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      184 Description archivistique résultats pour Musique

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      GB 2108 KUAS214 · Fonds · [1970-1989]

      Three files of material relating to the work of musical theatre composer David Heneker, presented by Stewart Nicholls. Includes:

      1) Publicity material for 'The Biograph Girl' including press articles and reviews, posters and programmes

      2) File of original and copies of David Heneker’s handwritten music for songs from ‘The Biograph Girl’

      3) File of original and copies of David Heneker’s handwritten music for songs from ‘Peg’, with some published music and typed lyrics.

      Sans titre
      GB 2108 KUAS227 · Fonds · [1950- 2016]

      Items related to musical theatre collected by scholar and musician Alan Poulton. Includes programmes, books, research and other items relating to the work of Stephen Sondheim, and other items relating more widely to the world of musical theatre including journals, books and recordings.

      Sans titre
      GB 0120 MSS.7157, 7630-7632 · 1848-1866

      John Bishop King's personal papers, and diaries: MS. 7157 contains 2 items which reflect King's interest in phrenology and graphology, whilst diaries by him and his wife are held as MSS.7630-7632.

      Their diaries combine to cover, with one short break, a period from King's leaving England to their marriage and on for two years until their departure, presumably temporary, to the Andaman Islands. J.B. King's diary, MS.7630, primarily records details of his patients, the personal entries chiefly relate to voyages undertaken. Joanna King's diary, MS.7631, records household and social events in some detail. MS.7632 comprises loose papers previously kept in MSS.7630-7631, mainly newspaper advertisements.

      Sans titre
      Adami, John George (1862-1926)
      GB 0120 MSS.846-853 · c 1890-1926

      Papers of John George Adami on bacteriology and pathology including notes on the development of the embryo of a chick, c 1890; drafts of Principles of Pathology c 1905-1910; 'Myelins, and experiments with Ludwig Aschoff', 1906; record of Inspections of Canadian Hospitals in France, 1915; diary, 1916 and Presidential Address to the Section of Bacteriology, Brussels Congress, 1920. Drawings concerning 1918 influenza pandemic, 1925.

      Sans titre
      Printed Collections: Zine Collection
      GB 106 PC/07 · [1970-2009]

      The Women's Library continues to document the development of feminism in the UK, and examples of '3rd wave' activity can be found within our Zine Collection. The Zine Collection began with a donation of 50 zines by Ladyfest London in 2002. This Collection comprises self-published magazines reflecting contemporary feminism and the attitudes and concerns of young women in the UK today. It currently includes over 150 indexed zines on topics ranging from music, feminism, art, fashion, food, politics, sexuality, gender, ethnicity, popular culture, travelling, relationships, parenting and much more. The Women's Library aims to collect and preserve women's zines from the 1970s to the present day.

      Sans titre
      MATTHEWS, Betty (1919-1997)
      GB 1249 7065-7245 · 1907-1997

      Papers of Betty Matthews, 1907-1997 (predominantly 1960-1997), including correspondence, research notes, printed articles, booklets and pamphlets mainly relating to organs and organists, particularly English church organs, and including papers relating to Matthews' research topics, including 18th century concert life in South West England; the organs of Exeter Cathedral, Norwich Cathedral, Buckingham Palace, Eaton Hall (Cheshire), Lulworth Castle, Bath Assembly Rooms, Barnstaple Parish Church, and St James Church, Poole; organ building families, including the Lefflers, the Corfes, the Loosemores, the Gosses, the Harrises and the Dallams; organs built by John Avery, Bernard 'Father' Smith, and Thomas Swarbrick; John Skelton Bumpus and his library; Thomas Norris (1742-1790), organist; Kirckman harpsichords; the research, publication and distribution of Matthews' articles, including 'Mendelssohn and the organ of Crosby Hall' (Musical Times, 1973); 'Samuel Sebastian Wesley, 1810-1876: a centenary memoir' (Kenneth Mummery, 1976); 'Winslade of Winchester' (Musical Times, 1978); 'William Parke and the Royal Society of Musicians' (Musical Times, 1988); 'The Lincoln family' (The Organ, 1989); 'James Hook and his family' (Musical Times, 1990).

      Sans titre
      Royal College of Music: Bursar
      GB 1249 Bursar · 1882-1997

      Records of the Bursar of the Royal College of Music, including copy of Order in Council for passing Charter of the RCM with related papers, 1883; licences from Commissioners for the 1851 Exhibition for building at RCM, 1905-1976, including copy of original lease of 1891; accounts of donations, 1882-1896; register of subscribers, 1922-1946; RCM General Regulations and Annual Report, 1883-1884; contracts of Directors of the RCM on appointment, 1918-1984; annexes to Council papers (reports Director from RCM departments), 1888-1994; papers relating to conversion of examination room into Parry Opera Theatre, 1919-1923; papers, plans, photographs and correspondence relating to building extensions, 1962-1963; New Building Appeal (1969) papers, 1968-1970; papers relating to purchase of 6-8 Evelyn Gardens from the Royal Society of Musicians, for conversion into student accommodation (Robert Mayer Hall), 1968-1979; report by Norman and Dawbarn on condition of 1894 RCM building interior, 1972; building consultants' meetings minutes, 1982-1983; papers and reports on Opera Theatre, 1984-1988; papers on completion of Library works, 1984; specification for refurbishment of Concert Hall, 1993; Departmental reports to Council and Patron's and Palmer Fund, 1980-1989; Administrative Staff insurance papers, 1936-1979; RCM pensions trust deeds, 1962-1987; Prince Consort Foundation trust deeds, 1983-1999, and accounts, 1982-1994; George Donaldson Gift of instruments trust deeds, 1894; papers relating to the Museum of Instruments, 1968-1970, 1973-1980; lists of RCM stringed instruments, 1943-1993; Patron's Fund trust deeds, 1903-1912; John Astor Fund trust deeds, 1935; agreements between RCM and Royal Academy of Music in regard to development of the Associated Board, 1896-1920; Department of Education and Science, correspondence and accounts, 1973-1986; graduation ceremony programmes, 1995; miscellaneous papers on investments and pensions, 1962-1975, 1980-1985.

      Sans titre
      DAVIES, Sir (Henry) Walford (1869-1941)
      GB 1249 HW Davies · 1890-1969

      Papers of Sir Henry Walford Davies, 1890-1969, including correspondence on his music and career (correspondents include Dean Albert Baillie, Robert Bridges, Henry Colles, Sir George Grove, August Jaeger, Charles Parry, Sir Walter Parratt, Sir Charles Stanford), 1891-1937; engagement diaries, 1890-1941; notebooks, c1917-1931; music note and sketch books, c1891-1927; manuscript music of arrangements compiled as a student at the Royal College of Music, 1890s; lists of published musical works; copyright and royalty correspondence, 1895-1954; correspondence relating to publications and proposed publications, including 'New Fellowship Song Book', 'Music and Worship', First steps in music and A four years' course in music, 1930-1934; manuscript music for a proposed song book for schools, 1938-1939; typescripts, correspondence relating to 'The Psalter newly printed', 1933, the BBC hymn book, 1938-1939, and the Army hymn book, 1940; letters and papers relating to the School of Church Music and the College of St Nicolas, 1933-1936; manuscript notes and printed programmes of lectures by Davies, 1909-1938, including Royal Institution lectures 'Music in relation to other arts' (1910) and 'To untrained listeners' (1915), and Gresham music lectures, 1924-1938; typescripts of Davies' BBC radio broadcasts to schools on music with printed scholars' manuals, 1924-1938; typescripts of Davies' BBC radio broadcasts `Music and the ordinary listener', 1926-1939; associated correspondence and printed material relating to BBC radio broadcasts, 1924-1941; typescripts and notes for 'Keyboard talks', 1933-1935; manuscript music, notes and typescripts of Davies BBC radio broadcasts 'Melodies of Christendom' and Empire Day talks, 1934-1939; private correspondence relating to his work for radio, 1933-1937; letters from BBC listeners, 1936-1937; letters to Lady Davies on Davies death, 1941; biographical material on Davies compiled for Walford Davies: a Biography by H C Colles (London, 1942), including published material on Davies, 1919-1943; papers relating to commemoration of centenary of Davies' birth, 1969.

      Sans titre
      Palmer family
      GB 1249 MS 1140 · 1919-1939

      Personal notebook of member of the Palmer family, listing details (artists, conductors and composers) of musical works performed under the auspices of the Royal College of Music Patron's Fund, 1919-1939.

      Sans titre
      BEETHOVEN, Ludwig Van (1770-1827)
      GB 1249 MS 4221, 4222, 4223, 4243, 4249 · 1800-1823 (predominant 1815-1817)

      Letters (16) from Ludwig Van Beethoven to Kajetan Giannatasio del Rio, in regard to the education and maintenance of Beethoven's nephew Karl at the school run by Giannatasio del Rio, 1816-1817 (Ref: MS 4221). 'Hochzeitlied für Anna' (known as woo 105 'Auf Freunde, singt dem Gott der Ehen') a piece for four male voices in the manuscript of Beethoven, written for the wedding of Anna Giannatasio del Rio to Leopold Schemerling, 6 Feb 1819 (Ref: MS 4222). Two letters to Beethoven, comprising draft letter from Fanny Giannatasio del Rio, 9 Aug 1817 and letter from Friedrich Matthisson (facsmile only), 4 Aug 1800 (Ref: MS 4223). Letter from Beethoven to his brother Johann Von Beethoven, requesting the return of a book, 13 Jul 1825 (MS 4243). Letters from Beethoven to Sigmund Anton Steiner, Dec 1815, requesting the score of the opera Fidelio to produce a version for a quartet, and to Antonio Diabelli, Apr 1823, regarding the copying of Beethoven's 33 pianoforte variations on waltz by Diabelli for publication (Ref MS 4249).

      Sans titre
      GB 1249 MS 4253 · early19th century-c1918 (predominantly 1880s-1890s)

      Autograph book of Sir Charles Villiers Stanford, early 19th century-c1918 (predominantly 1880s-1890s), mostly comprising short letters addressed to Stanford on musical or personal matters, with a few poems and fragments of manuscript music. The collection also includes a few autographs only, and some fragments not contemporary with Stanford. Correspondents include: Emma Albani; Albert Edward, Prince of Wales; Matthew Arnold; Arthur Balfour; W Sterndale Bennett; Edward W Benson, Archbishop of Canterbury; Arrigo Boito; Hans von Bronsart; J Brahms; Robert Bridges; John Bright MP; Robert Browning; Max Bruch; Alfred Bruneau; John Burns; Joseph Chamberlain; D M Crack; K Crowe; Anton Dvorak; George Eliot; G J Elwey; Franco Faccio; Robert Franz; Alexander Glazunov; John Glover; Arabella Goddard; Jenny Lind-Goldschmidt; Otto Goldschmidt; Edward Grieg; Madge Kendel Grimstone; Eugen Gura; H Rider Haggard; Charles Hallé; Ferdinand Heller; F Halévy; J L Hatton; Henry Irving; Jean Ingelow; Joseph Joachim; Friedrich Kiel; Charles Kingsley; Rudyard Kipling; Marie Krebs; Lord Leighton; Franz Liszt; Henry Longfellow; Felix Mendelssohn Bartholdy; G Macfarren; A C Mackenzie; Herbert Mackinnon; Norma Mare; Hubert Parry; Adelina Patti; Guido Papini; Alfred Piatti; Maria Piccolomini; Giacomo Puccini; Carl Reinecke; Brinley Richards; Hans Richter; Earl Roberts of Kandahar and Pretoria; Carl Rosa; Christina Rossetti; Dante Gabriel Rossetti; Anton Rubenstein; Camille Saint Saens; Prosper Sainton; Charles Santley; Clara Schumann; Robert Schumann; J Palgrave Simpson; Camillo Sivori; Robert Louis Stevenson; Richard Strauss; Arthur Sullivan; Lawrence Alma-Tadema; D Tagliafino; Sigismond Thalberg; Tom Taylor; John Tenniel; Alfred Tennyson; Ellen Terry; P Tchaikovsky; Giuseppe Verdi; Pauline Viardot; Richard Wagner; Walt Whitman; Charles Marie Widor; August Wilhelmj; W G Wills; H F Wilson; Edmund Yates.

      Sans titre
      POWELL, Dora Mary (1874-1964)
      GB 1249 MS 5571 · 1892-1960 (predominantly 1934-1960)

      Papers of Dora M Powell mainly relating to the music of Sir Edward Elgar, particularly his Variations on an original theme ('Enigma Variations'), Opus 36 and Dora Powell's book Edward Elgar: memories of a variation (Oxford University Press, London, 1937 and subsequent editions, revised 1994), comprising correspondence, 1934-1960, including correspondence of her husband Richard Crofts Powell relating to the Enigma theme, and particularly his article 'Elgar's "Enigma"', Music and Letters 15 (1934), the correspondence also includes letters from those connected personally or musically with Elgar such as Sir Percy Clarke Hull and Arthur Troyte Griffith; printed music (some signed by Elgar), 1892-1907; draft articles, talks and notes by Dora Powell relating to Elgar; programmes for concerts of Elgar's music, 1908-1959; autograph manuscripts of Elgar's 'The Shepherd song' and 'Rondel' (Opus 16); cuttings relating to Elgar, including reviews of Powell's book, 1910-1944; programme of the Elgar memorial concert, 3 Jun 1934; My friends pictured within: subjects of the Enigma Variations as portrayed in contemporary photographs and Elgars MS (Novello and Co, London).

      Sans titre
      COWDEN CLARKE, Charles and Mary
      GB 1249 MS 6860 · c1865-1945

      Material relating to the literary activity of Charles and Mary Cowden-Clarke and other members of the Novello family, comprising: a. Items related to Mrs Cowden Clarke and her relations in the possession of F H Haines, and memoranda. Typescript. b. Thomas James Serle, Bohun of Sheenly: a tale in verse. Galley proofs. c. Thomas James Serle, A Day Dream in 5 Books (privately printed, 1865). d. Photograph of Thomas James Serle (1979 copy), with accompanying letter from Geoffrey Larken. e. William Shakespeare, Touchstone's part from As you like it. Charles Cowden-Clarke's manuscript copy, with the addition made to his first lecture on Molière and an addition to his third lecture on Molière. f. Frederick Haselfoot Haines: List of material made available to Professor Richard Altick. g. Richard Altick: 5 typescript letters to F H Haines (with some replies) about the loan of Clarke family material, 1943-1945. h. Joseph Alfred Novello, O for the Songs of the Past: a greeting to the Musical Societies of Great Britain (privately printed, 1873). i. Novello, Ewer & Co., Catalogue of Shakespeare Music, 1893. j. Mary Cowden-Clarke, letter to the Illustrated London News on John Keats, 15 Feb 1896. k. Il Secolo XIX. Issues of 9-10 Feb 1893, 12-13 Feb 1893 (including reviews of the first two performances of Verdi's Falstaff).

      Sans titre
      COLERIDGE-TAYLOR, Samuel (1875-1912)
      GB 1249 MS 6916, MS 6924 · c1897-1903

      Letters (16) from Samuel Coleridge-Taylor to Edith Carr, (one dated 1897, remainder undated) mainly relating to his musical activities, publication of his recent works, repertoire for violin and orchestral parts for Carr's performance, the Handel Society; photocopy of photograph of Coleridge-Taylor, with dedication to Carr, 1902; printed letter (signed by Coleridge-Taylor) to a Mrs Prince inviting subscriptions for the Coleridge-Taylor Orchestral Concerts, Croydon, 1903-1904, with receipt for same, and photocopy of handbill for Central Croydon Choral Society concert featuring Coleridge-Taylor's cantata Meg Blane, 28 Mar 1903.

      Sans titre
      MOORE, Stephen S (c 1900-1982)
      GB 1249 MS 6919 · 1926-1972

      Papers of Stephen Moore, 1926-1961, including correspondence on the establishment of the Worcestershire Association of Music Societies, including letters from prospective patrons Sir Hugh Allen, Carice Elgar Blake, Sir Edward Elgar, Sir W H Hadow, Sir Hamilton Harty; correspondence regarding Moore's donation of percussion instruments to the Royal College of Music, 1948; newspaper cuttings and order of service for the unveiling and dedication of the memorial to Elgar in Westminster Abbey, 1 Jun 1972.

      Sans titre
      COULTHARD, William M
      GB 1249 MS 6923 · 1896-1959

      Correspondence mainly relating to organ construction and playing, 1896-1949, comprising 7 letters from Sir Walter Alcock, George Cunningham, Basil Harwood, John Ireland and William Murray,all to George Dixon; letter from Henry Willis to F J Livesey; letter from Percy Whitlock to Cecil Clutton.

      Sans titre
      Society of Women Musicians
      GB 1249 Society of Women Musicians · 1892-1974

      Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

      Sans titre
      GB 1556 WL 1506 · Collection · 1936

      Papers of Reichsverband der Juedischen Kulturbuende in Deutschland, 1936, comprise a concert flyer advertising a performance in Berlin put on by the Reichsverband der Juedischen Kulturbuende in Deutschland.

      Sans titre
      Hunter-Baillie Collection
      GB 0114 MS0014 · 1704-1923

      The collection represents the contacts through two centuries of a group of men and women of high distinction ramifying through the medical, legal and literary worlds. It forms a not unimportant fund of minor historical material, comprising more than a thousand letters from nearly five hundred writers.

      The autograph letters are mounted in 10 large volumes: -

      1. Letterbook of John Arbuthnot (1667-1735). The most interesting letters are those of Pope and Swift and their circle written in 1714 when the Queen's death involved the destruction of their political hopes. Letterbook of William Hunter (1719-1783). It includes letters from Tobias Smollett the novelist, from Dr. Johnson thanking Hunter for presenting his book to the King, and from Edward Gibbon 'proposing himself the pleasure of attending some of Dr. Hunter's Anatomical lectures.'

      2. Hunter and Baillie family letters and reminiscences, including the letters written by John to William Hunter from active service in 1761-62; poems by Sophia Baillie, Jenner family letters.

        1. Letters to Matthew Baillie from the Royal Princesses. Letters of the Bentham family, including three from Jeremy Bentham. Autograph letter collection includes letters from Thomas Carlyle and Charles Dickens. 1735 - 1845
      3. Denman family collection; autographs collections of Lady Bell and Dr. William Whewell; letters of John Baron, Edward Jenner's biographer; fragment of unpublished music by Mozart; letters from Joanna Baillie's friends including c.1782-1877

      4. Letters to Joanna Baillie includes letters from Sir Walter Scott and Maria Edgeworth. Various dates

      5. William Hunter's diplomas, and letters to him, Hunter family documents, and notes on family history compiled by Joanna and Matthew Baillie. Locks of hair and christening caps worn by Hunter family. Various dates

      6. Matthew Baillie's letters to William Hunter includes material relating to treatment of George III and to his wife Sophia (Denman) and his diplomas. C. 1783-1823

      7. Matthew Baillie's professional correspondence including notes on illness of George III and on labour of Princess Charlotte. Letter to Helen Hunter Baillie from George Peachy re Matthew Baillie's notebooks (1923). 1783-1923

      8. Joanna Baillie's letters and papers relating to her plays, sale of her works, mss. of two stories and a comedy, letters from Mrs Sigourney, Henry Siddons, Anne Hunter, Mary Somerville; Agnes Baillie's reminiscences, prescriptions by Matthew Baillie

      9. Princess Mary's letters to Baillie concerning the illness of Princess Amelia, Anne Hunter's autograph poems, libretto of Haydn's Creation; account of death of Princess Charlotte.

        The Hunter Baillie collection comprises also a number of manuscript books, the oldest of which is a commonplace book of the early eighteenth century, giving details of family history of the Hunters. Matthew Baillie's notebooks include: -

      Journal of a tour in Europe in 1788 and A short memoir of my life, 1818. 'Some brief observations from my own experience upon a considerable number of diseases', in two volumes. n.d. With these are his casebooks, fee-books and other professional notes, including details of his attendance on King George III. Baillie records that his total annual fees mounted from £121 in 1792 to £9,995 in 1815.

      Sans titre
      Literature on the Escalade of Geneva
      GB 0096 MS 635 · [1764-1765]

      Manuscript volume containing a verse play, a prose history, and several songs concerning the Escalade of Geneva undertaken by Duke Charles Emmanuel of Savoy on the 12 Dec 1602.
      The play is entitled 'L'Escalade de Genève, Tragi Comèdie Representée pour la prémière fois' 12 Dec 1603. The history is called 'Histoire De la Miraculeuse Délivrance envoyée de Dieu à la Ville de Genève' 12 Dec 1602. The songs, or 'Chansons de L'Escalade', are in French (Savoyard dialect - 4 songs) and English (1 song entitled 'On the Twelfth of December with wicked intent'. The airs of the songs are often given, e.g. 'Sur l'air de la Vendange'. The index to the first lines of the songs is dated 22 Oct 1765.
      The front cover of the leather binding is stamped in gold 'Gedeon Macaire Fils MDCCLXIV'.

      Sans titre
      Union of Graduates in Music
      GB 0096 MS 841 · 1893-1972

      Records of the Union of Graduates in Music, 1893-1972, including: minute books; copies of the annual report; correspondence relating to Edward Elgar's presidency of the Union, the honorary membership of Princess Elizabeth and various institutions; miscellaneous papers, including a printed copy of the Constitution of the Union and a printed history of the Union written in 1972.

      Sans titre
      Medieval choirbook
      GB 0096 MS 910 · 14th century

      Leaf from a choirbook dating from the 14th century.

      Sans titre
      GB 0114 MS0238 · Late 18th century-late 19th century

      Papers relating to the Clift and Owen families, late 18th century-late 19th century, comprising a file of correspondence and papers between the Clift and Owen families. Including material relating to the parish placements of Sir Richard Owen's grandson, Richard Startin Owen, at St Giles Church, and the Parish of Mortlake; a manuscript copy of the inscription from Sir Richard Owen's great grandmother, Elizabeth Froysell's tomb; William Owen's certificate of admittance to the Royal Arch Masons, 1869; a manuscript settlement made between Sir Richard Owen's great grandparents, Richard Eskrigge and Elizabeth Froysell on their marriage, 1725; a letter from John Hunter to Brigadier Lambart, Commander in Chief of his Majesty's Forces at Belle Isle, and Brigadier Lambart's reply, 1762; correspondence between Sir Richard Owen and his family; 2 pencil drawings by Mrs Clift; correspondence between William Clift and his family; correspondence of Sir Richard Owen from the Jessie Dobson estate; other letters to Sir Richard Owen; a diary belonging to William Clift recording activities in the museum, [1806-1816]; a letter from Antonio Scarpa, 1823 [including a transcription and translation]; sheet music for a song with lyrics by Eugenius Roche Esq and music by Gme Tronsson du Coudray, dedicated to Miss Caroline Amelia Clift; letter from Joshua Brookes to Nathan Pointer [1831]; 4 attendance cards for John W MacNee for lectures given by James Armour on Midwifery (1828), John Burns on Surgery (1827), the structure and diseases of the eye by William MacKenzie (1828), and lectures on anatomy by Robert Hunter (1826-1827); invitation card from E M van Butchell to view the embalmed remains of his wife, and a transcribed letter by William Clift from E M van Butchell regarding the display of his wife's remains, 1815; and various other Clift and Owen manuscripts.

      Sans titre
      Donizetti, Gaetano
      GB 0096 SLV 84 · c1825-1845

      A manuscript fair copy of the opera Gabriella Di Vergy, c 1825-1845, with passages written in the hand of the composer, Gaetano Donizetti.

      Sans titre
      GB 0100 KCLCA K/PP93 · 1960-1992

      The records of Musica Reservata comprise original notes, company minutes, correspondence, lyrics and programmes, 1960-1992, notably including manuscript and typescript notes and proofs compiled by Michael Morrow describing the development of Renaissance music for talks, lectures and his published works, [1960-1985]; minutes of the company Council, 1972-1978; company reports, 1972-1974; rehearsal notes, itineraries and tour plans, 1972-1974; correspondence with Michael Morrow and others, mainly concerning the organisation of concerts including fees, 1960-1981; assorted manuscript and typescript lyrics of early modern music, [1960-1980]; programmes and leaflets advertising Musica Reservata performances, 1960-1989; press cuttings on early music, including reviews, 1971-1989.

      Sans titre
      Clubs and Societies of Bedford College
      GB 0505 BC AS210-215 · 1894-1974

      Papers relating to the Athletics Union, comprising correspondence concerning the purchase and equipping of College sports grounds, 1919-1934, and an accounts book, 1937-1944; correspondence of the Sports Club, 1912 and 1942; minutes of the Architectural Society, 1894-1919; programmes and posters relating to the Bedford Light Opera Group, [1960-1970]; copies of Bots Up, the magazine of the Botany Department, 1972-1974; copy of Bio-Log, the magazine of the Biological Society (and successor to Bots Up), 1977; copies of Ho, the magazine of the Psychology Department, 1972-1974; minutes and member lists of the Geological Society, 1910-1944.

      Sans titre
      GB 0505 PP25 · 1880-1977

      Papers, 1887-1977, relating to Blackwell's time as Head of Botany at Royal Holloway College, University of London, notably correspondence with her parents, 1922-1945, discussing life at Royal Holloway College; letters of congratulation on her appointment as Head of Botany at Royal Holloway College, 1922; correspondence and notes, 1928-1949, relating to gifts to Royal Holloway College; personal correspondence, 1941-1970, notably with Ellen Charlotte Higgins, former Principal of Royal Holloway College, (Elsie) Marjorie Williamson, Principal of Royal Holloway College, and John Cameron; papers, 1887-1969, relating to the Royal Holloway College Botany Department, including Botany Lunches, 1949-1977, Botany School Record Books, 1887-1969, and correspondence relating to field trips, 1930-1944; Blackwell's copies of the Royal Holloway College Boat Club Rules, 1914-1918, and the Royal Holloway Rules and Regulations, 1925; notes, memoranda, correspondence, minutes and reports of the University of London Botanical Supply Unit, 1944-1952; invitations and Christmas cards, 1922-1963; autograph books, 1922-1950, including one presented to Blackwell by her old students and staff at a luncheon at the Forum Club, [London], 1950. Records, 1897-1971, relating to the history of Royal Holloway College and the Botany Department, including press cuttings, photographs, memoirs, correspondence and draft articles, notably and article by Blackwell entitled '75 years of Royal Holloway College Botany Department', copies of College songs, and obituaries of old colleagues and students. Publications, 1902-1949, mainly comprising histories of the Botanical Departments of Liverpool and Manchester Universities. Photographs, 1880-1970, including the Botany Department staff and students, 1898-1962; Botany Department field trips, 1898-1948; Royal Holloway College staff, buildings and grounds, 1908-1952; Botany laboratories and gardens, 1912-1949; social and botanical activities at Royal Holloway College, 1927-1955.

      Sans titre
      Max Lock Archive
      GB 1753 MLA · Fonds · 1936-1988

      Papers of Max Lock, 1936-1988, produced and collected by Max Lock and the Max Lock Group, relate to Lock's career as a planner and architect and to wider issues in planning, particularly after World War Two, and comprise working papers (including survey papers) and finished material.

      They include correspondence; notes and card indexes; photographs (some aerial), slides, drawings, maps and plans; Bills, Acts, white papers and other official publications; books, articles, reports and other publications (some annotated); typescripts; press cuttings; and conference papers. The bulk of the material dates from the 1940s to the early 1970s. Material relating to Lock's career and projects within the UK includes papers on his time as a Watford councillor and his architectural practice in the 1930s, including a timber house he designed at Stanmore, Middlesex; Hull, 1939-1957, including conflicts between Lock and his superiors; Scalby, 1940-1941; Middlesborough, 1943-1970; Hartlepool, 1946-1970; Portsmouth, 1948-1973; Salisbury, 1949-1969; Sutton Coldfield, 1950-1967; Bedford, 1950-1971; Sevenoaks, 1954-1965; Aberdare, 1957-1959; Stratford (West Ham), 1957-1962; Hackney and Shoreditch, 1960-1971; Woodley, 1962-1969; Oldham, 1962-1971; Covent Garden, 1963-1971; Battle, 1964; Brentford and Chiswick, 1964-1970; Torbay, 1968-1969; Dunstable, 1968-1972; Greater London Development Plan Inquiry, 1969-1971, and other material on GLC planning and transport; Beverley, 1969-1972. Material on projects and visits overseas includes papers on Scandinavia, 1937-1939, 1946-1949; India, Pakistan and Ceylon, 1946-1955; the Netherlands, including the Town Planning Institute Tour (1946), 1946-1957; the Americas, including Brazil, the West Indies and the USA, 1952-1969; Italy, 1952-1970; the Middle East, including Iraq and Jordan, 1954-1958; Australia, 1959-1960; Aden, 1960-1961; Kuwait, 1961; Nigeria, including Kaduna and Maiduguri, 1962-1975.

      The collection includes a large volume of accumulated material, 1944-1987, largely printed material by other authors, including other planners, planning bodies and architects, some from architectural and planning journals and from the national and regional press, on planning and related issues both in the UK and overseas, such as planning law and procedures; central and local government and administration; public inquiries; housing; historic buildings; urban development; industry and retail; transport infrastructure, including roads and ports; traffic, noise, and the environment; social and economic issues including employment, labour, and social class; population levels and density; public amenities and utilities; land use and open space; and statistical data. Some papers relate to the affairs, including legal and financial matters, of the Max Lock Group; the architectural work of Max Lock and Partners; premises in Victoria Square, London; and the Max Lock Group Nigeria. Papers of or concerning Lock himself include his notebooks and other papers reflecting the development of his ideas; papers relating to publications and broadcasts; papers relating to professional bodies, including the TPI, RIBA, TCPA and UDAG; personal correspondence; photographs of him and his friends; papers on music and architecture, including lecture notes; articles about Lock, and his obituary in the Independent, 3 May 1988.

      Sans titre
      Lindsay Cooper Archive
      GB 3184 LCA · Fonds · c 1840s-2000s

      The collection contains Lindsay Cooper’s personal papers, works and associated materials. This includes autobiographical writing, including diaries (1950s - 1994) which detail her daily life, living with multiple sclerosis and her relationships with women. Alongside this are material relating to her early life and family history. It also includes musical scores, notebooks, photographs, correspondence, ephemera directly and indirectly related to her music career and life within the jazz and progressive rock scene. The collection also contains a diverse variety of audio visual material, both commercial studio and live recordings, both written by Cooper or featuring her, which have been digitised.

      GUILDHALL SCHOOL OF MUSIC AND DRAMA
      CLA/056 · Collection · 1880-1986

      Records of The Guildhall School of Music and Drama, 1880-1986, including financial accounts; prospectuses; concert programmes, including concerts given by the Guildhall Orchestral Society; scrapbooks including newspaper cuttings and photographs concerning the school's activities, recitals, prize-givings, new staff, successes of pupils past and present and so on; and publications relating to the history of the school.

      Sans titre
      Cole, Maurice (1905-1984)
      CLA/059 · Collection · 1905-1984

      Correspondence, 1905-1984, of Maurice Cole, pianist and former student of the Guildhall School of Music and Drama, relating to musical matters, particularly concert performances.

      Sans titre
      COL/CC/BRC · Sous-fonds · 1978-2006
      Fait partie de CORPORATION OF LONDON

      Records of the Barbican Centre Committee, Court of Common Council, comprising minutes, 1978-2006.

      The Committee's minute books from 1978 contain policy and executive decisions necessary for the administration of the Barbican Centre, whilst the files of the same dates contain the reports and correspondence material to those decisions. Because of the special nature of the Barbican Centre as an arts venue, outwith the more usual experience of Local Authories, it was always seen as different to other Corporation Committees, comprising Members with particular commercial experience and of high calibre, and with higher expenditure and a slightly different ethos. The Committee supervised the residency at the Barbican Centre of the Royal Shakespeare Company (1982-2002) and the London Symphony Orchestra, although both bodies had been involved in the planning stages of the construction of the Barbican Centre since the 1960s with the Barbican Development Committee (COL/CC/BRD) and the Barbican Arts Centre Joint Working Party (COL/CC/BRA).

      From 1978 to 1984, the Committee's Executive Sub Committee tended increasingly to take all the executive decisions respecting the Centre, and the Grand Committee met only to ratify its decisions, which led to reform of the Committee of 1985.

      In common with all Corporation of London Committees, the minute books contain records only of decisions taken, and not details of arguments or debates which led to those decisions.

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      GB 0074 A/LBR · Collection · 1827-1987

      Records of the London County Association of Church Bell Ringers, including general committee minutes, Northern District Committee minutes and Southern District Committee minutes; Southern District financial accounts; peal books; steepleage books; annual reports; dinner menus and programmes; photograph and article about the history of the Association.

      Sans titre
      GB 0074 ACC/0803 · Collection · 1915-1916

      Records of the Alexandra Palace Concert Society of German Internees, including concert programmes, retrospect of the Concert Society including names of musicians, lists and analysis of works performed, and watercolour portrait by a prisoner.

      Sans titre
      Wandsworth Symphony Orchestra
      GB 0347 D145 · Collection · 1973-2008

      Programmes and ephemera for the Wandsworth Symphony Orchestra which belonged to cellist Mollie Simmonds. Also includes some miscellaneous material for the West Hill Orchestra and the Putney Orchestra.

      Sans titre
      METHODIST CHURCH
      N/M/044 · Collection · 1959-1979

      Circuit preaching plans for the following Circuits and Missions, 1959-1979: Blackheath and Lee Circuit; Blackheath and Lewisham Circuit; Broomwood and Clapham Circuit; Hackney Mission Circuit; Hammersmith Circuit; Hinde Street Circuit and Chaplaincy to the University of London Methodist Society; Leysian Mission Circuit; London Mission (North and Central) Circuit; London Mission (North and Central) Circuit; North-West London Mission; Notting Hill Methodist Church and Group Ministry; Shooters Hill Circuit; Tooting Mission; Wesley's Chapel City Road Circuit; West London Circuit; The Whitechapel Mission.

      Sans titre
      GB 0074 DRO/081 · Collection · 1898-1984

      Records of the parish of Saint Philip the Apostle, Tottenham, including registers of baptisms, marriages, confirmations, banns of marriage and church services; papers relating to parish property; papers regarding the church organ; financial accounts; minute books; reports and general correspondence.

      Sans titre
      Signals Collection
      GB 0064 SIG · Collection · [1673]-1885

      Signals Collection comprising two East India Company signal books. The first is a printed signal book of 1783 entitle 'A Collection of Signals for the use of the ships in the Service of the United East India Company'; a sheet of coloured flags has been loosely inserted, but the book was not issued. There is also a manuscript volume of signals issued by Captain Alexander Montgomerie to the fleet under his command, St Helena to England, 1794.

      153 volumes of sailing and fighting instructions include the majority of those listed in Sir Julian Corbett, Signals and instructions (Navy Records Society, 1908). In addition, there are many examples of those issued to smaller squadrons rather than fleets. The earliest is a printed copy of 1673 issued to James Duke of York (1633-1701). There is a copy of 1691 by Admiral Russel (1653-1727), issued in 1702. Subsequent sets show the development which took place up to the Seven Years War. From 1756 onwards additional and supplementary instructions became more numerous. The collection also contains several versions of instructions for ships in convoy, 1708 to 1815. In addition to these single items, there are sets in the personal collections. The most extensive, of thirty-four volumes, is that of Admiral Duncan (q.v.), 1760 to 1799, including signals and instructions issued during the American War, convoy instructions for 1782 and a number of sets from the 1790s. Other sets of significance include those of Vice-Admiral Duff, 1748 to 1762, including convoy instructions, 1756 and 1758, and printed instructions for disembarking and re-embarking troops, which were issued by Admiral Rodney (1719-1792) for the landings at marinique, 1762; of Rear-Admiral Clements, 1758 to 1770; and of Captain Lord Longford, 1779 to 1780.

      120 printed and manuscript signal books and signal logs. 1711 to 1816. The earliest signal book is a manuscript volume compiled between 1710 and 1711. This contains additional signals made by Sir John Norris (c 1670-1749) in the RANELAGH. The format of this volume is very similar to the printed signal book of 1714 by Jonathan Greenwood. There are some manuscript examples produced privately by individual officers usually with a thumb index for quick reference, dating from the mid-eighteenth century. There are also printed signal books for 1790, 1793, 1795, 1798 and The General Signal Book of 1799, 1808 and 1816. During the 1790s the printing of signal books became general practice. There are various examples (which include day and fog signals), night signals, instructions and additional instructions, which were usually issued in sets. For example, the collection has a set issued in 1793 by Admiral Lord Hood to the Mediterranean fleet. There is a similar set issued by Sir John Jervis in 1794 while in the West Indies. Most of the printed books which were issued have additional signals inserted in manuscript. The manuscript signal books are copies kept by officers who were not issued with a printed signal book, and preferred their own copy for easy reference; they are therefore usually pocket size. This practice was forbidden because of the danger of the code falling into enemy hands. However, there are a number of these in the collection and they often contain additional information, such as orders of battle and sailing, keys to both the British and French systems of coastal signals, pendant lists, etc. Many are finely executed and some are illustrated. There is a manuscript signal book used at the battle of the Nile, based on the 1795 edition entitled 'Day and Night Signal Book, Horarry, Fog etc.' by Midshipman (later Commander) Charles Claridge (fl 1798-1823) in the DEFENCE. This has a short diary at the back of the volume describing the battle and an order of battle and an order of battle and sailing. A manuscript copy of Lord Howe's (q.v.) code of 1793 is also included; this contains a list of signals for identifying coasts and headlands, caricatures, a sea song and drawings of naval vessels. The collection contains a group of signal books issued for use in a particular area; they include volumes for Barbados, 1820, Plymouth, 1797 and St Helena, 1817. There are also three signal logs, one of which was kept in the VICTORY, 1804.

      Over half the signal books in this category are French; the other nations represented are Spain, the Kingdom of the Two Sicilies, Sweden and Turkey. There are eighteen volumes, 1754 to 1885, the majority of which are printed with manuscript annotations. Of the French volumes, the earliest is a signal book kept in 1754 by the pilot of LA ROSE, in the squadron of Le Comte de Gallissoniere (1693-1756). The volume has a thumb index of coloured flags and is illustrated with watercolours of fleet manoeuvres. There is also an English translation of the signal book issued by the Comte D'Ache (1700-1775) to his fleet while in the East Indies in the ZODIAQUE, 1757 to 1759; a signal book issued by the Comte D'Orvilliers (1708-1792) in 1779; and a printed signal book of 1787 issued by the Marquis de Nieul, in which the names of the vessels in the squadron have been scratched out, but the twenty flags and ten pendants have been coloured. The Revolutionary War period is represented by three signal books issued for the navy of the Republic in 1799 and 1801. Only one has actually been issued and gives a key to the flags. In addition, there is a handbook for a coastal semaphore between Bayonne and Flushing; published in 1807, the system was invented by an artillery officer named Depillon and built ca.1803. The category also includes two signal books for the Kingdom of the Two Sicilies; one was issued in c 1784 by John (later Sir John) Acton (1736-1811), the other in 1816; a Spanish book of signals and instructions printed in Cadiz in 1765 and issued by the Marques de la Victoria; another Spanish volume for 1781 for the fleet of Don Luis de Cordova; and two Swedish volumes, 1795 and 1796. The Turkish signal book is naval, 1885, and the format is similar to a French or an English volume. There is also a Dutch volume of flags rather than signals which was compiled c 1687; it is described on the title page as 'The Flagbook of Captain Paulus van der Dussen' (1658-1707).

      Seven volumes concerned with naval signalling, telegraphic and merchant shipping codes, 1787 to 1822. The earliest volume is by Captain (later Admiral) Phillip Patton (1739-1815); in 1787 he published 'A system of signals combining the method commonly used in theBritish Navy...with a numerary method'. As far as is known this was never used, since preference was given to the code invented by Lord Howe. Patton employed two methods: one was the old idea of the meaning of the flag being governed by the position of the hoist and the other gave each flag a fixed numerical value. A new arrangement of Howe's day and night signals and instructions was made in 1792 by John McArthur (1755-1840), while secretary to Lord Hood, and printed in 1793. McArthur also published a comprehensive plan in c 1804, entitled 'Thoughts on several plans combining a system of Universal Signals by day and night', of which there is also a copy. There is a lithographed copy, made in 1822, of 'Practical Rules for making Telegraphic Signals with a description of the two-armed telegraph invented in 1804' by Lieutenant-Colonel Pasley (1780-1861); he put forward a system of sending messages by land using a pole with two moveable arms. A similar manuscript of ca.1820 is by Lieutenant (later Commander) Poynter Crane (1782-1879).

      Sans titre
      Royal Navy: Signal Books and Signals
      GB 0064 SIG/B · Sous-fonds · 1711-1816
      Fait partie de Signals Collection

      This class consists of 120 printed and manuscript signal books and signal logs. 1711 to 1816. The earliest signal book is a manuscript volume compiled between 1710 and 1711. This contains additional signals made by Sir John Norris (c 1670-1749) in the RANELAGH. The format of this volume is very similar to the printed signal book of 1714 by Jonathan Greenwood. There are some manuscript examples produced privately by individual officers usually with a thumb index for quick reference, dating from the mid-eighteenth century. There are also printed signal books for 1790, 1793, 1795, 1798 and The General Signal Book of 1799, 1808 and 1816. During the 1790s the printing of signal books became general practice. There are various examples (which include day and fog signals), night signals, instructions and additional instructions, which were usually issued in sets. For example, the collection has a set issued in 1793 by Admiral Lord Hood to the Mediterranean fleet. There is a similar set issued by Sir John Jervis in 1794 while in the West Indies.

      Most of the printed books which were issued have additional signals inserted in manuscript. The manuscript signal books are copies kept by officers who were not issued with a printed signal book, and preferred their own copy for easy reference; they are therefore usually pocket size. This practice was forbidden because of the danger of the code falling into enemy hands. However, there are a number of these in the collection and they often contain additional information, such as orders of battle and sailing, keys to both the British and French systems of coastal signals, pendant lists, etc. Many are finely executed and some are illustrated. There is a manuscript signal book used at the battle of the Nile, based on the 1795 edition entitled 'Day and Night Signal Book, Horarry, Fog etc.' by Midshipman (later Commander) Charles Claridge (fl 1798-1823) in the DEFENCE. This has a short diary at the back of the volume describing the battle and an order of battle and an order of battle and sailing. A manuscript copy of Lord Howe's code of 1793 is also included; this contains a list of signals for identifying coasts and headlands, caricatures, a sea song and drawings of naval vessels. The collection contains a group of signal books issued for use in a particular area; they include volumes for Barbados, 1820, Plymouth, 1797 and St Helena, 1817. There are also three signal logs, one of which was kept in the VICTORY, 1804.

      Sans titre
      ROYAL CHORAL SOCIETY
      GB 0074 LMA/4058 · Collection · 1867-2000

      Records of the Royal Choral Society including Committee minutes; correspondence; licenses and contracts; sponsorship arrangements; financial accounts; papers relating to legal cases; papers relating to concerts; papers relating to performances of 'Hiawatha'; papers of the Friends of the Society; photographs; sheet music; brochures, flyers, newspaper cuttings, posters, bulletins and newsletters; recordings of performances including records, reel to reel tapes, cassette tapes and videos; concert programmes; and branded merchandise.

      Sans titre
      UXBRIDGE CHORAL SOCIETY
      GB 0074 LMA/4422 · Collection · 1925-1992

      Records of the Uxbridge Choral Society. The collection consists of minutes, general and concert administration, finance, printed material including programmes and posters and some photographs of rehearsals.

      Sans titre
      GB 0074 LMA/4573 · Collection · 2005-2015

      Records of Keith Waithe, musician, comprising published recordings from Essequibo Music and The Macusi Players with business card and promotional card.

      Sans titre
      GB 0074 P93/CTC2 · Collection · 1842-1947

      Records of the parish of Christ Church, Watney Street, Shadwell, including registers of baptisms and marriages; papers relating to parish boundaries and the benefice; and papers regarding the refurbishment of the organ.

      Sans titre
      ROYAL CHORAL SOCIETY
      GB 0074 ACC/2370 · Collection · 1871-1985

      Records of the Royal Choral Society. The archive is divided into seven sections: administrative records, including a series of individual concert files; financial records; membership records, which include attendance registers and audition files; concert records and programmes; publicity records including posters and newspaper cuttings; files of printed musical scores, arranged by piece, and including programmes for concerts featuring the work; miscellaneous records, which comprise information and programmes relating to other choirs, magazines of the society, or which include articles on the society or choral singing in general, and photographs of choir members, soloists and conductors.

      Highlights of the collection include a comprehensive, although not complete, series of concert programmes from 1873-1985, including the programme for the last concert to be held in the Queen's Hall before its destruction during World War II. There are also manuscript copies of "Eryri" by Alun Hoddinott. This piece was composed for the investiture of the Prince of Wales in 1969 and the collection has a copy both of the original score, for 16 soloists, chorus and orchestra, and the revised version for baritone solo, chorus and orchestra.

      Sans titre
      SOCIETY OF ROYAL CUMBERLAND YOUTHS
      GB 0074 CLC/016 · Collection · 1747-1999

      Records of the Society of Royal Cumberland Youths, bell-ringing society, comprising: name books, 1747-1999 (Ms 21658, 33995); peal books, 1748-1989 (Ms 21659, 34393); minutes, 1887-1989 (Ms 33996), rules, 1931 (Ms 33997); and notebook of ringing methods, [1924-35?] (Ms 33998). They were catalogued by members of Guildhall Library staff between 1986 and 2006.

      Some of the records were microfilmed in 1985 and Mss 21658-9 are positive copy microfilms deposited in the Library on indefinite loan by the Society which has retained the master negatives. The originals of Ms 21658 and Ms 21569/1 were deposited on 21 July 2003 (USE OF MICROFILM COMPULSORY), but the Society retains the original manuscript of Ms 21659/2. Permission to take reproductions from the films or to publish extracts from the records should be sought from the Society (enquire at the information desk for contact details).

      Sans titre
      GB 2108 KUAS82 · [1920-1999]

      The David Heneker Archive contains the working papers of musical theatre composer David Heneker, who wrote or contributed to several well known musicals incluing 'Half a Sixpence' and 'Charlie Girl'. The Archive contains materials relating to each of the shows David Heneker worked on including drafts of songs and scripts, musicals scores, correspondence and publicity. There is also material relating to his work as a songwriter in the 1930s and 1940s (including the Second World War), and his work for films and advertising. There are also materials relating to shows and films that David Heneker worked on that never reached the final production stage.

      Sans titre
      PROKOFIEV, Lina (1897-1989)
      GB 2217 LP · [1920-1987]

      Papers of Lina Prokofiev, [1920-1987], including personal material such as copies of letters written by Serge Prokofiev; copies of correspondence between Lina's family and Prokofiev, [1931-1938]; copies of financial material, 1929-1935; correspondence and official papers relating to Lina's attempts to leave the Soviet Union and later to remain in Europe, [1973-1978]; personal correspondence of Lina, 1974-1989, with correspondents including her children and grandchildren, authors writing books on Prokofiev and Lina, and musical societies and orchestras requesting permission to perform Prokofiev's works; business correspondence, [1977-1985], regarding the setting up of the Serge Prokofiev Foundation and the collection of archival material, as well as legal matters relating to the Prokofiev estate and Lina's autobiography; papers relating to Lina's visit to the USA in 1976-1977, including schedules, correspondence, press cuttings and programmes; material relating to Lina's performance as the narrator in Peter and the Wolf at the Lincoln Centre for the Performing Arts, 1984-1985; family photographs. The collection also includes transcripts from taped interviews with Lina covering topics such as her family background, the early life and musical training of Serge Prokofiev, Prokofiev's composing methods, health, politics and relationship with his children, the public reception of Prokofiev's music, Lina and Prokofiev's courtship and marriage, and life in Soviet Russia; texts of articles and broadcasts by Lina, [1982-1984], on topics including Prokofiev's relationship with Stravinsky, and the writing of Romeo and Juliet and the Third Piano Concerto; articles by various authors relating to Prokofiev, [1976-1977, 1980-1982]; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1975-1987]; copies of the Moscow News, 1934-1935; and pamphlets, published works and cassettes concerning Christian Science.

      Sans titre
      PROKOFIEV, Serge (1891-1953)
      GB 2217 SP · [1915]-1936

      Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.

      Sans titre
      ANDREWS, Herbert Kennedy (1904-1965)
      GB 1249 Andrews · 1950-1965

      Papers of Herbert Kennedy (H K) Andrews, 1950-1965, comprising typescript and proofs of his The Technique of Byrd's Vocal Polyphony (Oxford University Press, London, 1966); papers, 1957, relating to 'Fourteenth-Century Polyphony in a Fountains Abbey MS Book', Music and Letters, 39 (1958) by Andrews and Robert Thurston Dart, with offprints of article, correspondence between Andrews, Dart and Eric Blom, editor of Music and Letters, and including photographs of Fountains Abbey Ms 23; typescript notes and correspondence, 1963-1965, regarding the music publications of William Byrd and library sources of the same, with offprints and notes relating to Andrews' article, 'Printed Sources of William Byrd's ''Psalmes, Sonets and Songs''', Music and Letters, 44 (1963), and including a photocopy of the superius part book of Cantiones sacrae by Thomas Tallis and William Byrd (1575); notes and correspondence with Dart, 1960, regarding A ballet on the death of the cardynall', manuscript in Ripon Cathedral Library, with transcriptions and photographs of the manuscript; typescript of his articleCounterpoint, harmony and tonality' for the Oxford Junior Encyclopaedia, with related correspondence on the withdrawal by Andrews on its publication, 1953; typescript of his The formation, fulfilment and decline of the classical language of music', Cramb lectures, University of Glasgow, 1954; manuscript of hisThe interpretation of 16th century polyphony', Crees lectures, 1963; manuscript and typescript of `The editing and perfomrance of English vocal polyphony of the late 16th century and early 17th century, first chapter only of an unpublished book.

      Sans titre
      GB 1249 Bechstein Hall · 1880-1951

      Records of Bechstein of Berlin and London, piano-makers, 1880-1946, and of the Bechstein Hall and Wigmore Hall, 1901-1951, comprising sales books of Bechstein, giving names of purchaser and details of instruments purchased, 1880-1927; wages book of Bechstein staff, 1890-1912 and stock book, 1946; sales ledger, 1916-1921; instrument hire account book, 1912-1917. Bechstein Hall, day book, 1901-1916 (also includes day book of Arts Council of Great Britain, 1916-1951); hire day book, 1911-1916; cash book, 1912-1916 (and Wigmore Hall, 1934-1916). Wigmore Hall cash book, 1917-1924; daybook, 1930-1946; ledger, 1938-1946.

      Sans titre