Identity area
Reference code
Title
Date(s)
- [1928]-2005 (Creation)
Level of description
Extent and medium
1 box
Context area
Name of creator
Biographical history
Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.
Repository
Archival history
GB-70-tga-20096 [1928]-2005 Collection (fonds) 1 box Bell [née Stephen] , Vanessa , 1879–1961 , painter
Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.
Presented to Tate Archive by Henrietta Garnett, June 2009.
This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.
The collection has been arranged into two series:
TGA 20096/1 Writings by Vanessa Bell
TGA 20096/2 Correspondence
Open. Access to all registered researchers.
Usual copyright restrictions apply.
English
Online and paper catalogue available
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
2009 Visual arts Bell [née Stephen] , Vanessa , 1879–1961 , painter Memoir Club
Immediate source of acquisition or transfer
Presented to Tate Archive by Henrietta Garnett, June 2009.
Content and structure area
Scope and content
This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.
Appraisal, destruction and scheduling
Accruals
System of arrangement
The collection has been arranged into two series:
TGA 20096/1 Writings by Vanessa Bell
TGA 20096/2 Correspondence
Conditions of access and use area
Conditions governing access
Open. Access to all registered researchers.
Conditions governing reproduction
Usual copyright restrictions apply.
Language of material
- English
Script of material
- Latin
Language and script notes
English
Physical characteristics and technical requirements
Finding aids
Online and paper catalogue available
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
Genre access points
Description control area
Description identifier
Institution identifier
Rules and/or conventions used
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Status
Level of detail
Dates of creation revision deletion
Language(s)
- English