GB-70-tga-20096 - Manuscripts and typescripts by Vanessa Bell and correspondence to and from Duncan Grant

Área de identidad

Código de referencia

GB-70-tga-20096

Título

Manuscripts and typescripts by Vanessa Bell and correspondence to and from Duncan Grant

Fecha(s)

  • [1928]-2005 (Creación)

Nivel de descripción

Volumen y soporte

1 box

Área de contexto

Nombre del productor

Historia biográfica

Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.

Institución archivística

Historia archivística

GB-70-tga-20096 [1928]-2005 Collection (fonds) 1 box Bell [née Stephen] , Vanessa , 1879–1961 , painter

Vanessa Bell was born in 1879, daughter of Sir Leslie Stephen and sister of Virginia Woolf. She studied art under Sir Arthur Cope and at the Royal Academy Schools under John Singer Sargent. In 1907 she married Clive Bell and worked mainly in London, Sussex and France. Vanessa Bell exhibited first at the New Gallery in 1905, and at the New English Art Club, the Allied Artists Association and at numerous London galleries. She became a member of the London Group in 1919 and her work was exhibited at the second Post-Impressionist Exhibition in 1912. A central figure in the Bloomsbury Group, she founded the Friday Club in 1905, and was influenced by Roger Fry and by Duncan Grant. As co-director of the Omega Workshops she carried out many decorative projects, particularly with Grant. The impact of Post-Impressionism caused a radical change in her work. Influenced by Matisse she established a leading role as a colourist before 1920. Between 1914-15 she produced some pure abstracts but later returned to a more traditional naturalism and greater realism in works that centred around her friends, still-life and landscapes. Vanessa Bell died in 1961.

Presented to Tate Archive by Henrietta Garnett, June 2009.

This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.

The collection has been arranged into two series:

TGA 20096/1 Writings by Vanessa Bell

TGA 20096/2 Correspondence

Open. Access to all registered researchers.

Usual copyright restrictions apply.

English

Online and paper catalogue available

Entry compiled by Suzanne Keyte for AIM25 from the Tate Archive catalogue
Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
2009 Visual arts Bell [née Stephen] , Vanessa , 1879–1961 , painter Memoir Club

Origen del ingreso o transferencia

Presented to Tate Archive by Henrietta Garnett, June 2009.

Área de contenido y estructura

Alcance y contenido

This collection comprises writings by Vanessa Bell, including manuscripts written for the Memoir Club, and correspondence from the Bell family and others with Duncan Grant.

Valorización, destrucción y programación

Acumulaciones

Sistema de arreglo

The collection has been arranged into two series:

TGA 20096/1 Writings by Vanessa Bell

TGA 20096/2 Correspondence

Área de condiciones de acceso y uso

Condiciones de acceso

Open. Access to all registered researchers.

Condiciones

Usual copyright restrictions apply.

Idioma del material

  • inglés

Escritura del material

  • latín

Notas sobre las lenguas y escrituras

English

Características físicas y requisitos técnicos

Instrumentos de descripción

Online and paper catalogue available

Área de materiales relacionados

Existencia y localización de originales

Existencia y localización de copias

Unidades de descripción relacionadas

Descripciones relacionadas

Área de notas

Identificador/es alternativo(os)

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control de la descripción

Identificador de la descripción

Identificador de la institución

Tate Britain

Reglas y/o convenciones usadas

Compiled in compliance with the General International Standard Archival Description, ISAD (G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Estado de elaboración

Nivel de detalle

Fechas de creación revisión eliminación

Idioma(s)

  • inglés

Escritura(s)

    Fuentes

    Área de Ingreso