Zone d'identification
Cote
Titre
Date(s)
- [1928]-2005 (Création/Production)
Niveau de description
Étendue matérielle et support
1 box
Zone du contexte
Nom du producteur
Notice biographique
Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.
Dépôt
Histoire archivistique
GB-70-tga-20096 [1928]-2005 Collection (fonds) 1 box Bell [née Stephen] , Vanessa , 1879–1961 , painter
Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.
Presented to Tate Archive by Henrietta Garnett, June 2009.
This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.
The collection has been arranged into two series:
TGA 20096/1 Writings by Vanessa Bell
TGA 20096/2 Correspondence
Open. Access to all registered researchers.
Usual copyright restrictions apply.
English
Online and paper catalogue available
Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
2009 Visual arts Bell [née Stephen] , Vanessa , 1879–1961 , painter Memoir Club
Source immédiate d'acquisition ou de transfert
Presented to Tate Archive by Henrietta Garnett, June 2009.
Zone du contenu et de la structure
Portée et contenu
This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.
Évaluation, élimination et calendrier de conservation
Accroissements
Mode de classement
The collection has been arranged into two series:
TGA 20096/1 Writings by Vanessa Bell
TGA 20096/2 Correspondence
Zone des conditions d'accès et d'utilisation
Conditions d'accès
Open. Access to all registered researchers.
Conditions de reproduction
Usual copyright restrictions apply.
Langue des documents
- anglais
Écriture des documents
- latin
Notes de langue et graphie
English
Caractéristiques matérielle et contraintes techniques
Instruments de recherche
Online and paper catalogue available
Zone des sources complémentaires
Existence et lieu de conservation des originaux
Existence et lieu de conservation des copies
Unités de description associées
Zone des notes
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle de la description
Identifiant de la description
Identifiant du service d'archives
Règles et/ou conventions utilisées
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Statut
Niveau de détail
Dates de production, de révision, de suppression
Langue(s)
- anglais