GB-70-tga-20096 - Manuscripts and typescripts by Vanessa Bell and correspondence to and from Duncan Grant

Zone d'identification

Cote

GB-70-tga-20096

Titre

Manuscripts and typescripts by Vanessa Bell and correspondence to and from Duncan Grant

Date(s)

  • [1928]-2005 (Création/Production)

Niveau de description

Étendue matérielle et support

1 box

Zone du contexte

Nom du producteur

Notice biographique

Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.

Histoire archivistique

GB-70-tga-20096 [1928]-2005 Collection (fonds) 1 box Bell [née Stephen] , Vanessa , 1879–1961 , painter

Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.

Presented to Tate Archive by Henrietta Garnett, June 2009.

This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.

The collection has been arranged into two series:

TGA 20096/1 Writings by Vanessa Bell

TGA 20096/2 Correspondence

Open. Access to all registered researchers.

Usual copyright restrictions apply.

English

Online and paper catalogue available

Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
2009 Visual arts Bell [née Stephen] , Vanessa , 1879–1961 , painter Memoir Club

Source immédiate d'acquisition ou de transfert

Presented to Tate Archive by Henrietta Garnett, June 2009.

Zone du contenu et de la structure

Portée et contenu

This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.

Évaluation, élimination et calendrier de conservation

Accroissements

Mode de classement

The collection has been arranged into two series:

TGA 20096/1 Writings by Vanessa Bell

TGA 20096/2 Correspondence

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Open. Access to all registered researchers.

Conditions de reproduction

Usual copyright restrictions apply.

Langue des documents

  • anglais

Écriture des documents

  • latin

Notes de langue et graphie

English

Caractéristiques matérielle et contraintes techniques

Instruments de recherche

Online and paper catalogue available

Zone des sources complémentaires

Existence et lieu de conservation des originaux

Existence et lieu de conservation des copies

Unités de description associées

Descriptions associées

Zone des notes

Identifiant(s) alternatif(s)

Mots-clés

Mots-clés - Sujets

Mots-clés - Lieux

Mots-clés - Noms

Mots-clés - Genre

Zone du contrôle de la description

Identifiant de la description

Identifiant du service d'archives

Tate Britain

Règles et/ou conventions utilisées

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Statut

Niveau de détail

Dates de production, de révision, de suppression

Langue(s)

  • anglais

Écriture(s)

    Sources

    Zone des entrées