Papers of Sir Charles Hubert Hastings Parry, comprising:
Manuscripts of Parry's lectures on various musical subjects at the Royal College of Music, the Royal Institution, Oxford, Birmingham and Leeds, c1891-c1915 (MS 4305-4338, 4811-4812).
15 letters from Parry to Charles Stuart-Wortley, 1876-1907, the earlier letters relating mainly to social matters and containing advice from Parry on points of composition, the later letters relating to the business of the Council of the RCM (Stuart-Wortley was a member of the Council), particularly to appointments of staff and finances (MS 4764).
'History essays', rough examination notes on student's work, undated (MS 6937).
Letter from Parry to [R S] Thatcher, regarding a setting for ['Arthur'], 1910 (MS 6967).
Correspondence with Robert Bridges, 1895, concerning 'Invocation to Music' (MS 7278).
Manuscript draft of Parry's address as Director of the RCM, Jan 1901 (MS 7279).
DMus citations for Elgar and Glazunov [1907] and papers concerning RCM Patron's Fund [1904-1905], (MS 7280).
Correspondence with J F Bridge concerning 'I was glad', 1901-1902 (MS 7281).
Papers and correspondence with Kegan Paul Trench Trubner & Co. concerning Parry's book The art of music, 1896-1911 (MS 7282).
Correspondence with James Murray, editor of the Oxford English Dictionary, 1902, regarding musical information for the dictionary (MS 7283).
4 letters from Hugh P Allen (mostly undated), including letters relating to Parry's election as an honorary member of the Cambridge University Musical Society, and to Parry's election to the Music Board of the RCM (MS 7284).
Correspondence between RCM, Repton School and Novello, publishers, concerning Repton School's use of a hymn tune from Parry's Judith, 1924 (MS 7285).
Miscellaneous drafts, letters and papers, 1898-1931, including various copies of Parry's letters as Director of the RCM, mainly in regard to honours, and correspondence with A P Watt, literary agent, 1916, regarding setting of Rudyard Kipling's poem 'For all we have and are' to music by Parry (MS 7286).
Letters concerning wills, properties and other legal matters, 1907-1924 (MS 7287).
Agreement with Pitman to print The aims and limits of musical education (MS 7288).

The photographs in this collection cover areas of Peri's work between 1920 and 1966. They include images of his early constructivist work, bronze figurines, cement sculptures and pictures of the artist at work. The drawings and sketches are mainly of people in a variety of simple poses, but are all undated. The correspondence refers to possible commissions for the London County Council, 1958 and an exhibition of his work at St. Pancras Public Library, 1963.

Records relating to the Architect of the Planning Department, Corporation of London, 1979-1992, comprising a 1981 article on Sir Horace Jones, City Architect from 1864-1887; brochure and catalogue to accompany exhibition City Changes: Architecture in the City of London 1985-1995, held at the Royal Exchange, 1992 and notes on primary sources for the study of the urban development and architecture of London, 1979.

Plans used by the City Architect, Planning Department, 1752-1979, including plans, diagrams, maps and photographs of City of London and Greater London housing estates, offices, warehouses, wharves, churches, railway stations and tunnels, police stations, public houses, schools and colleges, the Guildhall complex, Mansion House, markets (including the Metropolitan Cattle Market, Spitalfields, Billingsgate, Leadenhall and London Central Market), streets, squares, bridge approach roads, City of London Cemetery, courts, Bunhill Fields Burial Ground, open spaces, parks and gardens, the Monument and sewer systems, 1752-1979.

Also plans of Tower Pier, 1827-1828; Victoria Embankment, 1910, including proposals for a miniature rifle range; plans of the proposed site for Fairlop Airport, Essex, 1938-1950; War Department plans of Burnham Beeches, 1940-1946; anti tank ditches in Epping Forest, 1945; tracings of sites of Temple Bar and Temple Bar Memorial, with tracings of elevations and detail of Memorial, and notes on history, sculptors etc, also includes tracings of Queen Anne's Statue in front of St. Paul's Cathedral, 1960.

Plans, maps and diagrams of streets and properties in the City of London and Greater London, [1500]-1983. Please note that this series is extensive and this list has been chosen to demonstrate the wide range of available material rather than being an exhaustive list. Please consult the detailed listings for further information.

General plans and maps of the City of London including survey of encroachments upon London Wall with encroachments upon the wall surrounding Moorfields, by William Leybourn, 1676; plan of the City, Westminster and Southwark, 1752; coloured map of Greater London, showing the boundaries of the City of London, 1825; diagram showing relative levels and contour lines, 1847; general plan of the City of London by Frank Summer, City Engineer, 1914; plan showing City boundary, 1914; map of London and surrounding districts showing administrative counties; county, municipal and metropolitan boroughs; urban and rural district and civil parish boundaries; and parliamentary constituencies scheduled in Representation of the People Act, 1948. Map showing the parishes of the City prior to the Union of Parishes Acts, 1878-1880; coloured directory map of London, showing ward boundaries and parish boundaries, 1909; plan of the City of London showing the wards of Langbourn, Candlewick, Walbrook, Dowgate, Billingsgate, Bridge Within, Cheap and Farringdon without, accompanied by drawings of churches and the arms of the two aldermen of the wards, 1755; plan showing the division of the City of London into Wards, with the number of common councilmen representing each ward, 1822; map of the Wards of Cheap, Cordwainer, Vintry and Walbrook to accompany the Act of Common Council to alter the boundaries of those wards, 1957; map of the wards of Aldersgate, Cripplegate and Farringdon Within to accompany the Act of Common Council to alter the boundaries of those wards, 1969; map of the Wards of Cheap, Cordwainer, Vintry and Walbrook to accompany Act of Common Council, 1971; outline plan of Greater London, showing the approximate boundaries of London Borough Administrative Areas, 1970.

Maps showing public sewers within the City of London, showing Inspector's Districts, 1841-1853; map of London and its environs showing the boundary of the jurisdiction of the Metropolitan Board of Works, the boundaries of the City of London, and the boundaries of the water companies' districts, 1884; plans and sections of the proposed works by the London Sewage Chemical Manure Company in Westminster, Barmondsey and Lambeth, 1846; plan and sections of the proposed works of the London Drainage Company to drain the Metropolis and preserve the Thames from impurities, 1847-1853; sewers and electricity mains, 1902-1909; London Electric Supply Company high pressure mains, 1909; London County Council unfiltered water mains, 1944; boundaries and area of the Coal Duty with locations of coal posts, [1846] and [1959]; plan showing police divisions of the City of London and also areas of jurisdiction of the Guildhall and Mansion House Justice Rooms, 1914; carriageway traffic in the City of London for one day of 12 hours, 1903; plan showing existing and proposed pedestrian crossings, 1914; plan marked to show the location of accidents involving pedestrians, 1966; maps relating to Stopping up of Public Paths Orders, 1970-1981. Maps showing land in the City owned by different companies including City Livery Companies, Central London Electricity Ltd, with service positions, Cable and Wireless Ltd, the General Post Office and the Port of London Authority, 1947; preliminary survey, preservation of trees, 1950; plan of City showing the location of public conveniences, 1968 and plan of the City of London showing the positions of five hydrants as fixed by the Corporation, and also police and fire brigade stations and five alarm posts, 1880.

Plans relating to general urban development including plan showing numbering of street properties, 1842; plan of the City of London showing slum property presented in the Medical Officer's Report as being in need of rebuilding, 1880, plan of the City of London, showing 21 sites proposed to be dealt with by the Medical Officer of Health under the Artizans and Labourers Dwellings Improvement Act 1875; diagrams showing restrictions on height of buildings and the percentage of a site which may be occupied under the Town Planning Scheme, 1938-1939; survey of the North Lambeth and Southwark redevelopment area, showing borough and wood boundaries; age and condition of buildings; church property; education; licensed premises; industry, commerce and railways; health and social services; and open spaces, 1945; maps relating to Compulsory Purchase Orders, 1950-1982; maps attached to the London County Council Development Plan, 1962.

General plans of the Thames and other waterways including plan of the Maze Ponds, being a portion of the survey of the water courses, streams and ponds belonging to Battle Mills, 1680; surveys of the Thames, 1770-1839; 32 sheets of plans and sections of the River Thames at various points showing tidal observations, navigational and geological points and other observations, 1833 - 1882; plan of sections of the River Thames appointed by the Corporation of London as places for colliers to anchor on their entrance into the port, 1838; 37 sheets of plans and sections showing proposed works for the improvement of the navigation of the River Lee, 1849 - 1850; plan of the River Lea, Middlesex, 1881; diagrams of tidal observations taken from Deptford, Erith Pier, Gravesend Pier, Teddington Lock and Southend Pier every day from 13 September to 30 November 1882; and hydrographic survey of the Thames from Blackfriars Bridge to London Bridge, 1958.

Plans of Corporation of London properties including plan of Guildhall Yard, showing the vicarage and the Comptroller's house, 1681; plan and sections of a design for a muniment room at the Guildhall, 1835; plan of the Town Clerk's House, Guildhall, 1859-1860; 22 black and white photographs and drawings of the Guildhall, collected during restoration work in 1910 for use by Sydney Perks, late City Architect and Surveyor, in his 'Essays on Old London'; plans for the extension for new offices and committee rooms, 1926 - 1927; plan of the Guildhall Crypt as it appeared in the early part of the fifteenth century, 1927; plans for the reconstruction of the Guildhall by Sir Giles Gilbert Scott, 1935-1968. Also proposals for the site of the Mansion House, including at Stocks Market by George Dance the Elder, 1730s and by John James, 1735-1737, and on Leadenhall Street, by John James, 1735-1737 and by James Gibbs, 1735; plans of Mansion House, 1930 and 1953; Bridgehouse offices and yard, 1790-1793; alterations at the Sessions House, 1806; Commissioners of Sewers offices, 1860-1896; Barbican South Block, 1962-1971 and the Museum of London, 1964-1971.

Plans of hospitals, workhouses, schools and prisons including plan of Christ's Hospital premises adjoining London Wall, showing distiller's house and workhouse, Aldersgate Churchyard and parish workhouse, town ditch, hospital churchyard, a brewhouse and the passage to Little Britain, [1750]; plan of part of old Bethlem Burying Ground, 1773; design for a new entrance to Christ's Hospital, 1832; plan of Bethlehem Hospital and King Edward's School, 1894; plan of land on lease to the City of London Mental Hospital, Kent, Dartford, 1909 and plan of land behind the Hospital, 1917; Christ's Hospital offices, Tower Street, 1913; plan of the new Bethlem Hospital, 1926; plan of the Bethlem Royal Hospital estate at Monks Orchard, Beckenham, 1928 and 1937; St Bartholomew's Hospital plans, 1928-1929; plans of the Golden Lane Mortuary, 1911-1950; plan for letting ground for building on the site occupied by the London Workhouse and for erecting a dwelling house and school rooms for children, 1823; plan for letting on building leases the site of the late London Workhouse, Bishopsgate Street, 1830-1831; proposed workhouse for the West London Union, Cornwallis Road, Upper Holloway, [1863]; proposals for site of the City of London School in Islington, 1833, and in Honey Lane Market, 1835; plan and elevations of the City of London Freemen's School, 1854-1926; plan of the Cordwainer and Bread Street Schools, 1852; plans of the City of London School, Grove Park, Kent, 1924; plans of the Freemen's School at Ashtead Park, showing the allocation of rooms on each floor in the school and mansion, 1929-1939; plan of new building at City of London School for Boys, 1936; plans of the Guildhall School of Music and Drama, 1970-1973; plans of the former site of the City of London School for Girls and Guildhall School of Music at John Carpenter Street, 1977; plan of Gresham College with its grounds and almshouses, [1700]; plan of property belonging to the London, Gresham and Rogers almhous es on the Ferndale Road, 1901; broadsheets describing the state of the Newgate gaol [ such as number of prisoners, offences, numbers executed], 1785-1792; plans of Newgate gaol, 1757-1848; plans of Giltspur Street Compter, 1800 and 1848, Southwark Compter, 1848 and Whitecross Street Compter, 1848.

Plans, maps and diagrams of London markets, including survey and plans of Leadenhall Market, 1677-1981, plans for improvements at Leadenhall and Smithfield markets, by Horace Jones, 1868-1881; plans of Smithfield, 1837-1868, and plans of London Central Market [Smithfield] including plan of the Southern Railway route below the market, showing proposed works to the substructure, 1923, the Meat Inspection Offices at London Central Market, 1930 and 1980 and plans of the market, 1937 and 1958-1969; plan and section of Billingsgate Market showing the supply of water, ventilation and drainage to the market, 1850, and other plans 1856-1980, plans of stalls at Newgate Market, 1692-1860; plans of Spitalfields Market 1900-1974 including photographs 1912-1934; map of East London showing the situation of 11 proposed sites for a foreign cattle market, 1870; plans of the Foreign Cattle Market, Deptford, showing the quantity of cattle pens and the layout of the slaughter houses, 1871-1902, including photographs, 1872; plans of Fleet Market, 1737 and 1799; plans of Farringdon Market, 1824-1828; map of East London, showing the proposed site of a metropolitan fish market at Shadwell and including a proposed subway for foot and carriage traffic under the Thames, 1881; plan of Stocks Market, off The Poultry, 1692; and plans of Honey Lane Market, showing the dimensions of the roads and adjoining areas and of the stalls, including the member of each, 1692, 1781 and 1833. Plans showing proposed sites for the new Metropolitan Cattle market including sites at Acton; Crouch End Road, off Seven Sisters Road; Bow Common; Wanstead Flats; Blackwall; Duckets Farm Tottenham; Church End, Finchley, off the Great North Road and Brentford, 1832-1852; plan of the proposed layout for the estate of Samuel Pocock, Esquire at Islington, including the new cattle market and Caledonian Road, 1855; coloured lithograph of the Inauguration of the New Metropolitan Cattle Market, 1855; plan o f the Metropolitan Cattle Market, showing approach roads, public houses, and the layout of the market place, 1855; plan of the decoration for the first stone to be laid in the new clock tower, including all the names of the members of the Metropolitan Cattle Market Committee, 1854; plans of the Metropolitan Cattle Market, 1916-1963, including plan of war time use; graph showing fluctuation in the number of cattle, sheep, calves and pigs slaughtered at the Metropolitan Cattle Market between 1912 and 1955 and photographs of visit of H.R.H. the Prince of Wales to the abattoir in connection with the inauguration by the Ministry of Agriculture of their Scheme for the grading of cattle carcases, 23 Oct 1929.

Site plans, elevations and sections of individual properties including plan of the Rose Tavern near Poultry Compter, [1500]; plan of 8 tenements belonging to the Bridge House Estates on the north-side of Newgate Market Street, showing the names of each tenant and the extent of their plots, 1616; two plans of houses in Old Bethlem belonging to City Lands Estates, [1676]; plan of properties belonging to the Bridge House Estates showing tenements in Black Raven Court, off Golden Lane, 1714; plan of Conduit Mead property off Bond Street and Grafton Street, giving detailed measurements and plot boundaries, 1733; plans of the Conduit Mead estate, 1736 and 1807; plans of properties and streets in Deptford, including canals and docks, 1760-1932; properties along Blackfriars Road, [1760] and 1815-1892; plan and elevation of property belonging to the Bridge House Estates in and around Angel Court, Bishopsgate Street, 1764; properties and streets in St George's Fields, 1768-1859; properties on the Minories, 1774-1798; properties on Butcher Row, 1775; properties on Fenchurch Street, 1776-1908; plan of ground in Blackman Street and part of King's Bench Prison, 1777; properties in Lewisham, especially High Street, 1795-1921; City Lands property, 1799; plan of Limehouse fronting the river, showing the various premises and their owners, and also the position of the footpath to Poplar, 1799; ground plan of East India House, Leadenhall Street, 1800; plan of Blackwall fronting the river, showing the various premises and their owners, 1800; the Stock Exchange and vicinity, 1802; properties on Mill Lane, including Borough Compter and Hayes's Wharf, 1803-1859; properties on Paternoster Row, 1803-1913; plan of premises belonging to Messrs Jukes, Coulson and Company at Limehouse, 1808; the London Coffee House, Ludgate Hill, 1812; properties in Tooley Street, 1813-1912; the General Post Office, St Martin's le Grand, 1819-1828; Coleman Street Ward Watch House, 1824; properties on London Wall, 1824-1969; properties in Wood Street, 1829-1938; estate at Mile End Road, Bromley by Bow, belonging to Emanuel Goodhant, 1833; the Royal Exchange, 1838-1844 and 1938; Bishopsgate Street properties, [1830]-1940 and 1966; properties on Newgate Street, 1840-1908; properties in White Street, Bermondsey, 1842-1928; properties on Old Kent Road, 1843-1907; various public conveniences [toilets] and urinals, 1845-1914; properties on Leadenhall Street, 1846-1917; properties along Borough Road, 1854-1936; The Coal Exchange, including Roman ruins in basement, 1859 and 1950-1968; properties on Queen Victoria Street, 1862-1936; premises at No. 10 Bury Court, St Mary Axe, 1868; plan of alterations and repairs proposed for 'The Lamb Tavern', Islington, 1875; artisan's dwellings at the Petticoat Square housing development, 1879-1902; various artisan's dwellings developments, 1879-1881, including plans and sections of the artesian well proposed by the Hydraulic Rapid Boring Company to supply the development at Petticoat Square, 1887-1892; properties in Westminster Bridge Road, 1892-1922; properties on Eldon Street near Finsbury Circus, 1898-1901; plan of property on the corner of Blomfield Street and Eldon Street, late the Royal London Ophthalmic Hospital, 1900; underground convenience [toilet] near Blackfriars Bridge, 1912; Ilford Housing project, 1913-1923; Hutchison Street Area Housing, 1919-1930; plans of The Circus No. 7, Queen's Court Nos. 1-4 and Vine Street No. 3 and 5, 1925; general plans of the artisan's dwellings at Middlesex Street Estate, 1926-1928, also plans of properties on the estate including proposed reconstruction of Kings Flats, 1957-1958, Dutton House improvements, 1961-1962, and scheme to demolish flats on the estate, 1967-1973; proposals for Devonshire House, Bishopsgate, 1928; Meat Inspection Offices, Charterhouse Street, 1930; plan of the property of the City Parochial Foundation's Southwark Es tate on Southwark Bridge Road, 1936; Holloway Housing Estate, including property purchased from HMP Holloway, 1938-1951; fire escapes at Merchant Taylor's Hall, Threadneedle Street, 1939; proposals for the Bankers' Clearing House, King William Street, 1939; rebuilding of Heal and Son Ltd, Tottenham Court Road, 1939; the Lloyd's Bank Buildings, Moorgate, 1942-1950; proposals for the Golden Lane Housing Scheme, 1951; elevation of Bucklersbury House, Queen Victoria Street, 1956; car park, Upper Thames Street, 1960-1962; development at Houndsditch, 1963 and Cavendish Telephone Exchange, Houndsditch, 1966; Telephone Exchange, Wood Street, 1964; rebuilding of head office, National Provincial Bank, Bishopsgate, 1965; Norfolk Suffolk House, Laurence Pountney Hill, 1967-1969; and No 51-53, Charterhouse Street, 1971.

Plans and maps of street layouts, particularly improvement works, including Oxford Street, 1708-1779; plans of the Finsbury Estate, including Bunhill Fields, the Artillery Ground, Old Street and City Road, 1774, 1781 and 1802; plan for making an opening from Bride Street to the Broadway in Blackfriars, showing premises affected and the course of the Fleet Sewer, 1779; Newgate street, 1787-1963; Moorfields area, 1815-1925; plan of streets stopped up for His Majesty King William IV's visit to the City, 1830; Holborn Valley improvements, including Holborn Viaduct, 1832-1869; plan of the projected viaduct from Fetter Lane to the Old Bailey showing also the proposed extension to Chancery Lane and improvement to Farringdon Market, 1834; 'Mr Belchers plan for improvements of Holborn Hill, by a proposed viaduct from Holborn to Skinner St', [1842]; plan and sections of the proposed embankment road from Whitehall Place to Chatham Place, Blackfriars, and of the proposed embankment from Westminster Bridge to the northern pier of Hungerford Bridge, 1843; Cheapside area, 1846-1967; proposed improvements to streets, Billingsgate Ward, 1852; plan and section of the proposed embankment and public roadway on the Middlesex side of the Thames between Vauxhall Bridge and Battersea Bridge, 1852; plan of Reynolds Estate, Stratford, Essex, 1862; subways, Aldersgate Street, 1880; Middlesex Street, 1927 and 1964-1967; plans for development of St Paul's Cathedral precinct including maps superimposed with different proposals for development, including the piazza of St Peter's Rome, the Royal Academy, the Royal Fine Art Commission, Holden-Holford and William Holford [planning consultants to the City of London] proposals, 1934-1969; and diagrams of St Paul's Height Zoning to protect views of the Cathedral, 1935-1939; Houndsditch Pipe Subway extension, 1935-1937; improvements, Cannon Street - Queen Victoria Street intersection, 1947; redevelopment, Bucklersbury / Pancras Lane ar ea and Thavies Inn area, Holborn Circus, 1950; street improvements at Holborn Circus, [1959]; Moorfields development works, 1960-1966, Aldgate High Street improvements, 1963 - 1969 and Holborn Viaduct and Snow Hill redevelopment, 1965-1967.

Plans of churches and churchyards, including ground plans of Christ Church, Newgate Street; Bridewell Chapel; Hallows Staining, Mark Lane; All Hallows, London Wall; All Hallows, Lombard Street; All Hallows, Bread Street; All Hallows Barking, Great Tower Street; Holy Trinity Church, Fetter Lane; Holy Trinity the Less; St Michael Queenhithe; St Vedast-alias-Foster; St Stephen, Coleman Street; St Stephen, Walbrook; St Swithin, London Stone; St Mary Bothaw; St Sepulchre, Holborn; St Peter, Paul's Wharf; St Peter le Poor; St Peter West Cheap; St. Paul's Cathedral and the Cathedral Churchyard; St. Gregory by St. Paul's; St. Augine, Old Change; St Pancras, Soper Lane; St Nicolas Olave; St Olave Hart Street; St Olave Silver Street; St Nicholas Cole Abbey; St Mildred, Bread Street; St Mildred the Virgin, Poultry; St Nicholas Acon; St Michael Paternoster Royal; St Michael Queenhithe; St Michael Bassishaw; St Matthew, Friday Street; St Mary's Roman Catholic Church, Bloomfield Street; St Mary Magdalen, Old Fish Street; St Mary Bothaw; St Mary le Bow, Cheapside; St Mary Abchurch; St Mary the Virgin Aldermanbury; St Martin Ludgate; St Martin Orgar; St Martin Outwich; St Martin Vintry; St Margaret, Fish Street Hill; St Magnus the Martyr; St Margaret Eastcheap; St Leonard Eastcheap; St Lawrence Pountney; St Lawrence Jewry; St John Zachary; St Katherine Cree, Leadenhall Street; St John the Baptist, Walbrook; St Giles Cripplegate; St Gregory by St Paul's; St Helen, Bishopsgate Street; St Giles Without, Cripplegate; St James, Duke's Place; St James, Garlickhithe; St Andrew Undershaft; St Andrew, Holborn; St Alphage, London Wall; St Alban Wood Street; St Bartholomew the Great, West Smithfield; St Augustine, Watling Street; St Antholin, Watling Street; St Anne and St Agnes, St Ann's Lane; St Anne Blackfriars; St Andrew by the Wardrobe, St Andrew's Hill; St Benet Fink; St Bartholomew the Less, Goswell Street; St Bartholomew the Less, Smithfield; St Botolph, Aldergate; St Bennet, Paul's Wharf; St Benet Sherehog, Pancras Lane; St Benet, Gracechurch Street; St Dunstan in the East; St Clement's, Eastcheap; St Dionis Backchurch, Lime Street; St Botolph, Bishopsgate; St Bride, Fleet Street; St Botolph, Billingsgate; St Gabriel Fenchurch, Fenchurch Street; St George, Botolph Lane; St Ethelburga, Bishopsgate Street; St Edmund the King and St Dunstan in the West, Fleet Street, all dating to 1853; plan showing alterations to St Sepulchre's Churchyard in connection with Holborn Valley improvements, 1868; plan of churchyard of St Matthew' Church, Brinton Hill, showing site of William Ward's tomb, with plan, elevation and detail of inscription, 1881? and plan of All Hallows, Lombard Street, 1938.

Plans, diagrams and maps relating to railway lines and stations, including plans and sections of the Great Northern and City Railway, to run from Finsbury Park to Finsbury Pavement, City, 1831; extension, Commercial Railway, 1838; 19 sheets of plans and sections showing the London and Enniskellen Railway with a branch to Lough Swilly, 1844; proposed extension of the Eastern Counties Railway, from Tottenham to Farringdon Street, 1845; plan and section of the proposed extension of the London and Birmingham Railway to Farringdon Street, 1845; Central City Railway, 1851; proposed Hammersmith, Fulham and Westminster Railways, 1854; plan of London showing the Holborn and City Extension Railway from Copenhagen Tunnel to Tokenhouse Yard, 1859; plan of Wandsworth Common detailing a proposed new railway goods station and road, and highlighting the limits within which the powers of the conservators of the common extended, 1871; plans from the Metropolitan District Railway and Metropolitan Inner Circle Completion and Eastern Extension Railway, showing various stations and lines, 1875-1950; plan of Thames Haven Station (London, Tilbury and Southend Railway) showing the boundaries of the landing place for foreign animals, 1885; proposals for the Waterloo and City Railway, 1891; plans of lines and stations from various companies including the London and North Eastern Railway; Hammersmith, City and North East London Railway; Great Northern, Piccadilly and Brompton Railway; Great Northern and City Railway; City and Crystal Palace Railways; Great Northern Railway; City and North East Suburban Railway; Great Northern and City Railway; City and North, Central London and Metropolitan District Railway; Central London Railway, Waterloo and City Railway, all dating between 1896-1931; plan and section of City Station tunnels showing ways to or from platforms, and terminal station of the Waterloo and City Railway at Queen Victoria Street, 1897; Cannon Street Station, 1913 and 1958-1964; plan of Moor Lane Bridge, Moorgate Station, showing the proposed widening of the bridge by the Metropolitan Railway, 1913; City Station (now Bank), 1929-1939; London Passenger Transport Board plans, 1933-1947; map of the North Eastern Railway's route through Tottenham, Hackney, Old Street and Shoreditch and Section of the North Eastern Railway's route through Hackney Parish and Tottenham parish, showing the levels of the land, 1936; Liverpool Street Station, 1937 and 1981-1982; proposed interchange of Old Tower Hill Station (District Line) with Fenchurch Street station, 1953; Holborn Viaduct Station, 1959; widening and realignment work on the railways at Tower Hill, Aldersgate and Moorgate, 1960; plans from London Transport for work on various stations, 1962-1982 and plans prepared for the London Docklands Railway Bill, 1982-1983.

Plan and section of proposed tramways to run between Holborn, Clerkenwell and Islington, 1884; proposed tramways between Pimlico, Peckham and Greenwich, 1871 and proposed extension of the Metropolitan Street Tramway in the City of London and in Surrey, 1871; proposed Kensington, Westminster and City tramways, 1871; tramways and improvements, London County Council, 1913-1924. Also map of Greater London showing existing airports and the site of the proposed City of London Airport at Fairlop, Essex, 1936.

Plans, maps and diagrams relating to bridges, including map of London and environs showing the River Thames and the River Lee, and indicating whether their bridges are free bridges, toll bridges or toll bridges to be made free, 1869; general plans of London Bridge, 1799-1800; maps and plans of the approaches to London Bridge, including plans and elevations of premises along streets redesigned by John Rennie, 1806-1836, 1842, 1875, and 1959; plan of the levels of Holborn Hill, Skinner Street, Fleet Street, Ludgate Hill and Regent Street, taken from London Bridge, 1830; plan of alteration of parapet, London Bridge footway, 1877; improvements to pedestrian access from London Bridge to London Bridge Station via Duke Street Hill, 1960?; plans showing London Bridge improvement works, 1961-1962 and plans from the London Bridge reconstruction, 1965-1968; plans and elevations of Tower Bridge, its approaches and its machinery, with some drawings and preliminary sketches by George D Stevenson (City Architect's Office), Sir Horace Jones and Sir John Wolfe-Barry, 1886-1899; elevations and sections of the bascules, Tower Bridge, 1903; arrangement of steam pumping engine counters, with details of fittings for both engine rooms, Tower Bridge, 1906; arrangement of Motlerup's Lubricators to steam pumping engines, with detail of fittings for same, Tower Bridge, 1913; approximate positions of lamps lighted by the Corporation on Tower Bridge, 1921 and 'A' and 'B' Pumping Engines, Tower Bridge, 1935. Map of Blackfriars Bridge approach roads, 1768; general plans of Blackfriars Bridge, 1820-1870, 1906 and 1959 and plans of improvements to Blackfriars Bridge, including changes to street layout, 1961-1969. Plan and elevation of the proposed Prince's Bridge at Vauxhall across the River Thames, 1805; plans of proposed additions to the width of Peg's Hole Bridge, Stratford and St Michael's Bridge, Stratford with their south elevations, 1847; plan of Southwark Bridge, 1904 and plans for the reconstruction of Southwark Bridge, 1912-1920; plan for the never built St Paul's Bridge, 1911 and diagram of the Southwark Bridge intersection with Queen Street Place, Queen Street and Upper Thames Street, 1968.

Plans of wharves and docks including plan of Stone Wharf, Hannott Wharf, and Ramseys Wharf, showing the properties there including Justice Hartley, George Ale House, Captain Metcalfe and the Comptroller's House, 1710; plan of Billingsgate Dock showing adjoining premises and encroachments on the dock, 1700s; the Hay's Wharf area, 1803-1859; plan of alterations to Billingsgate Market and Dock showing the layout of the sheds, tables and flaps, and naming the premises or occupiers of houses behind the Piazza, 1828-1829; wharfs and quays between London Bridge and Billingsgate, 1838; general plans of Letts Wharf, 1876-1897 and diagrams showing sections of Fryer's Destructor Apparatus [a rubbish incinerator], Letts Wharf, 1887; plans and photographs of Hornchurch Wharf, Essex, 1897-1953; proposals for a dam, locks and sluices at Gravesend, Thames Harbour, 1905; Fresh Wharf, Lower Thames Street, Adelaide Place and the riverside east of London Bridge, 1909 and 1913; Letts Wharf, 1937 and map of the River Thames from Teddington to the Nove, showing the limits of the Port of London Authority and including a detailed map of the docks and communications, 1950.;Maps and plans of parks, gardens and cemeteries, including maps of Epping Forest, 1865-1882 and 1921-1968, including maps of areas where horse riding is not permitted and plan of pavilion, dais and refreshment tents for Queen Victoria's visit, 1882; plans of Burnham Beeches and East Burnham, 1808-1899, also War Department Requisition diagrammatic plans of Prisoner of War camp, huts occupied by squatters, built-up areas, huts awaiting removal and huts not being dealt with, 1946-1950 and the Macros Cottage and tearooms, Burnham Beeches, 1958; maps of West Ham Park, 1873 and 1895, also cottage and lodge, West Ham Park, prior to destruction by enemy action in World War Two; boundary survey with details of adjacent properties, West Wickham Common, [1900]; proposals for a new bandstand, Finsbury Circus Gardens, 1955; plans showing proposed open space at St Mary Aldermanbury, 1968; plan of Kenley Common showing tracks and areas suitable to be ridden over, 1934 and plans showing proposals for the post war reinstatement of Kenley Common, including removal of temporary installations and repair of bomb damage, 194-; plan of Coulsdon Common, Surrey, 1869 and plan of Coulsdon Common showing tracks suitable to be ridden over, 1934; plan of Farthing Downs and Fairdean Downs, Surrey, 1871 and plan of Farthing Downs showing tracks suitable to be ridden over, 1934; plan of Riddles Down, Surrey, 1912 and plan of Riddles Down showing tracks suitable to be ridden over, 1934; plan of North Woolwich Gardens, Woolwich, 1889; plan of Merton and Morden Urban District Council area showing Morden Park, 1936; plan of land at Kilburn commissioned under the Highgate and Kilburn open spaces Act 1886, showing 30 acres of land between Kensal Green Railway Station and Queen's Park Railway Station, 1886 and plan of a public park for Kilburn [Queen's Park], 1887; plan commissioned under the Highgate and Kilburn Open Spaces Act 1886 showing 30 acres of land at Highgate between Highgate Railway Station, the Alexandra Park Branch and the Edgware Highgate and London (Tunnel) Line of the Great Northern Railway, 1886; plan of the proposed layout for Gravel Pit Wood, Highgate, 1886; plan for new vaults, Bunhill Fields Burial Ground, 1833; proposals to turn Bunhill Fields into a public garden, 1950-1959; plan of Alders Brook Farm in the parishes of Wanstead and Little Ilford in the County of Essex, surveyed in 1853 for suitability to become the City of London Cemetery; maps and plans of the City of London Cemetery and buildings on site, 1854-1855 and 1903-1928, including plans of the catacombs, dissenting or non-conformist chapels, Episcopal chapels, entrance gates, superintendent's house, old crematorium and public conveniences.

Plans of monuments, including proposals for improvements at Temple Bar, 1795 and 1834; elevation of Temple Bar facing the Strand, 1877; plan, sections and elevation of the Monument, drawn while undergoing repair, 1888; plans relating to re-erection of a statue of King William IV at St Mary's Church, Greenwich, 1936; proposal to re-erect statue of Sir Robert Peel in Aldersgate, 1951 and tracing of measurements of the Waithman Memorial [to Robert Waithman, Lord Mayor 1823-1824] with plan of proposed location for re-erection in St Bartholomew Close, 195-; proposals for re-erection of Temple Bar on the Embankment, 1950-1952 and proposals for re-erection in St. Paul's Churchyard, 1979 [Temple Bar was dismantled and sold, and re-erected in Theobalds Park, Hertfordshire until 2004 when it returned to the City].

Maps and plans of the Corporation owned Brandesburton Estate in Yorkshire, part of the bequest by Lady Anne Dacre, including a survey by John Brown, 1732 and plans of various estate properties, 1700-1917.

Maps and plans relating to the Second World War, including plan of the First Aid and Gas Cleansing Station at Great St Helens, 1938-1939; maps of the City showing the provision of public and private air raid shelters, and identifying areas where more shelters are needed, 1938-1940; plans and sections of air raid shelters, 1938-1949; map of the City showing divisional police stations, fire alarm posts, ambulance call boxes, and so on, 1939; maps of the City of London marked into areas of civil defence, showing positions of warden's posts and police and warden's divisions, 1940; plans showing air raid damage in the City, marking total destruction, demolition necessary, serious damage and slight damage, 1940-1944; map of area covered by Fire Watchers Squad No. 4, in the Vicinity of the Coal Exchange, 1941; map of the City showing buildings demolished or in course of demolition, buildings destroyed and partially demolished, churches destroyed, static water tanks and so on, 1942; plan showing the districts of No. 36 Fire Force, covering the eastern half of the City of London, parts of Middlesex, and parts of Essex, 1944; general plan of the City showing site of fly bomb incidents in 1944; plan of London showing licensed premises, including those damaged, [1940]; plans of the Camomile Street area post-war redevelopment, including plan showing bomb damage, 1948; maps prepared under theWar Damaged Sites Act 1949, 1950 and redevelopment, Barbican area, 1954 - 1959, including plan of war damage.

Copy of a map of Deptford with remarks by John Evelyn, 1600s; plan of the Society of Apothecaries Physic Garden, Chelsea, 1725; poster showing "Rules, Orders and Regulations for the preservation of brood and fry of fish in the River of Thames and Waters of Medway within the jurisdiction of the City of London", 1754-1755; plans of the Pneumatic Despatch Co. Ltd. accompanying notices of intention to open and break up portions of the Holborn Viaduct for the purposes of laying their pneumatic dispatch tube, 1869; Post Office plan of pneumatic tube between Farringdon Street and St. Martin's le Grand, 1869?; sketch and photograph of the Aldgate pump, 1887; plans drawn by W H Poole of the City Police showing the crime scenes, Houndsditch Murders, 1911; plan of the Daily Sketch and Sunday Herald Pneumatic Pipe, 1925; plan and section of Leathern Doublet Sewer under City of London Brewery, Upper Thames Street, 1935; plans showing the proposed location of the Festival of Britain, 1951 and proposals for a refuse tip at Mucking, Stanford le Hope, Essex, 1954-1959.

Responses to a questionnaire by Paul Plaut, designed as research for Die Psychologie der produktiven Persönlichkeit, from prominent scientists and artists in Germany and Austria on their views about science and creativity. There are some interesting responses from outside the German speaking countries (Miguel de Unamuno, John Galsworthy), but the bulk of the contributions represent the views of German-speaking academics and artists. Responses to the scientific questionnaire include Albert Einstein, Fritz Haber and Erwin Finlay Freundlich as well as lay figures such as Gustav Radbrüch and Wilhelm Hellpach. Communications from writers range from letters by Heinrich and Franziska Mann to a postcard from Elsa Laska-Schüler. Architects write about their work and new ideas (Erich Mendelsohn) and some of the painters give insights into their creative development, notably Wassily Kandinsky, Otto Dix and Max Pechstein.

Papers of Dora M Powell mainly relating to the music of Sir Edward Elgar, particularly his Variations on an original theme ('Enigma Variations'), Opus 36 and Dora Powell's book Edward Elgar: memories of a variation (Oxford University Press, London, 1937 and subsequent editions, revised 1994), comprising correspondence, 1934-1960, including correspondence of her husband Richard Crofts Powell relating to the Enigma theme, and particularly his article 'Elgar's "Enigma"', Music and Letters 15 (1934), the correspondence also includes letters from those connected personally or musically with Elgar such as Sir Percy Clarke Hull and Arthur Troyte Griffith; printed music (some signed by Elgar), 1892-1907; draft articles, talks and notes by Dora Powell relating to Elgar; programmes for concerts of Elgar's music, 1908-1959; autograph manuscripts of Elgar's 'The Shepherd song' and 'Rondel' (Opus 16); cuttings relating to Elgar, including reviews of Powell's book, 1910-1944; programme of the Elgar memorial concert, 3 Jun 1934; My friends pictured within: subjects of the Enigma Variations as portrayed in contemporary photographs and Elgars MS (Novello and Co, London).

Papers, 1892-1960, of Sir John Thomas Pratt, largely dating from after 1941, including correspondence concerning his various publications, files on his campaign against British involvement in the Korean War, articles, lecture notes and press cuttings. Also includes correspondence with his brother William (Billy) Pratt (1949-1957), whose stage name was Boris Karloff.

Translations from Russian literature by S W Pring including translations of short stories by Anton Pavlovich Chekhov; translation of the composer Nikolai Andreevich Rimsky-Korsakov's memoirs; correspondence relating to the possible publication in book form of Pring's translation of correspondence between Rimsky-Korsakov and Mily Alexeyevich Balakirev.

Papers of Lina Prokofiev, [1920-1987], including personal material such as copies of letters written by Serge Prokofiev; copies of correspondence between Lina's family and Prokofiev, [1931-1938]; copies of financial material, 1929-1935; correspondence and official papers relating to Lina's attempts to leave the Soviet Union and later to remain in Europe, [1973-1978]; personal correspondence of Lina, 1974-1989, with correspondents including her children and grandchildren, authors writing books on Prokofiev and Lina, and musical societies and orchestras requesting permission to perform Prokofiev's works; business correspondence, [1977-1985], regarding the setting up of the Serge Prokofiev Foundation and the collection of archival material, as well as legal matters relating to the Prokofiev estate and Lina's autobiography; papers relating to Lina's visit to the USA in 1976-1977, including schedules, correspondence, press cuttings and programmes; material relating to Lina's performance as the narrator in Peter and the Wolf at the Lincoln Centre for the Performing Arts, 1984-1985; family photographs. The collection also includes transcripts from taped interviews with Lina covering topics such as her family background, the early life and musical training of Serge Prokofiev, Prokofiev's composing methods, health, politics and relationship with his children, the public reception of Prokofiev's music, Lina and Prokofiev's courtship and marriage, and life in Soviet Russia; texts of articles and broadcasts by Lina, [1982-1984], on topics including Prokofiev's relationship with Stravinsky, and the writing of Romeo and Juliet and the Third Piano Concerto; articles by various authors relating to Prokofiev, [1976-1977, 1980-1982]; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1975-1987]; copies of the Moscow News, 1934-1935; and pamphlets, published works and cassettes concerning Christian Science.

Papers of Oleg Prokofiev, including material relating to the life and work of his father, Serge Prokofiev, notably copies of letters from Serge Prokofiev to various correspondents, 1920-1945, including Fatima Samoilenko, 1920-1936; extracts from articles and letters of Prokofiev; material relating to Prokofiev's Diary, comprising photocopies of the text, transcripts and a typescript article relating to it; copies of music manuscripts (scores) of Prokofiev; photographs of Prokofiev and his family; pamphlets, press cuttings and articles relating to Prokofiev's life and work, and to performances of his music, [1946-1996]; texts of interviews given by Oleg on his father's life and work, [1989-1991], and articles written by him about Prokofiev, [1993]; various published scores of Prokofiev's music, including Peter and the Wolf and the Fiery Angel; and published works relating to Russian culture and Prokofiev. Further material concerning performances of Serge Prokofiev's work include articles and scores of Vladimir Blok relating to Prokofiev, [1990-1995], as well as a tape of an interview at a concert at the Hungary Centre, Moscow, 1995; and correspondence with and cuttings from articles on Frederic Chiu, 1992-1996, relating to his recordings of Prokofiev's music. Personal papers of Oleg comprise material relating to his own literary work; photocopies of stories written by Prokofiev in 1917-1918, with Oleg's translation into English; a draft of an article on Shostakovich; a manuscript notebook entitled 'My father, his music and me'; and a draft by Oleg of a biography of Robert Falk (1886-1958). There is also family correspondence.

Papers of Serge Prokofiev, [1915]-1936, mainly comprising private and business correspondence relating to the performance and publication of Prokofiev's compositions. Much of the collection consists of personal correspondence concerning his working relationship with other artists including conductors Albert Coates, Sir Henry Wood, Sergei Koussevitsky, Hermann Scherchen, and Ernest Ansermet; soloists Joseph Szigeti, Pablo Casals, Robert Soëtans and Fyodor Shalyapin; composers Igor Stravinsky, Nikolai Miaskovsky, Maurice Ravel and practically all French composers of the 1920s and 30s; theatre directors Vsevolod Meyerhold and Alexander Tairov; the Director of the Ballets Russes, Serge Diaghilev; poets and writers such as Konstantin Balmont and Vladimir Maiakovsky; and chess grandmaster José Capablanca. The papers also include financial material such as bills and accounts, legal papers and correspondence concerning concerts in the USA, France, Italy, Spain, England, the Soviet Union and Germany; and the publication and copyright of Prokofiev's work. Individuals and companies with which Prokofiev dealt in these matters included musical societies such as the Aeolian Company in the USA, Concerts Populaires de Bruxelles, and Concerts Pasdeloup in Paris; music publishers such as Breitkopf and Härtel in Leipzig, Russicher Musikverlag in Berlin and Edition Russe de Musique in Paris; and Soviet music publishing and arts authorities including the State Publishing House, the Moscow and Leningrad conservatories, and the Direction of State Theatres. There is also correspondence regarding the composition of ballets and operas, notably The Love for Three Oranges, Chout, the Fiery Angel and Le Pas d'Acier. The remainder of the collection consists of diaries, personal notes and press cuttings relating to Prokofiev's work.

Collection of material relating to the singer and civil rights activist Paul Robeson, including a large number of recordings on tape and vinyl of Paul Robesons' wide repertoire of songs and a series of reel-to-reel tapes including interviews and radio programmes made with Robeson; and letters and photographs and a series of scrapbooks (put together by Ken Goodland) of newspaper cuttings charting the life and career of Paul Robeson.

Records of the Royal Choral Society. The archive is divided into seven sections: administrative records, including a series of individual concert files; financial records; membership records, which include attendance registers and audition files; concert records and programmes; publicity records including posters and newspaper cuttings; files of printed musical scores, arranged by piece, and including programmes for concerts featuring the work; miscellaneous records, which comprise information and programmes relating to other choirs, magazines of the society, or which include articles on the society or choral singing in general, and photographs of choir members, soloists and conductors.

Highlights of the collection include a comprehensive, although not complete, series of concert programmes from 1873-1985, including the programme for the last concert to be held in the Queen's Hall before its destruction during World War II. There are also manuscript copies of "Eryri" by Alun Hoddinott. This piece was composed for the investiture of the Prince of Wales in 1969 and the collection has a copy both of the original score, for 16 soloists, chorus and orchestra, and the revised version for baritone solo, chorus and orchestra.

Photographic record of student work completed at the Royal College of Art, 1949-ongoing, including c5000 prints, 1949-1980s, c25,000 slides, 1961-2002, and upwards of 25,000 digital images, 2003-ongoing. The majority of images are installation shots of individual student works across all departments, including Painting, Printmaking, Photography, Sculpture, Ceramics and Glass, GoldsmithingSilversmithing Metalwork and Jewellery, Graphic Design, Illustration, Industrial Design, Interaction Design, Furniture, Design Products, Architecture, Vehicle Design and Textiles. Work exhibited in the Fashion (catwalk and static) shows and final-year exhibitions staged by Curating Contemporary Art students are also included.

Archives of the Royal Opera House (ROH), comprising:
some business records of the ROH and associated companies including Board minutes and papers of various opera companies using the ROH, 1919-1939; box office returns and payment slips for artists and theatre staff, 1919-1939; individual artist files, containing biographical information, prints and photographs 18thc to present]; production files 1946-present; minutes of the Board of the Royal Opera House Ltd, sub-committees, and management groups, 1946-present; files of the General Administrator/Chief Executive Office, and Assistants to the General Administrator, 1946-present; files of the Chairman of the Board 1946-1997; files of the Company Secretary's office, 1948-1996; files of the Personnel Office -2002 (closed); Contract files 1946-1980s (closed);
Opera Company files 1970s - 1999; Ballet Company files 1947-1996; Birmingham Royal Ballet files 1970s-1991; some early performing company files are found with the General Administrator's files; Finance Department records, 1946-present;

19th century correspondence, including letters of Frederick Gye (1809-1878), opera manager; Giovanni Matteo Mario (1810-1883) Italian tenor; Giulia Grisi (1811-1869), and Michael Costa (1810-1884) conductor;

Press, Publication, Community Relations, Marketing and Box Office departmental files, 1980-2000; House Management files, 1948-1999; Orchestra Office files, 1948-present; Friends of Covent Garden files, 1964-1999;

Ballet for All - education initiative files, 1964-1970s; London Opera Centre records, 1963-1970s; Production Office files, 1946-1980; Fly Department files, 1947-1977; Technical Department files, 1952-present;

audiovisual collection comprising:
audio recordings of oral history interviews relating to the Royal Opera House Development Project, 1997-2000; Verdi Centenary, 2001-2002; recordings of interviews and events at the Royal Opera House, 1964-2003;

photographic collection comprising:
photographs by Donald Southern, including black and white negatives and colour transparencies of performances, events and personnel at the ROH, 1959-1991; photographs by John Graham, including negatives of ballet and opera performances at the ROH, 1940s-1950s; photographs by Felix Fonteyn, including negatives of ballet productions from 1950s; photographs by Richard Holttum, including black and white negatives and colour transparencies of the ROH interior and exterior prior to development 1988-1991; photographs by Rob Moore including contact prints and colour transparencies of the ROH development, 1997-2001; Schal time-lapse photography of the development of the ROH, 1996-1999; Historic Monuments Commission photographic survey of the ROH interior and exterior prior to site development 1990-1996; two albums of photographs compiled by Edwin Sachs of the redevelopment of the ROH stage, 1899-1900, and the workshops; glass plate negatives used to create ballet post cards, 1950s-1960s;

collection of music and choreographic scores comprising:
printed songs, 18th -early 19th century; operas scores (vocal and orchestral) and stage managers scores, 1840s-1939; annotated opera stage managers scores 1946- present; annotated ballet stage managers scores, 1946-present; Staff Director's annotated scores for opera productions, 1946-present; Ninette de Valois' printed and manuscript music for ballet, 1920s -1930s; printed and manuscript ballet music, 1840s-1950s;
choreographic scores for ballets performed by The Royal Ballet and Birmingham Royal Ballet;

design and costume and collections comprising:
Yolanda Sonnabend design collection including notebooks, reference files, and related material, 1973-1995;
Ian Spurling collection of designs, photographs and press cuttings, 1975-1994; Toby Ward collection of drawings of the ROH prior to and during development 1996-1999;
Glynne Boyd Hart collection of watercolours of the ROH development, 1998-1999;
Ruth Hurle collection of drawings of back state, craft workrooms, opera and ballet rehearsals, 1930s-1940s;

costumes and accessories, such as headdresses, jewellery, shoes and wigs, worn by artist appearing at he ROH, 1920s-2003;
Comelli costume design collection including artwork by Attilio Comelli and others for costumes of operas performed at the ROH 1880s-1920s;
Costume design artwork, 1946-present; design artwork for sets and props, 1946-present; models of sets for productions, 1946-present; Model Room files relating to ground plans, and technical drawing or set and prop construction 1946 to present; stage and ground plans, 1939; Production Wardrobe files relating to costume and accessories design 1946-present;

miscellaneous large prints and drawings of performers and performances 19th and 20th century;

collection of advertising posters, 19th century-present;

programme collection including programmes for Gala and Special performances, and decorative programmes 1750s-present;

press cuttings of announcements, reviews, interviews, 18th century, 1847-1939; Harold Rosenthal collection of press puttings, relating mainly to the ROH performances, 1847-1950s; press cuttings of reviews and articles about performers and performances, 1946-present;
miscellaneous albums and scrap books relating to Anna Pavlova, and Nellie Melba, amongst others 1920s;

library collection comprising books, periodicals and specialist publication relating to ballet, dance, opera, music and theatre; libretti, 1840-present; playtexts 1776-[1850]; reports commissioned by the ROH and general arts reports 1946-present; ROH publications and souvenir year books 1956-2002;

special collections comprising:
Royal Ballet Benevolent Fund collection of material relating to the celebration of the 50th anniversary of The Royal Ballet (RB), including papers, photographs, press cuttings, programmes concerning the RB and its predecessors - Vic Wells and Sadler's Wells Ballet companies 1931- 1950s;

Spellman Song Sheet Covers containing illustrations of operas, and ballets late 19th-early 20th century;

albums of Lady de Grey albums containing photographs of singers, composers, conductors, mostly autographed, dedicated to (Constance) Gladys De Grey, (1859-1917) Marchioness of Ripon, and opera patron, 1870-1920;

collection of Dame Margot Fonteyn De Arias (1918-1991) ballet dancer, including costumes, accessories, photographs, correspondence and books, 1920s-1980s;

collection of Dame Ninette de Valois (1898-2001) founder of The Royal Ballet, including awards, honours and correspondence, 1947-1993;

collection of Leslie Edwards (1916-2001), principal dancer The Royal Ballet, including photographs 1920s-1980s;

collection of Eva Turner (1892-1990) English soprano, relating to her singing career, including costumes, accessories, photographs, press cuttings, music and books 1920s-1940s;

diaries of Frederick Gye (1809-1878), Royal Italian Opera General manager, 1847-1878, his daughter Clara Gye, and son Ernest Gye, ROH Manager, 1847-1877;

collection of Olive Grime, dancer with the Beecham Opera Company, including press cuttings, contracts, correspondence, photographs, books and costumes, 1920s-1930s;

collection of Reginald Goodall (1901-1990) English conductor, including correspondence and personal papers, 1900-1958.

Archive, 1754 to date, of the Royal Society of Arts (RSA; formerly the Society for the Encouragement of Arts, Manufactures and Commerce, or Society of Arts), created by the Society in the course of its activities, and comprising records of its administration (Ref: AD), and records of its activities and events (Ref: PR), also including some printed material dating back to 1634.

Administrative records of the Society include:

Records of Miscellaneous Committees to discuss the programme and administration of the Society, including the Committee of Correspondence and Papers and the Committee of Miscellaneous Matters, 1754-1848 (Ref: AD.MA/104).
Records of the Society from 1754, later the Council (established 1845) (Ref: AD.MA/100).

Records concerning Chairmen of Council (from 1846) and Council membership (Ref: AD.MA/102).

Records of Secretaries (administrative head of the Society), after 1994 known as the Director (Ref: AD.MA/101).

Records of Presidents (Ref: AD.MA/103).

Records of Membership/Fellowship, relating to subscribers to the Society, originally termed 'members', referred to as 'Fellows' from 1908 (Ref: AD.MA/900). (The archive does not include extensive biographical information on RSA Fellows, although dates of membership of Fellows are usually recorded.)
Records concerning the Society's House in John Adam Street from its design and construction by the Adam Brothers, including correspondence, papers, notes, leases and other legal documents, relating to administration, management, alteration and repair of the building (Ref: AD.MA/300).

Records of various House Committees set up at different times to look at the building, its use, function, administration and management (Ref: AD.MA/305).

Accounting and financial records produced by various committees including the Accounts Committee and Finance and General Purposes Committee (Ref: AD.MA/400).

Annual Reports recording the Society's activities over the year, initially within the Journal (from 1852), but later as a separate publication (Ref: AD.MA/701).

Records relating to general lectures (developed from the 1850s when the Society ceased the award of premiums for inventions), with correspondence mainly concerning administrative arrangements for speakers and publication of their texts (in the RSA Journal) and suggestions for topics for discussion (Ref: AD.MA/800).

Records relating to the RSA Silver Medal awarded annually for the most interesting lecture over the preceding year (Ref: AD.MA/803).

Records relating to production of the Journal and other publicity, promotion and communication (Ref: AD.MA/203).

Donations and collections, comprising objects and artefacts donated to or bought by the Society (Ref: AD.MA/204).

Records of the Society's activities (such as award schemes, exhibitions, conferences, seminars and lectures), including joint initiatives with a range of other organisations, include:

Guard Books (30 volumes), 1754-1770, containing correspondence and papers about all Society activities and committees, on a range of subjects (Ref: PR.GE/110).

Manuscript versions of the Society's Transactions, comprising draft versions of the printed Transactions, including drawings, plans and diagrams in support of claims for premiums and awards. Also general correspondence to the Society on various 19th century campaigns, conferences and committees, covering subjects including lectures (arrangements for dates, speakers, chairmen, participants; suggestions for subjects, submission of lecture texts, corrections to texts, requests for tickets/programmes, acceptances, apologies for non-attendance etc), examinations (requests for syllabus, copies of certificates, programmes, rules; complaints, arrangements, agreements with colleges, details of examiners etc), membership (requests for information, applications, replies to circulars, notes accompanying subscriptions, resignations, complaints), Council/committee chairmen (intention to attend meetings, acceptances, general arrangements for meetings, requests for information, dates, times etc), Journal (receipt/non-receipt of copies, reciprocal arrangements with other libraries, requests for extra copies, corrections to proofs, advertising, arrangements for making blocks, photogravures etc), House (letters from freeholders, solicitors, contractors; booking of rooms), staff (applications for employment, testimonials, sick notes etc - a very small number of items), general (invitations, letters from bankers, auditors, business circulars, requests for funding, suggestions for campaigns, policies, events etc), and including artistic copyright, uniform musical pitch, domestic economy, art workmanship, musical training, food committees, patent law reform, prevention of fires in theatres and education exhibitions (Ref: PR.GE/118-19, 121).

Records relating to Premium and Programme committees (Ref: PR.GE/112); Albert Medal (founded 1863) (Ref: PR.GE/101); Memorial Tablet (blue plaque) scheme (founded 1866) (PR.GE/122); War Memorials Advisory Council (established 1944, disbanded 1948), concerning memorials of the Second World War (Ref: PR.GE/117); Exhibition of Exhibitions (1951), concurrent with the Festival of Britain, to commemorate earlier ground-breaking Society exhibitions on contemporary art (1760), industrial design (1847-1850), photography (1852), industry (1761), and the first international exhibition (1851) (Ref: PR.GE/102); R B Bennett Commonwealth Prize (endowed 1944) for outstanding contribution to the promotion of the arts, agriculture, industries and commerce of the Overseas Empire (Ref: PR.GE/116); Commonwealth Committee (Ref: PR.GE/113); proposals and planning for the Festival of Britain (1951) (Ref: PR.GE/103); events for the RSA Bicentenary (1954) (Ref: PR.GE/107); Benjamin Franklin Medal (instituted 1956) (Ref: PR.GE/100); Trusts, bequests, fundraising and development (Ref: PR.GE/111).

Records relating to manufacture and commerce, including the Paris Exhibitions (1844-1900) (Ref: PR.MC/109); Great Exhibition (1851) (Ref: PR.MC/107); International Exhibition (1862) (Ref: PR.MC/108); Chicago Exhibition (World's Columbian Exposition, 1893), British Section (Ref: PR.MC/112); Industry Year/Industry Matters (1986) (Ref: PR.MC/100); Tomorrow's Company (begun 1994), concerning the role of business in a changing world (Ref: PR.MC/115); Redefining Work (launched 1995) (Ref: PR.MC/116); Forum for Ethics in the Workplace (1997) (Ref: PR.MC/117); Manufacturing, Wealth Creation and the Economy (1998) (Ref: PR.MC/118).

Records of subject-based standing committees set up by the Society from 1754 to judge awards and premiums in particular areas, including minutes and correspondence about awards and attendance at and structure of committees: Agriculture (Ref: PR.MC/103), Chemistry (Ref: PR.MC/105), Colonies and Trade (Ref: PR.MC/104), Manufactures (Ref: PR.MC/102), Mechanics (Ref: PR.MC/101), and Polite Arts - including prints, drawings and other artwork submitted for award (Ref: PR.AR/103).

Records relating to fine and applied arts, including exhibition of works of Ancient and Medieval Art (1847-1850) (Ref: PR.AR/105); exhibition of the works of William Etty and William Mulready (1848-1849), including general correspondence, printed matter, catalogues, press cuttings, tickets and notices about mounting of exhibitions, and attendance (Ref: PR.AR/112); British Art in Industry Exhibition (1935) to publicise good design in articles of everyday use (Ref: PR.AR/101); Humorous Art Exhibition (1949-1950) (Ref: PR.AR/100); Art for Architecture scheme (from 1990), aiming to enhance the urban environment by encouraging cross disciplinary approaches to building and landscape projects, and associated with the Jerwood Art for Architecture Award (introduced 1994) (Ref: PR.AR/110); Shakespeare in Schools (begun 1992), a pilot project to introduce Shakespeare to children (Ref: PR.AR/108).

Records relating to promotion of design, including the Design Bursaries Board, Design Committee, the Design Board, Design Advisory Group and Design Section (Ref: PR.DE/106-7); Industrial Art Bursaries Competition (started 1924), succeeded by the Design Bursaries Competition, Competition of Industrial Designs and Student Design Awards (Ref: PR.DE/100); Royal Designers for Industry (RDI) scheme (created 1936) to encourage a high standard of industrial design (Ref: PR.DE/101); Bicentenary Medal (instituted 1954) for exceptional influence in promoting art and design in British industry (Ref: PR.DE/102); Presidential Awards for Design Management (instituted 1964) to recognise outstanding design policy (Ref: PR.DE/105).
Records relating to education, including the RSA Examinations Board (PR.ED/100); the Education for Capability programme (initiated 1979) to counteract academic bias in British education and promote practical, organising and co-operative skills (Ref: PR.ED/107); the future of Technological Higher Education in Britain (1982), a study group to consider the problems facing Britain in the development of technological higher education (Ref: PR.ED/118); Home-School links (from 1988) (Ref: PR.ED/108); Parents in a Learning Society, a development project to involve parents in education and assess home-school work (Ref: PR.ED/104); the National Advisory Council for Careers and Educational Guidance (established 1994), to promote and advise on provision of guidance for learning and work (Ref: PR.ED/103); Education Futures (2000) (Ref: PR.ED/116).

Records relating to the environment, including the Campaign for the Preservation of Ancient Cottages (begun 1926) to protect cottage architecture, establishing a fund which purchased or restored cottages near Worthing, at Bibury, Gloucestershire, West Wycombe, Buckinghamshire, Chiddingstone, Kent, and elsewhere (Ref: PR.EN/100); three 'Countryside in 1970' Conferences (1963-1970) (Ref: PR.EN/104); Environment Committee (formed 1971) to identify and anticipate major environmental problems and provide a forum for discussion (Ref: PR.EN/107), which began the Pollution Abatement Technology Award Scheme (PATAS) (1983-1986) (Ref: PR.EN/103), succeeded by the Better Environment for Industry/European Better Environment Awards for Industry (BEAFI/EBEAFI) (1987-1991) (Ref: PR.EN/101); the Environment Committee's sub-committee the RSA-Cubitt Trust Panel (to 1991), devoted to the built environment and working with the Cubitt Trust to convene conferences, seminars and an annual Cubitt Lecture (Ref: PR.EN/106); After the Earth Summit - What Next? (1992) (Ref: PR.EN/128); RSA Environmental Management Awards (begun 1993) (Ref: PR.EN/102).

The Early Library (Ref: SC/EL/1-5), comprising c500 printed works collected by the Society before 1830, including journals and periodicals, and c300 pamphlets and tracts covering broad-ranging topics relating to premiums and awards of the various sectional committees (Agriculture, Polite Arts, Chemistry, Manufactures, Mechanics, and Colonies and Trade), and including extracts from proceedings of other societies and learned institutions.

Records of the Royal Society of Portrait Painters, including minute books, agreements, rules, acceptances of membership, papers relating to annual dinners, press cuttings, and annual exhibiton catalogues. Please note that access to the collection is by written permission from the depositors only.

Records of the Royal Watercolour Society and its predecessors including:

minutes and proceeding of the Society associated for the purpose of establishing an annual exhibition of paintings in water colours 1804-1808; the Society of Painters in Water Colours 1908-1812; the Society of Painters in Oil and Water Colours 1812-1820; and the Society of Painters in Water Colours 1820-2003;

proceedings of the committees, 1805-1896; minutes of the Council, 1896-1989; and correspondence 1938-1975;

administrative papers including laws and regulations, correspondence, deeds, leases, licences, plans, signature collections, menus, photographs, 1823-1980; annual reports 1897-1955; calendar 1939-1959;

letter books 1896-1942;

financial records 1805-1978;

catalogues of exhibitions 1805-1990; catalogues of non-members exhibitions 1939-1968; London Salon of Photography exhibitions, 1935-1972; Society of Portrait Sculptors, 1958-1967; Society of Miniaturists 1943-1970;

Jenkins Papers comprising106 files on individual artists collected by John Joseph Jenkins, containing obituaries, letters, memoranda, catalogues, printed papers, cuttings, and notes;

miscellaneous volumes comprising of laws and rules of the society 1804-1842; photographs of Presidents, Honorary Members, Members and Associates of the Society, c1863; membership book 1878-1985; register of candidates 1904-1967; exhibition statistics 1914-1951; admission revenues 1926-1937; General meeting attendance books, 1895-1923; Council attendance book1908-1968; library catalogue 1885-1890s; inventories of furniture, fittings and works of art 1885-1906; list of members of the first exhibition 1805; private view list 1900-1910; register of visitors 1904-1905; stationary standard books 1901-1938; parcel books 1902-1937; annual dinner invitation lists 1904-1914; Treasurer's reports to Council 1885-1889; Social Evenings Committee minutes 1885; Sub-Committee on the Law of Copyright minutes 1896-1902; agendas 1898-1952; private view signatures 1927-1978;

press cuttings books 1880-1974;

sales records comprising sales books, 1825-1981; artists and buyers daily accounts 1897-1956; ledgers 1897-1937;

Peter De Wint Trust Fund records comprising minutes 1924-1976;
correspondence and papers 1922-1969; financial records 1922-1982;

Art Club minutes and papers 1884-1984; attendance book 1912-1953; letter book 1906-1909; financial records 1884-1976; register of subscriptions, 1931-1936; sales day book, 1959-1984; annual reports, 1936-1938; correspondence 1936-1986; catalogues of exhibitions, 1886-1984 including exhibitions held jointly with the Society of Miniaturists, 1971-1983; membership lists and rules, 1884-1939;

Old Water-Colour Society Club records comprising minutes 1923-1971; draft constitution and rules 1923; correspondence 1937-1985; printed papers and ephemera 1924-1972; financial records 1939-1970; annual dinner menus 1928-1939; plans of table 1926-1939;

John Joseph Jenkins' personal papers including personal letters 1846-1875; notes 1833-1834; society papers 1810-1884; newspaper cutting 1852-1884; miscellaneous papers on artists, 1815-1880; and papers relating to the Society's history 1804-1884;

Items given to the RWS comprising illuminated coat of arms, 1931; miscellaneous letters 1804-1946; papers of Sir Ernest A Waterlow, 1898-1913; sketchbook of Alfred Parsons 1880-1918; Thomas Rooke's memoir of the RWS and its members 1926; sketch, photograph and letters of Roland Bachelor 1979-1980.

Artist files containing cuttings, articles and related papers on members of the RWS (24 boxes); and Artist photographs - collection of photographs of members of the RWS 1852/3- (3 boxes).

Five letters of John Ruskin to the Rev Walter Lucas Brown on watercolour painting; letter to Miss Brown.

Collection of autograph letters, 1756-1849, brought together by Lord Odo Russell. The correspondents are mainly European scientists, including Nikolaus Joseph and his son Joseph Franz Freiherr von Jacquin, both Professor of Chemistry and Botany at Vienna University; the zoologist Leopold Joseph Franz Johann Fitzinger; and the botanist István Laszló Endlicher. The letters concern the natural sciences, the medical sciences, the physical sciences, the arts, theology, dealers, diplomats and statesmen, and others. There is also a note from Beethoven (post 1824) and a letter from Goethe (1807).

Records of the parish of Saint Michael, Chiswick, including baptism registers (1908-1964); marriage registers (1909-1972); confirmation registers (1940-1976); service registers (1908-2009); temporary building committee, Parochial Church Council and Vestry meeting minutes; a recording of the church choir singing at Truro Cathedral; parish magazines and newsletters.

Papers of Alfred Schnittke including photographs, personalia, music manuscripts, published scores, sound and video recordings, drafts of published and unpublished works, and a small amount of correspondence.

Papers relating to Kurt Schwitters, [1919-1993], comprising catalogues of exhibitions of Schwitters' work, largely in Britain and Germany, 1961-1986; invitations to exhibitions, 1963, 1985; pamphlets concerning Schwitters, 1948-1986; press cuttings relating to Schwitters and his work, 1985-1999; recording of Schwitters reading his poem 'An Anna Blume' and 'Die Sonatein Urlauten', 1943; Lord's Gallery exhibition catalogue, 1958; Private view invitations, Lord's Gallery Exhibition, 1958;
coloured getochromes by Schwitters, including from exhibitions, 1919-[1980]; photographs of Schwitters' work from exhibitions in Europe, 1944-1963, including from Lord's Gallery exhibition, 1958;
invoices, letters and price lists relating to exhibitions, 1958-1960; correspondence with Abbot Hall Art Gallery and Museum concerning Schwitters' work, 1993.

Papers of Marion Margaret Scott, 1910-1952, mainly comprising correspondence and papers, 1932-1952, relating to Scott's research on the music of Joseph Haydn, particularly in regard to Haydn's string quartets, and his associations with England, including manuscripts and typescripts of articles on Hadyn by Scott, with three chapters of an unfinished book on Haydn; manuscripts of Scott's edition of Haydn's Quartet Opus 1; correspondence and cuttings regarding research of the musicologist Professor Adolf Sandberger on Haydn's music, 1932-1933; other papers, including manuscripts of vocal and instrumental compositions by Scott; a small amount of other personal and business correspondence, including correspondence relating to the Society of Women Musicians; correspondence with Fanny Davies, pianist, 1927-1931; correspondence relating to the financial affairs and estate of Davies, 1932-1936; two letters from Ivor Gurney [1922-1924], with manuscript and typescript article on Gurney, and correspondence related to her editions of Gurney's songs, including correspondence with the Gurney family, 1949-1951; volume of manuscript poetry by Scott, undated; manuscripts and typescripts of programme notes and articles on London concerts, 1923-1939; manuscripts and typsescripts of unpublished articles and lectures including 'Beethoven today', 'William Hurlstone' and 'Benjamin Britten and Peter Grimes', undated; typescripts of lectures delivered to the Women's Institute, including 'The evolution of English music', 'Musical form - its basis and evolution', 'Musical form, expression and design' and 'Folk songs of four races', 1910; press cuttings on Scott, 1931-1944; autograph book of Fanny Davies at Leipzig and Frankfurt, Germany, including signatures of Salomon Jadassohn, Carl Reinecke and Clara Schumann, 1881-1884; notebook of Sir John Stainer entitled 'The mode of synagogue music' by J Singer, undated.

Papers of Elizabeth Scott-Moore, comprising correspondence, working papers, scrapbooks and photographs, 1920s-1990s.

The archive consists of papers relating to the activities and members of See Red Women's Workshop, 1974-1984. It includes correspondence; notebooks containing minutes; press cuttings; poster catalogues and photographs showing members at work in the screen-print workshop.

Ledgers of William Sharpe, Thomas Sharpe and George Bishop, heraldic painters; including customers' names.

Papers of Harold Watkins Shaw, 1950s-1991, including manuscript notes, notebooks, typescripts and associated research material relating to Shaw's articles, particularly in regard to the music and life of George Frideric Handel and Handel's Messiah; offprints of Shaw's articles from various journals; printed orchestral parts of Shaw's edition of Handel's Messiah (1965) with minor manuscript corrections; Shaw's manuscript edition of Handel's Theodora (1984); research papers for a series of articles by Shaw on John Blow, with offprints; manuscript editions by Shaw of works by John Blow, including Awake, awake my lyre!, the orchestral Te Deum and Jubilate in D, Ode on St Cecilia's Day 1691, Evening service, other odes and Latin pieces; research papers for his The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales from c.1538 (Clarendon Press, Oxford, 1991), mostly comprising autobiographical details (name, birthdates and appointments as organist) of organists then living, together with a few biographical memoirs compiled by relatives of organists recently deceased; correspondence with the deans, provosts and chapter clerks of Anglican cathedrals of modern foundation (formerly parish churches) in connection with lists of their organists; files of correspondence and research papers on organists of ancient cathedrals, and related correspondence with Oxford University Press, librarians and cathedral and college authorities for permission to publish.

Papers of Sir Frank Short comprising notebooks c1905-1924; photographs; letters 1889-1924; drawings, and experimental work; monographs, 1912, 1920; copper plates, and account book of William Bernard Cooke (1778-1855, engraver) with J M W Turner, 1822-1825.

Papers, 1820-1953, of the Sibree family, comprising miscellaneous correspondence and manuscripts, press cuttings and printed papers, 1867-1929, of James Sibree, the subjects including missionary, literary and architectural work and the history, customs and language of Madagascar, including a manuscript of his `Missionary Heroes and Heroism in Madagascar', 1925; eight scrapbooks of James Sibree's papers, 1820-1927, containing printed materials and cuttings, correspondence and notes, maps and sketches relating to Madagascar and to the Sibree family; two volumes presented to James Sibree on the 50th anniversary of his missionary service in Madagascar, 1913; other papers of James Sibree relating to Madagascar, 1874-c1916 and undated, including its natural history; photographs, comprising portraits of missionaries and others connected with the Madagascar mission, 19th century, Sibree family photograph album, 1902-1913, including volcanic eruptions in Samoa, and photographs of Madagascar, including buildings, landscapes, and individuals; scrapbook of Elsie Sibree, c1913-1953, including press cuttings, photographs, and notes.

Five notebooks containing the memoirs of James Sibree, 1836-1879, 1913-1926, recording his early life in Hull, family history, training at Spring Hill, missionary work in Madagascar and in Vizagapatam, India, with the London Missionary Society, and his later years.

Letters written by James Smetham, 1853-1877, mainly to William Davies, concerning his work, schemes to raise money and his religious beliefs. Smetham called his letters "ventilators" and they often took the form of handmade notebooks with their contents resembling diaries or commonplace books. Other correspondents include Rev Thomas Akroyd, Quintin Hogg (1845-1903), Charles Mansford, Charles Gabriel Dante Rossetti (1828-1882), John Ruskin (1819-1900) and Frederic James Shields (1833-1911). Also letters to Sarah Smetham, his widow, from William Davies, 1889-1895.

Papers of Muriel Smith, 1915-1968, comprising letters and postcards from performers and speakers to the Lewes Music Club, including Jelly d'Aranyi (3), Fanny Davies (8), Robina Friskin, Léon Gossens, Marjorie Hayward, Myra Hess, Frank Howes (4), Norman Notley (2), Arnold Trowell, Steuart Wilson.

Papers of the Society of Women Musicians (SWM), 1911-1972, including annual reports, 1914-1972; minutes, 1967-1973; book of members elected and resigning, 1920-1960; fixture cards, 1915-1971; memorandum and articles of association, 1930; programmes and handbills of concerts, recitals and lectures organised by the SWM, 1912-1972; notices to members, 1911-1972; programmes of Ivimey Concerts, 1966-1971; papers relating to the foundation of the society in 1911, its constitution and initial membership, comprising correspondence, minutes, notes; correspondence on engagement of women with professional orchestras, 1920, 1928-1929; correspondence with speakers for lectures, 1933-1971; correspondence relating to BBC women's conference, 1936; correspondence with the Associated Board of the Royal Schools of Music regarding the appointment of women examiners,1937-1956; various correspondence relating to the SWM presidency, membership, SWM library accessions, celebrations of SWM golden jubilee, 1961 and diamond jubilee 1971; news cuttings on the deaths of K Dorothy Fox, 1934, Marion Margaret Scott, 1953, and Katharine Emily Eggar, 1961, with related correspondence; printed material including The Music Student: special number devoted to the subject of women's work in music, May 1918; pamphlet of meeting in commemoration of Marion Margaret Scott, Jun 1954; press cuttings books relating to women musicians and the SWM, 1892-1964; correspondence relating to the dissolution of the SWM and donation of its records to the Royal College of Music, 1973-1974.

Records of Southbank Centre comprising:

Administrative records including:
Opening Ceremony book of distinguished visitors, 3 May 1951, containing signatures of guests; Visitors books (signed by performers), 1956-1966; Press releases, 1969-1991 (1 box); Annual Reports, 1992-present

Event diaries, 1951-present; records of attendance and ticket sales, 1957-1970s

Arts Board Recreation and Arts Committee files, 1976-1982; Visual Arts Committee files, 1978-1982; London County Council Committee orders files relating to Royal Festival Hall, 1949-1975; Southbank Board administrative files, 1985-present

Artist agreements, 1974-1976; administrative files 1970s-1980s; files relating to redevelopment

Records relating to exhibitions including administrative files, papers and photographs, 1951-1994; printed catalogues of exhibitions; card catalogue of exhibitions, 1950s-1980s; photographs relating to exhibitions, 1981-1993

Records of performances and events including Meltdown summer music festival publicity material, 1993-2000; music projects subject files, 1970s-1980s; South Bank Summer Music (SBMS) administrative files, 1969-1984

Card index of performances at Southbank Centre venues arranged by artist, instrument, conductor and composer, 1951-1985

Printed publicity material including Preview, South Bank Centre publication, 1991-1995; Scrapbooks containing printed programmes, 1951-1964 (18 vols); copies of printed performance programmes 1951-present; Exhibition programmes, 1976-1980s; publicity posters, 1980-2000; leaflets 1960s-present

Collection of published magazines containing articles or special issues relating to the Festival of Britain of the RFH, 1951-1995

Cuttings collection including newspaper cuttings, 1951-1964; Press Department cuttings, 1984-present; Education Department press cuttings, 1987-1993; cuttings and papers relating to site development, 1996; articles and speeches of Nicholas Snowman, 1992-1999; orchestral residency background, 1990-1995; redevelopment submission, 1991; seasons and launches, 1994-1996; cuttings re Festival ballet, dance, 1952, 1954; cuttings of concert reviews and events; press cuttings, 1984-2002

Scrap books of press cuttings arranged by subject including Royal Festival Hall organ, Royal Philharmonic Orchestra, 1954; National Theatre and South Bank Opera House, 1958-1965; Philharmonia /New Philharmonia Orchestra, 1963-1966; Royal Festival Hall Competition, 1965; Queen Elizabeth Hall opening, and acoustics, 1967; South Bank Summer Music, 1964-1968; Orchestral Resources Report, 1970; Night of Nights-Frank Sinatra, 1970; Kirov Ballet, 1979; Calas/Di Stefano, 1973; Andre Previn and the London Symphony Orchestra, 1975; Royal Festival Hall 25th anniversary, 1976; Horowitz concert, 1982; Metropolitan Mikado, 1985; and The Soul of the Terracotta Army, 1987

Photographic collection comprising:
Files of photographs arranged by subject including aerial views, auditoria, backstage, brewer and South Bank Lion, Embankment, Festival Pier and Jubilee Gardens, Festival of Britain, foundation stone and topping out, furniture and fittings, Hayward Gallery interior and exterior, models and artists' impression, organs, Queen Elizabeth Hall under construction, exterior and interior, Royal Festival Hall construction, exterior and interior, Royal Festival Hall completion, site and views from the site, staff and miscellaneous images, 1920s-1970s
Scrap books of photographs relating to Royal Festival Hall construction, exhibitions, foyer exhibitions and other events, receptions, interior, exterior and models, Stage productions and films
Collection of photographs and negatives of artists, conductors, events and staff

Collection of visual materials including:
Portraits of - Bela Bartok, Artur Schnabel and Sir Thomas Beecham, Sir Arthur Bliss, Walter Crane, Piero De Gamba, George Gissing, Gerald Moore, Paul Tortellier, by artists including Janos Halafy, Adrian Allinson, Wyndham Lewis, Sonia Miller, Bette Flashtig
Collection of drawings by Dr Willy Dreifuss including portraits of Sir Thomas Beecham, Clifford Curzon, Jascha Horenstien, Otto Klemperer, Rafael Kubelik, Artur Ribinstein, Adrex Segovia
Prints of Ludwig van Beethoven, Clara Haskil, Double Basses of the New Philharmonia Orchestra, Arturo Toscanini, by artists including Michael Garady, Doroth Bradford, A Rienzi
Lithograph of Sir Henry Wood, view of Somerset House from Waterloo Bridge, view of Waterloo Bridge from the west; 27 prints of musicians and singers published in Vanity Fair, 1872-1908

Collection of films and videos of programmes and promotional material, relating to the Festival of Britain, Royal Festival Hall anniversaries, architecture and building development, the South Bank development, [1951], [1976] 1983 -2001

Sound recordings including:
Commercial CD (100) and audio cassettes (50) recordings of concert performances held at Royal Festival Hall
Oral history recordings (on audio cassette, DAT, and CD) of interviews with managers, London County Council members, architects, musicians, staff and patrons, including Felix Aprahamian, Hugh Bean, Lord Birkett, Tony Blackwell, Harry Blech, Jack Brymer, Shirly Cooper and Ted Higgins, Nicholas Danby, John Denison, Maura Dooley, Rober Glazebrook, Noel Goodwin, Ian Grant, Reg Fulker, Illtyd Harrington, Victor Hochhauser, R G F Howden, Michael Kaye, Frank Kellond Jones, London Festival/English National Ballet, Ruth Mackenzie, George Mann, Sir Leslie Martin, Lord Menuhin, Peter Moro, Yvonne Pegler, Anthony Phillips, Richard Pulford, David Seigle-Morris, Dennis Spall, Anthony Steele, and Christine Wilde, 1990s
Recordings of miscellaneous interviews and broadcast radio programmes relating to Royal Festival Hall and the Festival of Britain, 1957, 1990-2000

Material relating to the Festival of Britain including:
newspapers, magazines, guides, extract articles, programmes and exhibition catalogues [1951-1993]; Festival plans and posters; Festival ephemera and objects including ash tray, curtain, head scarf, press pass, presentation soap [1951]; chairs and other furniture
Cassette and CD recordings containing extracts from BBC commentaries, relating to the opening of Royal Festival Hall, various events, and interviews with Robert Matthew and William Allen; Festival Times, publication of the Festival of Britain Society, 1989-present.

Correspondence to and from James Sowerby and other family members from naturalists and collectors in Britain and abroad.

Papers of Jean Spencer, 1970-2002, comprising the Kleinsassen archive, 1986, consisting of schema, texts, plans, photographs and complete slide archive; Elephant Trust proposal and studies, 1987, including a folder of original drawings; studies for Kemi, comprising black and white photographs and line drawings; 2 sketchbooks of studies for reliefs; exhibition catalogues including Jean Spencer's work, 1972-1990; Study for Double Square Painting, 1992, (oil on linen); group exhibition catalogues, 1972-1990; "Countervail" exhibition publicity cards, Mappin Art Gallery, Sheffield, 1992.

This collection largely consists of correspondence to and from Stanley Spencer and his writings on himself, his paintings, religion and his relationships. The correspondence dates from the late 1930s, with the majority coming from the 1940s and 1950s. Important correspondents include: the British Broadcasting Corporation, Mary and Louis Behrend (patrons and founders of Sandham Memorial Chapel, Burghclere), Spencer's sister Florence Image, his first wife Hilda, his children Unity and Shirin, John and Elizabeth Rothenstein and the Tate, and Arthur Tooth and Sons (his agents). The collection also contains Spencer's writings, notebooks and diaries. Spencer was a prolific writer who appeared to use his writings as an opportunity to expand or refine his ideas for paintings, and his personal thoughts. Along with his letters, the continuous writings, notebooks and diaries often contain detailed descriptions of his paintings, compositions and schemes; his opinions on art, life, philosophy, religion and sex; and his autobiography and preparation for a proposed book. The collection is completed by a number of sketches and drawings by Spencer, the majority of which relate to larger, painted works; and some printed ephemera including press cuttings, photographs, postcards, private view cards and exhibition catalogues.

A sketchbook by Stanley Spencer, c 1919-1924 with one loose sketch of Gilbert Spencer by Stanley Spencer, c 1906-1908.

The Sketchbook contains 37 pages with sketches on front and back of pages, 4 loose sheets and 2 torn pages. Most sketches are made in pencil. However, 12 sketches are finished in pencil and wash, and 1 sketch in pencil and oil.

The sketchbook spans Spencer's time spent with the Slessers in Bourne End from late 1919-1920, with Muirhead Bone and his wife at Petersfield in 1921 and his stay with Henry Lamb in Poole, Dorset in April 1923 where he produced designs for what would later become the Sandham Memorial Chapel at Burghclere. The sketchbook is significant in that it includes initial ideas for a number of post-First World War religious works, including some Tate-owned paintings, notably 'Christ Carrying the Cross', 1920, 'The Robing of Christ and the Disrobing of Christ', 1922, and 'The Resurrection, Cookham', 1924-26. It also includes a number of designs (many in pencil and wash) for Sandham Memorial Chapel at Burghclare which are amongst some of the earliest sketches that Spencer created for this commission.

The loose sketch of Spencer's brother, Gilbert Spencer, is a pre-Slade School sketch of c 1906-1908 of his magnum opus.

Letter from Sir Stanley Spencer of 3 Vale Hotel Studios, Hampstead, London to Thomas Sturge Moore, 26 Apr 1926. 'Here at last is the monograph of my works ... The much wanted or unwanted explanation of my pictures will be found in the book of words, so there will be no more trouble now, all is clear at last ... I am doing a big picture of the resurrection ... (18ft x 9ft) and it is going to take years to paint and I love painting it so I am enjoying myself ...'.

Autograph, with signature.

Autograph book of Sir Charles Villiers Stanford, early 19th century-c1918 (predominantly 1880s-1890s), mostly comprising short letters addressed to Stanford on musical or personal matters, with a few poems and fragments of manuscript music. The collection also includes a few autographs only, and some fragments not contemporary with Stanford. Correspondents include: Emma Albani; Albert Edward, Prince of Wales; Matthew Arnold; Arthur Balfour; W Sterndale Bennett; Edward W Benson, Archbishop of Canterbury; Arrigo Boito; Hans von Bronsart; J Brahms; Robert Bridges; John Bright MP; Robert Browning; Max Bruch; Alfred Bruneau; John Burns; Joseph Chamberlain; D M Crack; K Crowe; Anton Dvorak; George Eliot; G J Elwey; Franco Faccio; Robert Franz; Alexander Glazunov; John Glover; Arabella Goddard; Jenny Lind-Goldschmidt; Otto Goldschmidt; Edward Grieg; Madge Kendel Grimstone; Eugen Gura; H Rider Haggard; Charles Hallé; Ferdinand Heller; F Halévy; J L Hatton; Henry Irving; Jean Ingelow; Joseph Joachim; Friedrich Kiel; Charles Kingsley; Rudyard Kipling; Marie Krebs; Lord Leighton; Franz Liszt; Henry Longfellow; Felix Mendelssohn Bartholdy; G Macfarren; A C Mackenzie; Herbert Mackinnon; Norma Mare; Hubert Parry; Adelina Patti; Guido Papini; Alfred Piatti; Maria Piccolomini; Giacomo Puccini; Carl Reinecke; Brinley Richards; Hans Richter; Earl Roberts of Kandahar and Pretoria; Carl Rosa; Christina Rossetti; Dante Gabriel Rossetti; Anton Rubenstein; Camille Saint Saens; Prosper Sainton; Charles Santley; Clara Schumann; Robert Schumann; J Palgrave Simpson; Camillo Sivori; Robert Louis Stevenson; Richard Strauss; Arthur Sullivan; Lawrence Alma-Tadema; D Tagliafino; Sigismond Thalberg; Tom Taylor; John Tenniel; Alfred Tennyson; Ellen Terry; P Tchaikovsky; Giuseppe Verdi; Pauline Viardot; Richard Wagner; Walt Whitman; Charles Marie Widor; August Wilhelmj; W G Wills; H F Wilson; Edmund Yates.

The collection spans Kubrick's entire career from his time as a photographer in the 1940s and early 1950s until his last film in 1999 (Eyes Wide Shut). Kubrick died during the editing of Eyes Wide Shut and some items relating to the release/finished version were added by his staff. They have been included because they were held with the main collection, at the creator's home, following the pattern of what he kept and were deposited with the Archive.

The collection covers the film making process from pre until post production and includes: production paperwork [including pre and post production]; letters; props; costumes; publicity materials, both finished posters etc and drafts; production photographs. stills and slides; research paperwork and photographs; plans etc for how to film scenes; books; audiovisuals; drawings and artwork; equipment and press cuttings.

Papers of Philip Wilson Steer, 1836-1962, comprising personal ephemera, 1860-1917, including his birth certificate, 1860; art examination certificates, 1880-1881; permit book for sketching at Dover, 1917; photographs, 1864-1930s and undated, including Steer at various ages and family members;
original pictures by Steer, comprising charcoal drawing of pollarded stump and wall, undated; monochrome watercolour, 1877; monochrome over pencil drawing of Christ healing the sick / raising Lazarus, undated (described as an early work);
papers relating to dealers, notably lists and statements of accounts for pictures sold, by Barbizon House, 1927, undated, by Goupil Galleries, 1909-1937, by Charles A Jackson, 1919-1926, and by David Sassoon & Co, 1927; lists, comprising list of dates of places where Steer worked from 1884, undated, and list of pigments used by Steer, [1970];
letters, comprising correspondence from or to Steer or his parents, 1836-1942, including relating to Steer's Order of Merit, 1931, letters to his family whilst abroad, 1876, 1882-3; letters relating to Steer's memorial, 1942-1943; letters to Dorothea Hamilton concerning the gift of a Steer watercolour as a wedding present to Princess Elizabeth, 1947, and deposit of material to the British Museum, 1945-1946; letters concerning publications relating to Steer, 1942-1962, Steer's estate 1942-1944; lists of subscibers to the Steer Memorial and addresses given at Steer's memorial service and the unveiling of the memorial slab, 1942-1943; articles by Steer on Impressionism in Art, 1891, and by Dugald Sutherland MacColl, 1939; newspaper and magazine cuttings, 1906-1948, including Steer's obituary and will, 1942, 1944, Steer exhibitions, 1943-1945, reviews of publications relating to Steer, 1944, 1945; sales catalogues containing items (furniture, porcelain, pictures, watercolours, books and silver plate) sold from Steer's estate after his death, 1942; miscellaneous papers including invitation to Steer's Memorial exhibition, 1943, booklet for D S Macoll's memorial service, 1949; list of documents given to the Courtauld by Dorothea Hamilton, undated.

Letters and cards to Joan Stocker, comprising a reference from W H Reed, 8 Feb 1935; 4 letters and Christmas cards from W H Reed, 1938-1941; order of Service, 'In Memoriam Dr. William Henry Reed', 18 Jul 1942; reference from S P Waddington, 5 Feb 1935; letter from Charles Thornton Lofthouse, 18 Jan 1937; typed circular letter with autograph signature from Sir Hugh Allen, Jul 1933; Diploma exam papers 1 and 2: Joint Graduate Course of the Royal Academy of Music and Royal College of Music, Jul 1935.

Papers and correspondence, 1929-1975 and undated, of Julia Frances Strachey, including diaries, notebooks, manuscripts and typescripts, 1929-1975 and undated; letters to Julia, 1924-1956 and undated, the writers including Dora Carrington; letters to Stephen Tomlin and Julia, 1923-1930 and undated, the writers including Lytton Strachey; correspondence between Stephen Tomlin and Julia, 1930-1931; correspondence between Julia and Lawrence Gowing, 1939-1971 and undated, and other letters to Julia, 1952-1967 and undated; personalia, including a copy of a divorce certificate, 1967, a will, 1971, a business diary, 1971, an appointment diary, 1974, passports, and an undated address book; postcards and photographs, largely undated, mainly miscellaneous works of art but also including Lytton and Oliver Strachey, Dora Carrington, and Stephen Tomlin; a scrapbook, 1932-1971, mainly comprising press cuttings including reviews of Strachey's novels, with a few miscellaneous letters inserted.

Papers of Cecil Symons, cardiologist, 1972-1988, comprising:
Correspondence on the commissioning of Peter Jones' pictorial representations of the Royal Free Group of Hospitals, 1972-1973, and the subsequent bequest to the Hospital in 1987-1988. Copies of the paintings are exhibited in the RFH Committee Room, and the originals are held in the Archives Centre, and known as the Symons bequest.
Correspondence on the commissioning of the 150th Anniversary group portrait of the RFH Consultants, 1978.

12 letters from E Somerville Tattersall to 'Audrey' concerning the young violinist Yehudi Menuhin, 1932-1939.

Technical Services Department building project files created to manage individual construction projects undertaken by the Corporation of London. Files for the City of London School rebuilding, 1983-1986, including project background file giving information about the historical evolution of the project, 1968-1982, and the project manual which provides general information on the running of the project, as well as progress reports, technical information, architectural sketches, correspondence, plans, archaeological details and legal papers, 1973-1991. Also files for the Craft, Design and Technology (CDT) block, constructed 1990-1993, including design notes and sketches, reports, correspondence, certificates, bills, tenders and technical information, 1984-1995.

Also files for the conversion of the National Safe Deposit into the City of London Magistrate's Court, 1988-1991, including plans, reports, minutes of meetings, correspondence, diagrams, technical information and the project manual, 1986-1997.

Copies of correspondence and memoranda relating to a dispute between the proprietors of the Theatre Royal at Covent Garden and performers.