting culture and the arts among the Jews of Germany between 1933 and 1941. Its purposes were to enable the Jewish population to maintain a cultural life and to alleviate the distress of the thousands of Jewish theatrical artists and musicians who had been thrown out of their jobs when the Nazis came to power. The instigators were Kurt Baumann, a theatre director and Kurt Singer, a neurologist. The self-help organisation, which was funded by members' contributions, sought, in the first instance, to create work opportunities for the unemployed artists. The original title 'Kulturbund Deutscher Juden' had to soon be changed as a name containing the words 'German' and 'Jewish' was politically unacceptable.

After the initial foundation in Berlin, numerous branches emerged in other German towns and cities. By 1935 there were 36 regional and local 'Kulturbünde' (unions) with approximately 70,000 members. The individual branches were forced to affiliate to the 'Reichsverband jüdischer Kulturbünde in Deutschland' (Reich Assembly of Jewish cultural unions, RJK) by August 1935. The RJK was placed under the aegis of the 'Reichsministerium für Volksaufklärung und Propaganda' (the Reich Ministry of Propaganda). The performances of these unions, which were censored and monitored by the Gestapo, had to be individually sanctioned by the 'Reichskulturwalter' (Reich Culture Chamber manager), Hans Hinkel. In order to facilitate the activities of the unions the RJK instituted self-censorship. In July 1937 there were 120 independent organisations, including synagogues and cultural groups united under the umbrella of the RJK.

Performances and events of the unions (above all in Berlin) took place on a daily basis. Between 1933-1935 the main venue was the Berliner Theater. The Hamburger Kulturbund was also very active. The programme included theatre and and opera performances, concerts, art, cabaret, film shows, lectures, and exhibitions. In order to ensure cultural segregation, non Jews could neither perform at nor attend these events. The works of German authors and composers could not be performed.

After the November pogrom of 1938 most unions were forced to close. Only the Berlin Kulturbund was given the permission by Joseph Goebbels, for propaganda reasons, to remain active. In 1939 the RJK was wound up and in its place the 'Jüdische Kulturbund in Deutschland e. V.', formed of the remnants of the Berlin Kulturbund, took responsibility for and organised all Jewish cultural performances thereafter. The emigration of many important Jewish artists had a detrimental effect on the quality and quantity of subsequent events. The union was finally closed down on 11 September 1941 by the Gestapo and many of its members and officials, including the founder, Kurt Singer, were deported and murdered.

Institución archivística

Historia archivística

GB 1556 WL 575 1933-1939 collection 1650 frames Kulturbund Deutscher Juden

The Kulturbund Deutscher Juden was an organisation engaged in promoting culture and the arts among the Jews of Germany between 1933 and 1941. Its purposes were to enable the Jewish population to maintain a cultural life and to alleviate the distress of the thousands of Jewish theatrical artists and musicians who had been thrown out of their jobs when the Nazis came to power. The instigators were Kurt Baumann, a theatre director and Kurt Singer, a neurologist. The self-help organisation, which was funded by members' contributions, sought, in the first instance, to create work opportunities for the unemployed artists. The original title 'Kulturbund Deutscher Juden' had to soon be changed as a name containing the words 'German' and 'Jewish' was politically unacceptable.

After the initial foundation in Berlin, numerous branches emerged in other German towns and cities. By 1935 there were 36 regional and local 'Kulturbünde' (unions) with approximately 70,000 members. The individual branches were forced to affiliate to the 'Reichsverband jüdischer Kulturbünde in Deutschland' (Reich Assembly of Jewish cultural unions, RJK) by August 1935. The RJK was placed under the aegis of the 'Reichsministerium für Volksaufklärung und Propaganda' (the Reich Ministry of Propaganda). The performances of these unions, which were censored and monitored by the Gestapo, had to be individually sanctioned by the 'Reichskulturwalter' (Reich Culture Chamber manager), Hans Hinkel. In order to facilitate the activities of the unions the RJK instituted self-censorship. In July 1937 there were 120 independent organisations, including synagogues and cultural groups united under the umbrella of the RJK.

Performances and events of the unions (above all in Berlin) took place on a daily basis. Between 1933-1935 the main venue was the Berliner Theater. The Hamburger Kulturbund was also very active. The programme included theatre and and opera performances, concerts, art, cabaret, film shows, lectures, and exhibitions. In order to ensure cultural segregation, non Jews could neither perform at nor attend these events. The works of German authors and composers could not be performed.

After the November pogrom of 1938 most unions were forced to close. Only the Berlin Kulturbund was given the permission by Joseph Goebbels, for propaganda reasons, to remain active. In 1939 the RJK was wound up and in its place the 'Jüdische Kulturbund in Deutschland e. V.', formed of the remnants of the Berlin Kulturbund, took responsibility for and organised all Jewish cultural performances thereafter. The emigration of many important Jewish artists had a detrimental effect on the quality and quantity of subsequent events. The union was finally closed down on 11 September 1941 by the Gestapo and many of its members and officials, including the founder, Kurt Singer, were deported and murdered.

Jewish Central Information Office

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Chronologically by material type.

Open

Copies can be made for personal use. Permission must be sought for publication.
German

Microfilm

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Wiener Collection, Tel Aviv University, Israel.

Entry compiled Howard Falksohn Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. October 2007 Actors Antisemitism Artists Berlin Europe Germany Jüdischer Kulturbünde in Deutschland (Reich Assembly of Jewish Cultural Unions) x RJK Jews Kulturbund Deutscher Juden Literary forms and genres Literature Nazism Opera Performers Poetry Political doctrines Popular theatre Racial discrimination Religious groups Theatre Third Reich Totalitarianism Western Europe Performing arts

Origen del ingreso o transferencia

Jewish Central Information Office

Área de contenido y estructura

Alcance y contenido

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

Chronologically by material type.

Área de condiciones de acceso y uso

Condiciones de acceso

Open

Condiciones

Copies can be made for personal use. Permission must be sought for publication.

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

German

Características físicas y requisitos técnicos

Instrumentos de descripción

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Nota de publicación

Área de notas

Notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Wiener Library

Reglas y/o convenciones usadas

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso