Identificatie
referentie code
Titel
Datum(s)
- 1929-1930 (Vervaardig)
Beschrijvingsniveau
Omvang en medium
1 volume
Context
Naam van de archiefvormer
Biografie
Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.
archiefbewaarplaats
Geschiedenis van het archief
GB 1249 MS 4771 1929-1930 Collection (fonds) 1 volume Karger , Liz M , fl 1929-1930 , née Rosenberg , music student
Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.
Purchased from Herman Baron, Jan 1975.
Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Photocopying is permitted at the discretion of the Archivist for research purposes only.
German.
An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.
Compiled by Robert Baxter as part of the RSLP AIM25 Project. Source: article by Lionel Salter, Grove Dictionary of Music. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Sep 2001 Bach , Johann Sebastian , 1685-1750 , German organist composer and master contrapuntist Classical music Cultural education Handel , George Frederick , 1685-1759 , musical composer Karger , Liz M , fl 1929-1930 , née Rosenberg , music student x Rosenberg , Liz M Landowska , Wanda , 1879-1959 , Polish keyboard player and composer Mozart , Wolfgang Amadeus Chrysostom , 1756-1791 , Austrian composer Music Musical instruments Musical performances Musical styles Music education Performing arts
Directe bron van verwerving of overbrenging
Purchased from Herman Baron, Jan 1975.
Inhoud en structuur
Bereik en inhoud
Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.
Waardering, vernietiging en slectie
Aanvullingen
Ordeningstelsel
Voorwaarden voor toegang en gebruik
Voorwaarden voor raadpleging
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Voorwaarden voor reproductie
Photocopying is permitted at the discretion of the Archivist for research purposes only.
Taal van het materiaal
- Engels
Schrift van het materiaal
- Latijn
Taal en schrift aantekeningen
German.
Fysieke eigenschappen en technische eisen
Toegangen
An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.
Verwante materialen
Bestaan en verblifplaats van originelen
Bestaan en verblijfplaats van kopieën
Related units of description
Notitie Publicaties
Aantekeningen
Aantekening
Alternative identifier(s)
Trefwoorden
Geografische trefwoorden
Naam ontsluitingsterm
Genre access points
Beschrijvingsbeheer
Identificatie van de beschrijving
Identificatiecode van de instelling
Toegepaste regels en/of conventies
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Status
Niveau van detaillering
Verwijdering van datering archiefvorming
Taal (talen)
- Engels