Zone d'identification
Cote
Titre
Date(s)
- 1929-1930 (Création/Production)
Niveau de description
Étendue matérielle et support
1 volume
Zone du contexte
Nom du producteur
Notice biographique
Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.
Histoire archivistique
GB 1249 MS 4771 1929-1930 Collection (fonds) 1 volume Karger , Liz M , fl 1929-1930 , née Rosenberg , music student
Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.
Purchased from Herman Baron, Jan 1975.
Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Photocopying is permitted at the discretion of the Archivist for research purposes only.
German.
An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.
Compiled by Robert Baxter as part of the RSLP AIM25 Project. Source: article by Lionel Salter, Grove Dictionary of Music. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Sep 2001 Bach , Johann Sebastian , 1685-1750 , German organist composer and master contrapuntist Classical music Cultural education Handel , George Frederick , 1685-1759 , musical composer Karger , Liz M , fl 1929-1930 , née Rosenberg , music student x Rosenberg , Liz M Landowska , Wanda , 1879-1959 , Polish keyboard player and composer Mozart , Wolfgang Amadeus Chrysostom , 1756-1791 , Austrian composer Music Musical instruments Musical performances Musical styles Music education Performing arts
Source immédiate d'acquisition ou de transfert
Purchased from Herman Baron, Jan 1975.
Zone du contenu et de la structure
Portée et contenu
Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.
Évaluation, élimination et calendrier de conservation
Accroissements
Mode de classement
Zone des conditions d'accès et d'utilisation
Conditions d'accès
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Conditions de reproduction
Photocopying is permitted at the discretion of the Archivist for research purposes only.
Langue des documents
- anglais
Écriture des documents
- latin
Notes de langue et graphie
German.
Caractéristiques matérielle et contraintes techniques
Instruments de recherche
An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.
Zone des sources complémentaires
Existence et lieu de conservation des originaux
Existence et lieu de conservation des copies
Unités de description associées
Note de publication
Zone des notes
Note
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Lieux
Mots-clés - Noms
Mots-clés - Genre
Zone du contrôle de la description
Identifiant de la description
Identifiant du service d'archives
Règles et/ou conventions utilisées
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Statut
Niveau de détail
Dates de production, de révision, de suppression
Langue(s)
- anglais