Collection GB 1556 WL 575 - Kulturbund deutscher Juden: correspondence and papers (microfilm)

Zone d'identification

Cote

GB 1556 WL 575

Titre

Kulturbund deutscher Juden: correspondence and papers (microfilm)

Date(s)

  • 1933-1939 (Création/Production)

Niveau de description

Collection

Étendue matérielle et support

1650 frames

Zone du contexte

Nom du producteur

Notice biographique

The Kulturbund Deutscher Juden was an organisation engaged in promoting culture and the arts among the Jews of Germany between 1933 and 1941. Its purposes were to enable the Jewish population to maintain a cultural life and to alleviate the distress of the thousands of Jewish theatrical artists and musicians who had been thrown out of their jobs when the Nazis came to power. The instigators were Kurt Baumann, a theatre director and Kurt Singer, a neurologist. The self-help organisation, which was funded by members' contributions, sought, in the first instance, to create work opportunities for the unemployed artists. The original title 'Kulturbund Deutscher Juden' had to soon be changed as a name containing the words 'German' and 'Jewish' was politically unacceptable.

After the initial foundation in Berlin, numerous branches emerged in other German towns and cities. By 1935 there were 36 regional and local 'Kulturbünde' (unions) with approximately 70,000 members. The individual branches were forced to affiliate to the 'Reichsverband jüdischer Kulturbünde in Deutschland' (Reich Assembly of Jewish cultural unions, RJK) by August 1935. The RJK was placed under the aegis of the 'Reichsministerium für Volksaufklärung und Propaganda' (the Reich Ministry of Propaganda). The performances of these unions, which were censored and monitored by the Gestapo, had to be individually sanctioned by the 'Reichskulturwalter' (Reich Culture Chamber manager), Hans Hinkel. In order to facilitate the activities of the unions the RJK instituted self-censorship. In July 1937 there were 120 independent organisations, including synagogues and cultural groups united under the umbrella of the RJK.

Performances and events of the unions (above all in Berlin) took place on a daily basis. Between 1933-1935 the main venue was the Berliner Theater. The Hamburger Kulturbund was also very active. The programme included theatre and and opera performances, concerts, art, cabaret, film shows, lectures, and exhibitions. In order to ensure cultural segregation, non Jews could neither perform at nor attend these events. The works of German authors and composers could not be performed.

After the November pogrom of 1938 most unions were forced to close. Only the Berlin Kulturbund was given the permission by Joseph Goebbels, for propaganda reasons, to remain active. In 1939 the RJK was wound up and in its place the 'Jüdische Kulturbund in Deutschland e. V.', formed of the remnants of the Berlin Kulturbund, took responsibility for and organised all Jewish cultural performances thereafter. The emigration of many important Jewish artists had a detrimental effect on the quality and quantity of subsequent events. The union was finally closed down on 11 September 1941 by the Gestapo and many of its members and officials, including the founder, Kurt Singer, were deported and murdered.

Histoire archivistique

GB 1556 WL 575 1933-1939 collection 1650 frames Kulturbund Deutscher Juden

The Kulturbund Deutscher Juden was an organisation engaged in promoting culture and the arts among the Jews of Germany between 1933 and 1941. Its purposes were to enable the Jewish population to maintain a cultural life and to alleviate the distress of the thousands of Jewish theatrical artists and musicians who had been thrown out of their jobs when the Nazis came to power. The instigators were Kurt Baumann, a theatre director and Kurt Singer, a neurologist. The self-help organisation, which was funded by members' contributions, sought, in the first instance, to create work opportunities for the unemployed artists. The original title 'Kulturbund Deutscher Juden' had to soon be changed as a name containing the words 'German' and 'Jewish' was politically unacceptable.

After the initial foundation in Berlin, numerous branches emerged in other German towns and cities. By 1935 there were 36 regional and local 'Kulturbünde' (unions) with approximately 70,000 members. The individual branches were forced to affiliate to the 'Reichsverband jüdischer Kulturbünde in Deutschland' (Reich Assembly of Jewish cultural unions, RJK) by August 1935. The RJK was placed under the aegis of the 'Reichsministerium für Volksaufklärung und Propaganda' (the Reich Ministry of Propaganda). The performances of these unions, which were censored and monitored by the Gestapo, had to be individually sanctioned by the 'Reichskulturwalter' (Reich Culture Chamber manager), Hans Hinkel. In order to facilitate the activities of the unions the RJK instituted self-censorship. In July 1937 there were 120 independent organisations, including synagogues and cultural groups united under the umbrella of the RJK.

Performances and events of the unions (above all in Berlin) took place on a daily basis. Between 1933-1935 the main venue was the Berliner Theater. The Hamburger Kulturbund was also very active. The programme included theatre and and opera performances, concerts, art, cabaret, film shows, lectures, and exhibitions. In order to ensure cultural segregation, non Jews could neither perform at nor attend these events. The works of German authors and composers could not be performed.

After the November pogrom of 1938 most unions were forced to close. Only the Berlin Kulturbund was given the permission by Joseph Goebbels, for propaganda reasons, to remain active. In 1939 the RJK was wound up and in its place the 'Jüdische Kulturbund in Deutschland e. V.', formed of the remnants of the Berlin Kulturbund, took responsibility for and organised all Jewish cultural performances thereafter. The emigration of many important Jewish artists had a detrimental effect on the quality and quantity of subsequent events. The union was finally closed down on 11 September 1941 by the Gestapo and many of its members and officials, including the founder, Kurt Singer, were deported and murdered.

Jewish Central Information Office

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Chronologically by material type.

Open

Copies can be made for personal use. Permission must be sought for publication.
German

Microfilm

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Wiener Collection, Tel Aviv University, Israel.

Entry compiled Howard Falksohn Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. October 2007 Actors Antisemitism Artists Berlin Europe Germany Jüdischer Kulturbünde in Deutschland (Reich Assembly of Jewish Cultural Unions) x RJK Jews Kulturbund Deutscher Juden Literary forms and genres Literature Nazism Opera Performers Poetry Political doctrines Popular theatre Racial discrimination Religious groups Theatre Third Reich Totalitarianism Western Europe Performing arts

Source immédiate d'acquisition ou de transfert

Jewish Central Information Office

Zone du contenu et de la structure

Portée et contenu

Original correspondence between the Polizeipräsident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also Jüdischer Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsblätter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, Königsberg, Mecklenburg-Lübeck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

Chronologically by material type.

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Open

Conditions de reproduction

Copies can be made for personal use. Permission must be sought for publication.

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

German

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Note de publication

Zone des notes

Note

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Wiener Library

Règles et/ou conventions utilisées

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées