Área de identidad
Código de referencia
Título
Fecha(s)
- 1929-1930 (Creación)
Nivel de descripción
Volumen y soporte
1 volume
Área de contexto
Nombre del productor
Historia biográfica
Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.
Institución archivística
Historia archivística
GB 1249 MS 4771 1929-1930 Collection (fonds) 1 volume Karger , Liz M , fl 1929-1930 , née Rosenberg , music student
Wanda Landowska (1879-1959) was a Polish keyboard player and composer. She was a champion of 17th and 18th century music and the leading figure in the 20th century revival of the harpsichord. She first played the harpsichord in public in 1903 and subsequently made concert tours in Europe. In 1909 she published her book Musique ancienne, and in 1913 she began a harpsichord class at the Hochschule fur Musik in Berlin. After World War One, she returned to Paris, where she lectured at the Sorbonne and gave classes at the Ecole Normale. In 1925 she settled at Saint-Leu-la-Foret (north of Paris) where she founded an Ecole de Musique Ancienne which attracted students from all over the world to private and public courses; the summer concerts held in its concert hall (built 1927) were to become celebrated. There, in 1933, she gave the first integral performance of Bach's Goldberg Variations. Liz Karger (née Rosenberg) was a student of Landowska in 1929-1930 who made notes of Landowska's lessons.
Purchased from Herman Baron, Jan 1975.
Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Photocopying is permitted at the discretion of the Archivist for research purposes only.
German.
An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.
Compiled by Robert Baxter as part of the RSLP AIM25 Project. Source: article by Lionel Salter, Grove Dictionary of Music. Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997. Sep 2001 Bach , Johann Sebastian , 1685-1750 , German organist composer and master contrapuntist Classical music Cultural education Handel , George Frederick , 1685-1759 , musical composer Karger , Liz M , fl 1929-1930 , née Rosenberg , music student x Rosenberg , Liz M Landowska , Wanda , 1879-1959 , Polish keyboard player and composer Mozart , Wolfgang Amadeus Chrysostom , 1756-1791 , Austrian composer Music Musical instruments Musical performances Musical styles Music education Performing arts
Origen del ingreso o transferencia
Purchased from Herman Baron, Jan 1975.
Área de contenido y estructura
Alcance y contenido
Notebook of Liz Karger (née Rosenberg) on lectures made by Wanda Landowska, 1929-1930, including notes on performance of various keyboard pieces by Johann Sebastian Bach, George Frideric Handel, and Wolfgang Amadeus Mozart.
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
Área de condiciones de acceso y uso
Condiciones de acceso
Usual conditions of the Library of the Royal College of Music apply. See the RCM website or contact the RCM Library for details.
Condiciones
Photocopying is permitted at the discretion of the Archivist for research purposes only.
Idioma del material
- inglés
Escritura del material
- latín
Notas sobre las lenguas y escrituras
German.
Características físicas y requisitos técnicos
Instrumentos de descripción
An entry is given in volume 2 of the Manuscripts catalogue in the library of the Royal College of Music.
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
Unidades de descripción relacionadas
Nota de publicación
Área de notas
Notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
Tipo de puntos de acceso
Área de control de la descripción
Identificador de la descripción
Identificador de la institución
Reglas y/o convenciones usadas
Compiled in compliance with General International Standard Archival Description, ISAD(G), second edition, 2000; National Council on Archives Rules for the Construction of Personal, Place and Corporate Names, 1997.
Estado de elaboración
Nivel de detalle
Fechas de creación revisión eliminación
Idioma(s)
- inglés