GB 1249 MS 4771 - Landowska lecture notes

Identity area

Reference code

GB 1249 MS 4771

Title

Landowska lecture notes

Date(s)

  • 1929-1930 (Creation)

Level of description

Extent and medium

1 volume

Context area

Name of creator

Biographical history

Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.

Archival history

GB 1249 MS 4771 1929-1930 Collection (fonds) 1 volume Karger , Liz M , fl 1929-1930 , née Rosenberg , music student
Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.

Purchased from Herman Baron, Jan 1975.

Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.

Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.

Photocopying is permitted at the discretion of the Archivist for research purposes only.
German.

An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.

Compiled by Robert Baxter as part of the RSLP AIM25 Project. Source: article by Lionel Salter, Grove Dictionary of Music. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Sep 2001 Bach , Johann Sebastian , 1685-1750 , German organist composer and master contrapuntist Classical music Cultural education Handel , George Frederick , 1685-1759 , musical composer Karger , Liz M , fl 1929-1930 , née Rosenberg , music student x Rosenberg , Liz M Landowska , Wanda , 1879-1959 , Polish keyboard player and composer Mozart , Wolfgang Amadeus Chrysostom , 1756-1791 , Austrian composer Music Musical instruments Musical performances Musical styles Music education Performing arts

Immediate source of acquisition or transfer

Purchased from Herman Baron, Jan 1975.

Content and structure area

Scope and content

Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Conditions of access and use area

Conditions governing access

Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.

Conditions governing reproduction

Photocopying is permitted at the discretion of the Archivist for research purposes only.

Language of material

  • English

Script of material

  • Latin

Language and script notes

German.

Physical characteristics and technical requirements

Finding aids

An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.

Allied materials area

Existence and location of originals

Existence and location of copies

Related units of description

Related descriptions

Publication note

Notes area

Note

Alternative identifier(s)

Access points

Place access points

Name access points

Genre access points

Description control area

Description identifier

Institution identifier

Royal College of Music

Rules and/or conventions used

Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.

Status

Level of detail

Dates of creation revision deletion

Language(s)

  • English

Script(s)

    Sources

    Accession area