Collectie GB 1556 WL 575 - Kulturbund deutscher Juden: correspondence and papers (microfilm)

Identificatie

referentie code

GB 1556 WL 575

Titel

Kulturbund deutscher Juden: correspondence and papers (microfilm)

Datum(s)

  • 1933-1939 (Vervaardig)

Beschrijvingsniveau

Collectie

Omvang en medium

1650 frames

Context

Naam van de archiefvormer

Biografie

The Kulturbund Deutscher Juden was an organisation engaged in promoting culture and the arts among the Jews of Germany between 1933 and 1941. Its purposes were to enable the Jewish population to maintain a cultural life and to alleviate the distress of the thousands of Jewish theatrical artists and musicians who had been thrown out of their jobs when the Nazis came to power. The instigators were Kurt Baumann, a theatre director and Kurt Singer, a neurologist. The self-help organisation, which was funded by members' contributions, sought, in the first instance, to create work opportunities for the unemployed artists. The original title 'Kulturbund Deutscher Juden' had to soon be changed as a name containing the words 'German' and 'Jewish' was politically unacceptable.

After the initial foundation in Berlin, numerous branches emerged in other German towns and cities. By 1935 there were 36 regional and local 'Kulturbünde' (unions) with approximately 70,000 members. The individual branches were forced to affiliate to the 'Reichsverband jüdischer Kulturbünde in Deutschland' (Reich Assembly of Jewish cultural unions, RJK) by August 1935. The RJK was placed under the aegis of the 'Reichsministerium für Volksaufklärung und Propaganda' (the Reich Ministry of Propaganda). The performances of these unions, which were censored and monitored by the Gestapo, had to be individually sanctioned by the 'Reichskulturwalter' (Reich Culture Chamber manager), Hans Hinkel. In order to facilitate the activities of the unions the RJK instituted self-censorship. In July 1937 there were 120 independent organisations, including synagogues and cultural groups united under the umbrella of the RJK.

Performances and events of the unions (above all in Berlin) took place on a daily basis. Between 1933-1935 the main venue was the Berliner Theater. The Hamburger Kulturbund was also very active. The programme included theatre and and opera performances, concerts, art, cabaret, film shows, lectures, and exhibitions. In order to ensure cultural segregation, non Jews could neither perform at nor attend these events. The works of German authors and composers could not be performed.

After the November pogrom of 1938 most unions were forced to close. Only the Berlin Kulturbund was given the permission by Joseph Goebbels, for propaganda reasons, to remain active. In 1939 the RJK was wound up and in its place the 'Jüdische Kulturbund in Deutschland e. V.', formed of the remnants of the Berlin Kulturbund, took responsibility for and organised all Jewish cultural performances thereafter. The emigration of many important Jewish artists had a detrimental effect on the quality and quantity of subsequent events. The union was finally closed down on 11 September 1941 by the Gestapo and many of its members and officials, including the founder, Kurt Singer, were deported and murdered.

archiefbewaarplaats

Geschiedenis van het archief

GB 1556 WL 575 1933-1939 collection 1650 frames Kulturbund Deutscher Juden

The Kulturbund Deutscher Juden was an organisation engaged in promoting culture and the arts among the Jews of Germany between 1933 and 1941. Its purposes were to enable the Jewish population to maintain a cultural life and to alleviate the distress of the thousands of Jewish theatrical artists and musicians who had been thrown out of their jobs when the Nazis came to power. The instigators were Kurt Baumann, a theatre director and Kurt Singer, a neurologist. The self-help organisation, which was funded by members' contributions, sought, in the first instance, to create work opportunities for the unemployed artists. The original title 'Kulturbund Deutscher Juden' had to soon be changed as a name containing the words 'German' and 'Jewish' was politically unacceptable.

After the initial foundation in Berlin, numerous branches emerged in other German towns and cities. By 1935 there were 36 regional and local 'Kulturbünde' (unions) with approximately 70,000 members. The individual branches were forced to affiliate to the 'Reichsverband jüdischer Kulturbünde in Deutschland' (Reich Assembly of Jewish cultural unions, RJK) by August 1935. The RJK was placed under the aegis of the 'Reichsministerium für Volksaufklärung und Propaganda' (the Reich Ministry of Propaganda). The performances of these unions, which were censored and monitored by the Gestapo, had to be individually sanctioned by the 'Reichskulturwalter' (Reich Culture Chamber manager), Hans Hinkel. In order to facilitate the activities of the unions the RJK instituted self-censorship. In July 1937 there were 120 independent organisations, including synagogues and cultural groups united under the umbrella of the RJK.

Performances and events of the unions (above all in Berlin) took place on a daily basis. Between 1933-1935 the main venue was the Berliner Theater. The Hamburger Kulturbund was also very active. The programme included theatre and and opera performances, concerts, art, cabaret, film shows, lectures, and exhibitions. In order to ensure cultural segregation, non Jews could neither perform at nor attend these events. The works of German authors and composers could not be performed.

After the November pogrom of 1938 most unions were forced to close. Only the Berlin Kulturbund was given the permission by Joseph Goebbels, for propaganda reasons, to remain active. In 1939 the RJK was wound up and in its place the 'Jüdische Kulturbund in Deutschland e. V.', formed of the remnants of the Berlin Kulturbund, took responsibility for and organised all Jewish cultural performances thereafter. The emigration of many important Jewish artists had a detrimental effect on the quality and quantity of subsequent events. The union was finally closed down on 11 September 1941 by the Gestapo and many of its members and officials, including the founder, Kurt Singer, were deported and murdered.

Jewish Central Information Office

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Chronologically by material type.

Open

Copies can be made for personal use. Permission must be sought for publication.
German

Microfilm

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Wiener Collection, Tel Aviv University, Israel.

Entry compiled Howard Falksohn Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. October 2007 Actors Antisemitism Artists Berlin Europe Germany Jüdischer Kulturbünde in Deutschland (Reich Assembly of Jewish Cultural Unions) x RJK Jews Kulturbund Deutscher Juden Literary forms and genres Literature Nazism Opera Performers Poetry Political doctrines Popular theatre Racial discrimination Religious groups Theatre Third Reich Totalitarianism Western Europe Performing arts

Directe bron van verwerving of overbrenging

Jewish Central Information Office

Inhoud en structuur

Bereik en inhoud

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Waardering, vernietiging en slectie

Aanvullingen

Ordeningstelsel

Chronologically by material type.

Voorwaarden voor toegang en gebruik

Voorwaarden voor raadpleging

Open

Voorwaarden voor reproductie

Copies can be made for personal use. Permission must be sought for publication.

Taal van het materiaal

  • Engels

Schrift van het materiaal

  • Latijn

Taal en schrift aantekeningen

German

Fysieke eigenschappen en technische eisen

Toegangen

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Verwante materialen

Bestaan en verblifplaats van originelen

Bestaan en verblijfplaats van kopieën

Related units of description

Related descriptions

Notitie Publicaties

Aantekeningen

Aantekening

Alternative identifier(s)

Trefwoorden

Geografische trefwoorden

Naam ontsluitingsterm

Genre access points

Beschrijvingsbeheer

Identificatie van de beschrijving

Identificatiecode van de instelling

Wiener Library

Toegepaste regels en/of conventies

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Status

Niveau van detaillering

Verwijdering van datering archiefvorming

Taal (talen)

  • Engels

Schrift(en)

    Bronnen

    Voorwaarden voor raadpleging en gebruik