GB-70-tga-20096 - Manuscripts and typescripts by Vanessa Bell and correspondence to and from Duncan Grant

Identificatie

referentie code

GB-70-tga-20096

Titel

Manuscripts and typescripts by Vanessa Bell and correspondence to and from Duncan Grant

Datum(s)

  • [1928]-2005 (Vervaardig)

Beschrijvingsniveau

Omvang en medium

1 box

Context

Naam van de archiefvormer

Biografie

Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.

archiefbewaarplaats

Geschiedenis van het archief

GB-70-tga-20096 [1928]-2005 Collection (fonds) 1 box Bell [née Stephen] , Vanessa , 1879–1961 , painter

Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.

Presented to Tate Archive by Henrietta Garnett, June 2009.

This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.

The collection has been arranged into two series:

TGA 20096/1 Writings by Vanessa Bell

TGA 20096/2 Correspondence

Open. Access to all registered researchers.

Usual copyright restrictions apply.

English

Online and paper catalogue available

Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
2009 Visual arts Bell [née Stephen] , Vanessa , 1879–1961 , painter Memoir Club

Directe bron van verwerving of overbrenging

Presented to Tate Archive by Henrietta Garnett, June 2009.

Inhoud en structuur

Bereik en inhoud

This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.

Waardering, vernietiging en slectie

Aanvullingen

Ordeningstelsel

The collection has been arranged into two series:

TGA 20096/1 Writings by Vanessa Bell

TGA 20096/2 Correspondence

Voorwaarden voor toegang en gebruik

Voorwaarden voor raadpleging

Open. Access to all registered researchers.

Voorwaarden voor reproductie

Usual copyright restrictions apply.

Taal van het materiaal

  • Engels

Schrift van het materiaal

  • Latijn

Taal en schrift aantekeningen

English

Fysieke eigenschappen en technische eisen

Toegangen

Online and paper catalogue available

Verwante materialen

Bestaan en verblifplaats van originelen

Bestaan en verblijfplaats van kopieën

Related units of description

Related descriptions

Aantekeningen

Alternative identifier(s)

Trefwoorden

Onderwerp trefwoord

Geografische trefwoorden

Naam ontsluitingsterm

Genre access points

Beschrijvingsbeheer

Identificatie van de beschrijving

Identificatiecode van de instelling

Tate Britain

Toegepaste regels en/of conventies

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Status

Niveau van detaillering

Verwijdering van datering archiefvorming

Taal (talen)

  • Engels

Schrift(en)

    Bronnen

    Voorwaarden voor raadpleging en gebruik